Here And Now

Chris Stamey, Peter Holsapple | Format: Audio CD

Product Details

• Audio CD (June 9, 2009)
• Original Release Date: 2009
• Number of Discs: 1
• Label: BAR NONE ENT
• ASIN: B00274SILA
• In-Print Editions: MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #184,805 in Music (See Top 100 in Music)

Track Listings

1. My Friend The Sun

2. Santa Monica

3. Here And Now

4. Early In The Morning

5. Widescreen World

6. Broken Record

7. Ukulele

8. Begin Again

9. Bird on the Wing

10. Some of the Parts

11. Song for Johnny Cash

12. Long Time Coming

13. To Be Loved

14. Tape Op Blues

Editorial Reviews

No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 9-JUN-2009

Customer Reviews

Most Helpful Customer Reviews

23 of 26 people found the following review helpful:

4.0 out of 5 stars Ex-dB's show off the magic of their pairing, June 9, 2009

By 

hyperbolium (Earth, USA) - See all my reviews

This review is from: Here And Now (Audio CD)

Holsapple and Stamey's music on the first two dB's albums (Stands for Decibels and Repercussions - available as a two-fer) was so deeply insinuating as to nearly obsolete everything else that would follow. It's not that their post-dB's work was uninteresting or without merit, it just never set its hooks as deeply in the soul. Stamey's string of solo albums held several high points, including his sole major-label release, 1987's It's Alright, and his 2004 return, Travels in the South. He also helped create memorable works as a producer, recording Americana acts that include Whiskeytown, Alejandro Escovedo, and Caitlin Cary. But none of this, including the dB's post-Stamey releases (1984's Like This, 1987's The Sound of Music and 1994's Paris Avenue), nor the duo's recently reissued post-dB's team-up, Mavericks, ever fully captured the magic of the first two albums.

Others have had to compete with their mercurial early success. But unlike Stamey's one-time boss, Alex Chilton, Stamey and Holsapple have retained the charm of their early days, even as the buoyancy of younger years is weighed down by the wear of age. Was their post-dB's music really all that different, or was the difference in the listener's matured expectation and the environment into which later releases were made? Longtime fans can't really make an evaluation divorced from romantic attachment to the early albums, but Holsapple and Stamey's latest can provide some clues. The thrill that runs through their layered vocal harmonies, the descending melodic hook of "Early in the Morning," and the battery of guitar sounds provide instant reminders of what drew your ear to this pair in the first place.

Stamey's 2004 return to solo work reminded fans of what they'd been missing, and Holsapple's return reignites the ear's longing for his voice and harmonies. The album's love songs could easily be taken as expressions of friendship; the opening cover of Family's "My Friend the Sun" reads as a mutual invitation to reconnect, and Stamey's "Santa Monica," ostensibly a declaration of lifelong fealty to a lover, could be read as a nostalgic memory of earlier musical connections. Holsapple's title track celebrates the present, but it's clear that this moment is the culmination of a long-standing association. Even Stamey's honorarium "Song for Johnny Cash" could be interpreted as a celebration of the musical friendship closer at hand.

Writing independently, each bounces from pop confections to philosophical constructs. In the former category is Holsapple's stream-of-consciousness spin through a routine start to the day, "Early in the Morning," and Stamey's bouncy "Widescreen World." In the latter category are Holsapple's questioning "Begin Again" and "Some of the Parts," the latter opening with the fifty-something quandary "Mid-life, and where's my big parade?" Stamey's jazz influences surface on the allegorical "Broken Record," augmented by drifting guitars and a layered vocal harmony break. Holsapple and Stamey leaven each other here as they did in their dB's days, creating a vocal magic that neither possesses alone. Eighteen years after their last pairing, this album's been a long time coming; but it was certainly worth the wait. [©2009 hyperbolium dot com]

2 of 2 people found the following review helpful:

5.0 out of 5 stars Hear/Now, October 24, 2009

By 

greg s. (Minnetonka, MN United States) - See all my reviews

Amazon Verified Purchase

This review is from: Here And Now (Audio CD)

I wish these two would stay together, as they are MAGIC, when together. However, we must realize, that maybe they simply can't.

4.0 out of 5 stars Long awaited reunion doesn't disappoint, December 28, 2009

By 

James R. Rasmussen "Alphajim" (Georgia) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Here And Now (Audio CD)

The title track is a reworked version from Peter Holsapple's solo album but it's even better here. These guys have always been greater than the sum of their individual talents. Their harmonies and songwriting are hard to beat. If you liked their 1991 disc (Mavericks) you should hear this!