A radiant reflection of contemporary fiction at its best, The O. Henry Prize Stories 2006 features stories from locales as diverse as Russia, Zimbabwe, and the rural American South. Series editor Laura Furman considered thousands of stories in hundreds of literary magazines before selecting the winners, which are accompanied here by short essays from each of the three eminent jurors on his or her favorite story, as well as observations from all twenty prize winners on what inspired them. Ranging in tone from arch humor to self-deluding obsessiveness to fairy-tale ingenuousness, these stories are a treasury of potential classics.
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Editorial Reviews
From Publishers Weekly
Series editor Furman (Drinking with the Cook) casts a wide net in the latest installment of the long running award collection, aided by "jurors" Kevin Brockmeier, Francine Prose and Colm Tóibín, whose functions remain impressively unclear. Most of the prize stories turn on romance: in Alice Munro's "Passion" (already published in her collection Runaway), a Canadian waitress falls for her fiancé's alcoholic brother when he mends her cut foot at a Thanksgiving family dinner. Behind the noir gravities of "Sault Ste. Marie," by the American David Means loom the long shadows of The Postman Always Rings Twice; in Xu Xi's "Famine," a middle-aged school teacher from Hong Kong attempts to rid herself of her aged parents' thrift through a blowout at the Plaza. Others stories turn surreal. David Lawrence Means takes us to Ceta, a society that lives on the back of a great whale (in "Conceived"), while in Stephanie Reents's "Disquisition on Tears," a recluse is visited by an intrusive, hectoring woman without a head. The best story in the book might be Pulitzer Prize–winner Edward P. Jones's "Old Boys, Old Girls," in which a battered antihero feels the powerful lure of innocence as he meets family members born during his incarceration for murder in a powerful, moving encounter. (May 9)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
The 20 short stories in this marvelous collection were chosen by series editor Furman in consultation with jurors Kevin Brockmeier, Francine Prose, and Colm Toibin. The stories range in style from the gritty noir of David Means' "Sault Ste. Marie" to the mesmerizing mythmaking of Louise Erdrich's "The Plague of Doves," while the settings include a village perched on top of an enormous whale (David Lawrence Morse's "Conceived") as well as a swank suite at the Plaza Hotel (Xu Xi's "Famine"). The three most powerful stories seem to have in common the ability to immerse readers in a character's sudden, searing moment of self-knowledge and the way that insight impacts the course of a life. In Edward P. Jones' elegiac, masterful "Old Boys, Old Girls," a hard-bitten con comes to see that redemption is within his reach. Deborah Eisenberg delicately deconstructs a young girl's attraction to an abusive man in the haunting "Windows." And, finally, the storied Alice Munro, in "Passion," conveys the complex inner world of a teenager who discovers she values risk over security. Outstanding reading. Joanne Wilkinson
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
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Most Helpful Customer Reviews
19 of 19 people found the following review helpful:
5.0 out of 5 stars
Editor Furman's darkest and best collection yet,
By cs211 "cs211" (United States) - See all my reviews
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This review is from: The O. Henry Prize Stories 2006: The Best Stories of the Year (Paperback)
As in her two previous volumes (2003, 2005 - there was no O. Henry Prize volume dated 2004, forever throwing a kink into the collection on my bookshelf), series editor Laura Furman has gravitated toward subject matter that can only be described as dark and depressing. Yet the stories are so well written that the net effect is one of being moved by the power of the written word to experience aspects of the human condition well beyond the everyday. This is what good literature is supposed to do, and I would rank this year's volume as Furman's best so far.
To get an idea of the subject matter covered in this volume, one only has to take a careful look at some of the titles: "Mule Killers", "The Broad Estates of Death", "Disquisition on Tears", "The Plague of Doves", and "Famine". Other titles sound benign, however the subject matter is anything but (e.g. the last two stories, "Letters in the Snow" and "Window" are both about domestic abuse). But in all the stories, the subject matter isn't anywhere near the most important element. These stories expose the thought, logic and emotions that the characters caught in these situations experience, and hence take the reader into interesting places that are best experienced vicariously. Each reader will no doubt have his/her own list of favorite stories. Mine were: -- "Window", by Deborah Eisenberg: I agree wholeheartedly with guest editor Francine Prose's assessment that the language, wording and pacing of Eisenberg's story are excellent, and that this story is the best of the best. There is even some humor sprinkled in at appropriate moments. -- "Wolves", by Susan Fromberg Schaeffer: this is a portrait of the final stage of a long marriage, in which creations of the mind take on a reality of their own (perhaps). Along with Xu Xi's "Famine" and Stephanie Reents' "Disquisition on Tears", which I also enjoyed, Schaeffer's "Wolves" utilizes the fictional form to its full advantage. -- "The Dressmaker's Child", by William Trevor: this story, more than any other, contains an O. Henry-like plot twist at the end, which turns the story into a masterful tale of entrapment. -- "Girls I Know", by Douglas Trevor: a contemporary story of class differences and how ambition (or lack thereof) can drastically affect outcomes in life. My least favorite story, and the only one that I would have preferred not to have been included, was Terese Svodoba's "'80's Lilies", a story about what I have always known to be a futile quest: the attempt to seek out a sheltered, idyllic Garden of Eden to escape all the world's problems. The world just doesn't work that way, as these characters also discover (and they were supposed to be smart, educated folk). I keep hoping that, one of these years, Furman will include some well-written stories that explore more positive aspects of human experience. But if you are willing to take a walk on the dark side, you will be amply rewarded. On the other hand, if you are looking for stories with more popular appeal, then the Best American Stories series is for you. I happen to enjoy both.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Worth it for Stephanie Reents' story, "Disquisition on Tears",
By
This review is from: The O. Henry Prize Stories 2006: The Best Stories of the Year (Paperback)
This is a fabulous collection. It's worth it alone for the story by the rising star author, Stephanie Reents, called "Disquistion on Tears," which is not only a poignant, moving story, but also wonderfully strange and funny. Reents creates a hybrid of sorts. It's a literary short story first and foremost, but it also seems to contain elements of horror, magical realism, and other genres. The Alice Munroe stuff is great, too.
4.0 out of 5 stars
Two Stories in the Collection Will Knock Your Socks Off,
By Bonnie Brody "Book Lover and Knitter" (Port St. Lucie, FL) - See all my reviews (VINE VOICE) (TOP 100 REVIEWER)
This review is from: The O. Henry Prize Stories 2006: The Best Stories of the Year (Paperback)
I agree with the first reviewer that the stories in this collection are dark and depressing. I like the way the collection is selected. While Laura Furman is the editor, there are three additional jurors - - Kenin Brockmeier, Francine Prose and Colm Toibin.
Of the 20 stories in this collection, there were only two that knocked my socks off. The others were nothing spectacular and I doubt I'll remember them one month from now. The two I really liked were 'Passion' by Alice Munro and 'Wolves' by Susan Fromberg Schaeffer. 'Passion' is a strange story about a woman returning to the home of her ex-fiance, the place where her engagement and life unraveled all in a fit of unbridled passion over the course of one weekend. 'Wolves' is a spectacular story of loneliness, the power of the mind, aging, and the difficulty of sorting our reality from imagination. In this story, a couple who have been together for 40 years are growing both more dependent on one another yet more distant. The wife has some animosity towards her husband which she takes out in a passive aggressive manner. They have a word game that they have played over the years. One says a word and then the other adds to it, plays with it, and then passes it pack to their partner. On once occasion, the husband says the word 'wolf'. The wife keeps the word, plays with it in her head, imagines a real wolf that comes to her and helps her abide with her loneliness. The wolf is also dangerous because it is wild and unknown. It can be treacherous and unpredictable. Tragedy can and does occur. For me, it was worth reading this collection for these two stories. I know that 'Passion' is in a collection of stories by Alice Munro but I have never seen 'Wolf' before. I am a fan of both these authors and recommend these stories highly. If you can get this book cheaply it is worth it. You might like some stories that I didn't. I'm giving the collection a '4' because these two stories are so formidably dark and wonderful,
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