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Here Lies Arthur [Mass Market Paperback]

Philip Reeve
3.7 out of 5 stars  See all reviews (93 customer reviews)

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Book Description

March 1, 2010 8 and up
Welcome to the dark side of Camelot.

Gwynna is just a girl who is forced to run when her village is attacked and burns to the ground. To her horror, she is discovered in the wood. But it is Myrddin the bard who has found her, a traveler and spinner of tales. He agrees to protect Gwynna if she will agree to be bound in service to him. Gwynna is frightened but intrigued-and says yes-for this Myrddin serves the young, rough, and powerful Arthur. In the course of their travels, Myrddin transforms Gwynna into the mysterious Lady of the Lake, a boy warrior, and a spy. It is part of a plot to transform Arthur from the leader of (con't)

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Editorial Reviews

From School Library Journal

Starred Review. Grade 8 Up—Reeve offers up a revisionist retelling of the Arthurian legend, set in southwest Britain in A.D. 500, and exposing the dark side of Camelot. Arthur is a brutal, bullying tyrant, and not terribly bright. His fame stems solely from the stories spun by Myrrdin, a traveling bard and trickster. But this story is not primarily Arthur's. It is Gwyna's, a child who is rescued by Myrddin when her village is sacked and burned. Myrrdin takes her under his care, disguising her first as the Lady of the Lake, and then as a boy. When adolescence arrives, Myrrdin reintroduces her to Arthur's court as a maid and she falls in love with Peredur, who has spent his childhood disguised as a girl. While the switching sexual identities may keep readers a bit off kilter, having the narrator be both Gwyn and Gwyna allows a dual perspective on Arthurian times. Reeve does not shy away from violence and gory battle scenes. When Arthur learns that his wife Gwenhwyfar is committing adultery with his young nephew, he beats and beheads Bedwyr in a particularly bloody episode. Gwenhwyfar is driven to suicide. Gwyna learns that Arthur's heroism and fame stem not from magic and noble deeds but rather from the stories Myrrdin spins. Indeed, with his death, she picks up his mantle. The power of stories is a theme of the novel. Reeve's usual lyrical, cinematic prose underscores the message that in the end perhaps they are the only things that matter. A multilayered tour de force for mature young readers.—Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

*Starred Review* Powerfully inventive, yet less romanticized than most stories set in the medieval Britain, this novel retells the story of King Arthur from a fresh perspective. Readers first glimpse Gwyna, the novel’s disarming narrator, as “a snot-nosed girl” hiding in the brambles from a marauding band of brutes led by Arthur, “the King that Was and Will Be.” Taken under the wing of the king’s bard and advisor, Myddrin (the Merlin figure), who disguises her first as a lad and then as that fictional lad’s half sister, Gwyna takes part in or observes many significant scenes, from the day Arthur takes the sword offered by a lady beneath a lake until the day of his death. In Gwyna’s telling, many traditionally esteemed characters are revealed as unworthy, and some reviled ones are shown as heroic. Seemingly supernatural elements of the storied events are shown to be mere conjuring tricks, while the most magical power that Myddrin wields is the creative storytelling that shapes history into legend and makes it immortal. Events rush headlong toward the inevitable ending, but Gwyna’s observations illuminate them in a new way. Arthurian lore has inspired many novels for young people, but few as arresting or compelling as this one. Grades 7-10. --Carolyn Phelan --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Age Range: 8 and up
  • Mass Market Paperback: 352 pages
  • Publisher: Scholastic Paperbacks; Reprint edition (March 1, 2010)
  • Language: English
  • ISBN-10: 0545094631
  • ISBN-13: 978-0545094634
  • Product Dimensions: 8.1 x 5.3 x 0.7 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (93 customer reviews)
  • Amazon Best Sellers Rank: #231,710 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews
7 of 7 people found the following review helpful
4.0 out of 5 stars An entertaining nonstandard Authurian retelling February 17, 2009
Format:Hardcover|Amazon Vine™ Review (What's this?)
Synopsis:
Here Lies Arthur is an alternative take on the Arthurian legend, centering on the adventures of a young English girl named Gwynna. Made homeless when the Arthur of legend and his war band sack the homestead of her lord, she flees the battle and is later rescued in the woods by Myrddin, a bard who serves Arthur as an advisor and magician. Myrddin, a man who is agnostic by nature, uses Gwynna to masquerade as the lady of the lake and then raises her as a boy through the early part of her life. Gwynna watches the exploits of Arthur as she grows up, contrasting the rough, brutal man with the heroic stories Myrddin creates about him. The book ultimately follows her adventures and how they are intertwined with the legend of Arthur.

Review
Written by Philip Reeve, the author of the notable and very odd, Mortal Engines (The Hungry City Chronicles) science fiction series, Here Lies Arthur was originally published in England in 2007 to good reviews and a few awards. It now has made its way across the pond and has been published in the United States.

Unlike many of the fantasy style recountings of the Arthurian saga, Reeve chooses a realistic approach, framing the Arthurian saga in a more realistic world, made with politics and rough men who fit the period. Presented in the first person as narrated by the girl Gwynna, there is no magic in this story aside from that which Myrddin makes reference to in the many tall tales he tells to help establish Arthur as a hero.

Arthur himself is a rough and mostly non-heroic personage, who gains fame not through his own actions, but through the stories spun by Myrddin. Myrddin, who hopes to find a leader to unite England to stave off the depredations of the lawless world around them, is a charlatan with a ruthless nature. He only rescues Gwynna because she might serve a useful purpose to that effect. This is not the heroic tale of old, but a story of flawed men in a brutal world.

Reeve is a good writer. His style is solid and readable, and this book certainly is well written enough to keep one's attention. I have a few quibbles with his choice to switch from past tense to present tense on occasion. It breaks the flow of the story and seems to serve no purpose. But I suppose it was an artistic conceit.

I've always found the realistic take on legends to be an interesting artistic device. Reeve is not the first to do this sort of thing, though I think it's the first time I've seen it done with the Arthurian legend to such depth. And it's a fun tale in some regards, one which takes the old standards and characters of the legend and puts them into a realistic context. He does a good job of it too. It was fun linking the characters to the legend and seeing what he did with them.

That said, I have to admit that a lot of Young Adult fiction leaves me cold these days with its dark take on everything. In this case, it's almost like Reeve wanted to throw cold water onto all of the mythic and magical Arthurian legends by painting Arthur as much of a brutal product of his era as he possibly could. There is an underlying depressed tone to the whole tale, filled with the cynicism of its main character. The whole bent of the tale is that heroes are never what the legends say they are and that stories have more power than real people do. It's not really a worldview I subscribe to entirely, though I suppose it does have some truth to it.

In any case, if one is willing to overlook the tone of the novel, it is quite readable and somewhat entertaining. Reeve's fresh take on a well known legend will definitely appeal to a lot of readers.
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10 of 13 people found the following review helpful
2.0 out of 5 stars A Disappointment from Scholastic Press December 31, 2008
Format:Hardcover|Amazon Vine™ Review (What's this?)
Call me old-fashioned, but as a parent and teacher, I have generally assumed that a book from Scholastic Press would not, if books were rated like movies, have an R rating for language, frontal nudity, gender confusion, and adult themes. Just because the narrator is a youth does not make the book suitable for all youth, and just because Philip Reeve has appropriated the King Arthur theme does not make his book suitable for schools.

That Britons fighting Anglo-Saxons use four-letter Anglo-Saxon words for body functions is ironic to the point of comedic. That Christians are consistently portrayed as hypocrites or villains while the "old gods" persist as better spirits seems a view of the twenty-first century, not the fifth. That the traditional good guy (Arthur) is the villain and the traditional bad guy (Mordred, or Medwrat) is a sensitive figure is just silly. Now, if Reeve had intended to show that Arthur and bishops, like all mortals, could have been flawed men, he would have had a more believable take on the characters. However, Reeve has simply transposed the villains and heroes. The persistence of unflawed characters in the book, then, renders its classification as a reality check on human nature an impossibility.

Holt's *Adventures in Appreciation*, a high school literature textbook published in 1996, points out that each generation takes the Arthurian legend and makes it its own, a principle that kept rattling around in my head as I read this book. If one combines that thought with another from Gene Veith--that post-modernists consider the primary use of language as a mask for the truth--it is easier to understand this book. For example, the Merlin figure (called Myrddin by Reeve) is presented as a storyteller whose primary purpose is to spin false legends about an evil warlord (Arthur) to enhance the "king's" prestige in an effort to consolidate Britons against the Saxons. In fact, the very title of the book, *Here Lies Arthur*, is a double entendre perceived more aptly as *Here Arthur Tells Lies*.

All of the supernatural elements of the old legend, thus, become circus tricks engineered by a nasty bard who commits acts of treachery and questionable behavior toward the young. Mix this together with the girl who is raised as a boy and the boy who is raised as a girl and you have a legend that leaves the reader wondering--why? Perhaps if Reeve had spun his tale of treachery and gender confusion in a Britano-Saxon setting without the Arthurian trimmings, the tale would have been more acceptable. As it is, I was simply left with the feeling that Reeve had piggy-backed his tale on the fame of King Arthur in order to make a few more sales. Unless students are researching how various generations adapt the legend of Arthur, I'd send them elsewhere for a tale of Camelot.
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3 of 3 people found the following review helpful
3.0 out of 5 stars Twist on the Traditional January 9, 2009
Format:Hardcover
in a sentence: Gwyna, a servant girl left behind after one of Arthur's raids, catches the eye of the famous wizard Myrddin. after Myrddin spots what might be some form of usefulness in the plain-faced orphan, Gwyna is in over her head and getting wrapped up in the legendary tale of Arthur.

we first meet little Gwyna as she's running away from the burning place she used to call home. a servant girl, used to being ignored (when she's not being kicked around), is shocked by the seeming kindness from the tall and clever storyteller. Myrddin has been spending his time weaving tales about wonderful and fantastic Arthur, although Gwyna knows just how crude, beastly, and aggressive Arthur really is.

without giving away any of the plot, Reeve takes the reader through some of the more famous people in the Arthurian legend. we meet Myrddin (Merlin), Arthur, Cei (Arthur's half-bro), Gwenhhwyfar (Guenevere), and others. this is not an "oh-my-gosh-Arthur-is-the-greatest-ever!" book. far from it. Reeve explores what some of the myths might have actually been like before the test of time and the romanticizing of the legend. mostly, the focus is on Gwyna, who is the narrator and Myrddin as the master behind Arthur's power.

while this is a clever idea with beautiful writing and turns of phrase, and creative characters, i found myself bored at points. Gwyna made a great narrator, though i felt that her self-professed plainness seeped through to her character development. there were insightful musings on what boys are like, what girls are like, why girls aren't mentioned in famous legends unless as a bad person or as a prize for the men, why war was glamorized, etc. the weaving of myth and reality made for excellent story-telling techniques, but i can't help feeling that there was so much potential to be tapped here, and it just fell flat for me.

fave quote: "The real Arthur had been just a little tyrant in an age of tyrants. What mattered about him was the stories." (331)

fix er up: the pacing of the book. the elaborate visual storytelling techniques and fresh ideas couldn't make up for the sluggish pace for me.
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Most Recent Customer Reviews
1.0 out of 5 stars had blood and boogers on it.
it literally had boogers and blood on this book and it was stolen from a library. it had the tag of the library name on it.
Published 4 months ago by Ashley Zuckerberg
3.0 out of 5 stars Not your every day Arthurian legend book
There are so many different types of fantasy to the Arthurian legend; from, "The Mists of Avalon" to "The Crystal Cave", and beyond. Read more
Published 11 months ago by Kayce Cawthon-Stoker
3.0 out of 5 stars Another look at the story, for those that have read all the rest
If you read a lot of the Arthur stories and are looking for another take, this is a good book. It is well written and provides a unique approach albeit somewhat cynical. Read more
Published 15 months ago by C. Weaver
3.0 out of 5 stars Arthur. Seen With New Eyes
Gwyna crawls from the depths of the river bed as her home burns somewhere upstream. All she knows is she must escape and make it to safety. Read more
Published 18 months ago by S. Stevenson
5.0 out of 5 stars Trickster's story
When my father first came on this book, he questioned every one of us, whether or not the title's "Lies" means "a false statement made with deliberate intent to deceive" or "to be... Read more
Published 22 months ago by Moon Shim
3.0 out of 5 stars A Cynical Take on Camelot
For middle schoolers and up: a cynical take on Camelot, where Arthur is more robber than soldier, Merlin is a spin doctor, and Gwen is an "old heron" (pale, thin, and gawky) who... Read more
Published 23 months ago by You Go, Geek Girl!
3.0 out of 5 stars I couldn't get into this title
Although I have enjoyed retellings of the Matter of Britain in the past (T. H. White, Mary Stewart and Marion Zimmer Bradley), I had trouble getting into this teen version of the... Read more
Published 23 months ago by kim*designer
2.0 out of 5 stars Took itself and Arthur a little too seriously... which apparently can...
I wanted to like this book, truly I did. Arthur and his cohorts is always one of those great story fodder feeds with which a talented author can always do something. Read more
Published on May 25, 2010 by Carolina Carolina
4.0 out of 5 stars Arthur the punk-raider and the Merlin behind the legend
Countless retellings of the Arthurian legend abound in the literary world, and I know some of you are ready to leave this review behind before you finish it. Read more
Published on January 8, 2010 by A Bookshelf Monstrosity
5.0 out of 5 stars Here Lies Arthur by Philip Reeve
Here Lies Arthur by Philip Reeve- This novel is a different story pertaining to the King Arthur legend. Read more
Published on January 1, 2010 by Travis Eisenbrandt
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