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Amazon's Opeth Store


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Opeth exist in a genre of one.

The forward-thinking Swedish titans, who seamlessly and fluidly combine metal, rock, prog, folk and free form jazz, continue the time-honored Opeth tradition on Watershed, their second album for Roadrunner Records. With this, their ninth effort, Opeth continue to shake things up, turn the corner and push the limits of their sound. And the results are ... Read more in Amazon's Opeth Store

Visit Amazon's Opeth Store
for 26 albums, 68 photos, discussions, and more.

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Heritage + Pale Communion + Damnation
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Product Details

  • Audio CD (September 20, 2011)
  • Original Release Date: 2011
  • Number of Discs: 1
  • Label: Roadrunner Records
  • ASIN: B004G25V9S
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (232 customer reviews)
  • Amazon Best Sellers Rank: #41,481 in Music (See Top 100 in Music)

1. Heritage
2. The Devil's Orchard
3. I Feel The Dark
4. Slither
5. Nepenthe
6. Häxprocess
7. Famine
8. The Lines In My Hand
9. Folklore
10. Marrow Of The Earth

Editorial Reviews

The band's roots in the doom-laden shade of occult-infused Scandinavian death metal and dark romanticism are undeniable and will never elicit apology. But the transcendent emotional and melodic heights achieved on the brilliantly titled tenth full-length Opeth album, Heritage, marks a new chapter in the storied quintet's career. Band leader, singer, guitarist, songwriter and long-running consistent member Mikael Åkerfeldt has reshaped the pathway forward for his artistic vehicle without sacrificing the hard won spiritualism of previous endeavors.

This masterwork from the Stockholm, Sweden based virtuoso musicians is a mind-boggling dense maze of tempo shifts, off-time signatures, percussive experimentation and warped rhythms. It is all expertly melded together by a myriad range of emotional outpouring and breezy melodic optimism which soars above the songs like a woodland spirit surveying its forest. There are multiple hints of darkness but Heritage moves the band forward into broader dimensions.

Customer Reviews

At its heart, Heritage is an Opeth album.
It still doesn't make it a particularly good Opeth song... Am I referencing a bit too much their past stuff?
Felipe Wirth
I am just now getting the album on the morning of Halloween, and just finished my first listen through.

Most Helpful Customer Reviews

113 of 135 people found the following review helpful By Aaron Arnsparger on September 20, 2011
Format: Audio CD
Going in a new direction is fine. Wanting to be constantly evolving as an artist is fine. I'm also not wedded to death metal vocals either, having loved Damnation. But count me in the camp that felt that Opeth was one of the best metal bands in the world because they could blend genres in a unique, melodic way, but do it while still maintaining the harshness of death metal. I get it that Mikael is bored with playing death metal, really I do. Make no mistake I am completely fine with prog, but I have to love the songs, and to me the songwriting seems just very sporadic on this release. There are a few songs on here that simply fall flat in my opinion and it's because of odd transitions/sequences that do not lead to any real cohesiveness to the songs, especially when rolling them up and looking at the album as a whole work. I realize that being "cohesive" is not exactly a trademark of prog, but I think MA just needs more polish here if he is going to take the band full bore in this direction. This record really feels like it is a culmination of alot of solid ideas/riffs, but not alot of memorable songs that I can't live without. This speaks positively to the future for this band, but given this is really their first bold move in a new direction it is hard for me to give this one a masterpiece label at this point.
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94 of 114 people found the following review helpful By Murat Batmaz on September 20, 2011
Format: Audio CD
In my review of Watershed three years ago, I predicted that the follow-up to this album would present a better picture as to where Mikael Akerfeldt wanted to be musically, and Heritage has proven this prediction to have been correct.

No aspect of this album can be called metal, and I doubt any band member would present it as such. Heritage is radically different from its predecessors in shape, sound, and direction. The death vocals and heavy riffing have completely vanished, which will definitely please or disappoint a lot of fans depending on their preferences. In their place, the band builds complex songs that are rhythmically evolved with exquisite drumming. Martin Axenrot takes on a jazzy feel throughout the whole album, accenting the most critical beats during the songs. What many thought was gone for good after the departure of former drummer Martin Lopez is re-established with Axenrot's special attention to groove and detail.

Like all of Opeth's albums, Heritage proves to be an extremely rewarding listen as its internal complexities unfold. The amount of detail to be found in the songs is amazing. Due to Steven Wilson's ingenious mix, the compositions are rife with nuance. I discovered Per Wiberg's creepy keyboards repeating Akerfeldt's vocal melody on "I Feel the Dark" and the very distant vocal hooks during the instrumental part of "Nepenthe" after giving the album many spins. This being Wiberg's swan song with Opeth, I particularly enjoyed his use of a wider palette of sounds, adding textures and atmospheres to the songs like never before. He is the reason why Heritage has become one of Opeth's darkest and most atmospheric statements.
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45 of 54 people found the following review helpful By brjoro VINE VOICE on September 20, 2011
Format: Audio CD
The new Opeth cd 'Heritage' is sure to be a controversial one among their fanbase, as it is definitely a departure from what they've done in the past, but I think it's an amazing musical journey for those willing to take it. I think the reactions will be:
1. Metal fans, who like Opeth because they are SO great at being heavy, will in general not like this record because for the most part the heaviness is gone.
2. Prog rock fans who have enjoyed Opeth in the past but couldn't get past the death metal vocals will probably love this.
3. Hardcore Opeth fans will be split, you'll either love it or hate it.
Personally, I think they've done something very brave and challenging. It's not 'Damnation' which was basically an acoustic album. There are heavy parts here, but the general vibe is a sort of jazz meets prog-rock. The musicianship is stunning, and the songs, once you give them a chance to work their way into your head, are amazing. But there is not instant gratification to be found here, you need to give this a few listens before you really start to hear how brilliant it is.
I am, as a huge Opeth fan, thrilled that they've made this interesting record, and can't wait to see if this is a permanent new direction, a temporary left turn, or a sound that they will incorporate with what they've done in the past moving forward. Either way, count me in, i'm along for the ride!!! But no rush, I am more than happy to spend plenty of time with 'Heritage.'!!!
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10 of 13 people found the following review helpful By Dr. Ziltoid Underspoon on October 28, 2011
Format: Audio CD
First off - to everyone who compares this album to Damnation, you couldn't be further off base. There are no growling vocals on either of the albums - and that's where the comparison starts and ends. Damnation was a dark, disturbing, metal masterpiece. The soft acoustic guitars, ethereal keyboards, gut wrenching solos, and melancholic vocals could never fool you into believing that it wasn't a metal band behind the music.

Heritage, as the name suggests, pays homage to Mikael Akerfeldt's musical tradition, and everything and everyone that made him the musician he is today. There is some great musicianship on the album, and hints of moments that flirt with that unmistakable Opeth sound. However, I have two main gripes with this album:

- A lot of the tracks don't seem to flow organically. There's a "start-stop" feel to many of them. Good musical progressions and innovative chord sequences, but stitched together in a way that doesn't seem right.

- Mikael's vocals. I never knew the day would come when I'd have to say that his vocals didn't do much for me. And it has nothing to do with the fact that there are no growls (didn't I say that Damnation was a masterpiece?). It seems very tired and jaded. Take a song like "The Lines in My Hand" - this is actually some damn fine music, but his vocals just seem off, especially the bit around the 3:00 minute mark. There are several such moments on the album where he sounds (to me) like he's struggling. Another example is the Dio tribute "Slither". I can close my eyes and picture the late, great Ronnie belting out the same lyrics like a banshee even at 60. Sadly, Akerfeldt's vocals on that don't convey that Dio-esque power and soul.
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Topic From this Discussion
Hear Opeth's 'Heritage' in its entirety streaming on NPR
Very interesting!
Sep 12, 2011 by Annmarie Sperduto |  See all 3 posts
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