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Heritage
 
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Heritage

Nnenna FreelonAudio CD
4.5 out of 5 stars  See all reviews (2 customer reviews)


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Audio CD, 1993 --  
Audio Cassette, 1993 --  

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Music

Image of album by Nnenna Freelon

Photos

Image of Nnenna Freelon

Videos

Nnenna Freelon discusses "Homefree"

Biography

Nnenna Freelon
Homefree

In our mobile culture, the notion of “home” conjures up comfort, relaxation, the congenial touchstone of the soul. “There’s no place like home,” intones the young Judy Garland as Dorothy in the classic 1939 film The Wizard of Oz, while troubadour Paul Simon pines for the familiar in the 1966 Simon & Garfunkel hit, “Homeward Bound.”

As the saying goes, home is where the heart… Read more in Amazon's Nnenna Freelon Store

Visit Amazon's Nnenna Freelon Store
for 15 albums, photos, videos, discussions, and more.

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Product Details

  • Audio CD (August 10, 1993)
  • Number of Discs: 1
  • Label: Sony
  • ASIN: B00000292B
  • Also Available in: Audio Cassette
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #122,628 in Music (See Top 100 in Music)

 
1. Girl Blue
2. 'Tis Autumn
3. Heritage
4. Comes Love
5. Prelude to a Kiss
6. It's You I Like
7. Infant Eyes
8. Young & Foolish
9. Never Let Me Go
10. All or Nothing at All
11. So Wrong
12. Something to Live For
13. Bewitched, Bothered and Bewildered

 

Customer Reviews

2 Reviews
5 star:
 (1)
4 star:
 (1)
3 star:    (0)
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

8 of 8 people found the following review helpful:
4.0 out of 5 stars I Guess I Do Have Room for One More Femal Vocalist. . . ., December 6, 2001
This review is from: Heritage (Audio CD)
I have seen Ms. Freelon's work on store shelves and in my music clubs, but I have resisted buying based on the following principle: if I like her work, then I'll have yet another artist to pursue with my obsessive-compulsive buying habits, and I just can't afford it financially. After hearing her perform "Straighten Up and Fly Right" with Take 6 at this past year's Grammy Awards I decided that I did have room after all. SOULCALL, the album from which that song was taken, is on my Christmas List (Santa had better read carefully), but I decided to buy a couple of cheap, used titles in the meanwhile. Man, does she bring a lot to the table. I am still amazed that Diana Krall is selling so many titles when an artist with so much more to offer, like Nnenna Freelon, just doesn't. . . . Her style is energetic and passionate. Her diction and vocal stylings are very unique. That's what I'm looking for---not just cookie-cutter lounge vocals. The music reflects the cover photo: alluring, sensual, subtle. . . . She sings in a way that other female artists don't--she is bringing something new to the table. No songs on this CD are "blow your mind" good, but they show an incredible amount of potential. I am eagerly awaiting hearing the entirety of SOULCALL and her other more recent CDs. In the meantime, I'll be quite happy listening to HERITAGE.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Keeping It Alive, December 19, 2004
By 
Amazon Verified Purchase(What's this?)
This review is from: Heritage (Audio CD)
This is, for me, the most satisfying of the albums I've heard by Nnenna (apparently that overmatched "e" in her first name matches the sound in "free"). It's less adventurous but more consistent than "Shakin' Free" and less programmed but more soul-stirring than "Soul Call."

I don't pick up on the sensual, kittenish qualities other reviewers have referred to. To my ears the quality of the voice is androgynous and playful, the timbre so clear and compelling, the placement so forward and present that you can't help but trust every word. In fact, the apparent lack of sophistication makes her an especially effective reader and communicator of a sophisticated Strayhorn piece like "Something to Live For." Same with "Prelude to a Kiss," a Dukish chromatic fantasia than many performers exploit with a kind of self-referential, forced hipness. Hearing Nenna singing it so direct and sincere is a bit like rediscovering the song for the first time.

On the other hand, the absence of guile enables her to make the title song, inspired by Duke's deeply felt remembrances of his own mother, an experience that is at once personally touching and universal. Kenny Barron's accompaniment is exquisite throughout, and the two horn players are used resourcefully. The Maestro himself would no doubt have enjoyed this one.
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