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The Hero with a Thousand Faces (Paladin Books) Paperback – September 13, 1993

ISBN-13: 978-0586085714 ISBN-10: 0586085718
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Editorial Reviews

Amazon.com Review

Originally written by Campbell in the '40s-- in his pre-Bill Moyers days -- and famous as George Lucas' inspiration for "Star Wars," this book will likewise inspire any writer or reader in its well considered assertion that while all stories have already been told, this is *not* a bad thing, since the *retelling* is still necessary. And while our own life's journey must always be ended alone, the travel is undertaken in the company not only of immediate loved ones and primal passion, but of the heroes and heroines -- and myth-cycles -- that have preceded us. --This text refers to an out of print or unavailable edition of this title.

Review

"Campbell's survey of mythology continues to speak to us with a timeless eloquence and spiritual urgency that quicken the soul". -- Gabor Mate, The Globe & Mail

Campbell's words carry extraordinary weight, not only among scholars but among a wide range of other people who find his search down mythological pathways relevant to their lives today. . . . The book for which he is most famous, The Hero with a Thousand Faces, [is] a brilliant examination, through ancient hero myths, of man's eternal struggle for identity. -- Review --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Series: Paladin Books
  • Paperback: 448 pages
  • Publisher: Fontana Press (September 13, 1993)
  • Language: English
  • ISBN-10: 0586085718
  • ISBN-13: 978-0586085714
  • Product Dimensions: 5.2 x 1.5 x 7.8 inches
  • Shipping Weight: 12 ounces
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (299 customer reviews)
  • Amazon Best Sellers Rank: #1,714,085 in Books (See Top 100 in Books)

More About the Author

Joseph Campbell (1904-1987) was an American author and teacher best known for his work in the field of comparative mythology. He was born in New York City in 1904, and from early childhood he became interested in mythology. He loved to read books about American Indian cultures, and frequently visited the American Museum of Natural History in New York, where he was fascinated by the museum's collection of totem poles. Campbell was educated at Columbia University, where he specialized in medieval literature, and continued his studies at universities in Paris and Munich. While abroad he was influenced by the art of Pablo Picasso and Henri Matisse, the novels of James Joyce and Thomas Mann, and the psychological studies of Sigmund Freud and Carl Jung. These encounters led to Campbell's theory that all myths and epics are linked in the human psyche, and that they are cultural manifestations of the universal need to explain social, cosmological, and spiritual realities.

After a period in California, where he encountered John Steinbeck and the biologist Ed Ricketts, he taught at the Canterbury School, and then, in 1934, joined the literature department at Sarah Lawrence College, a post he retained for many years. During the 40s and '50s, he helped Swami Nikhilananda to translate the Upanishads and The Gospel of Sri Ramakrishna. He also edited works by the German scholar Heinrich Zimmer on Indian art, myths, and philosophy. In 1944, with Henry Morton Robinson, Campbell published A Skeleton Key to Finnegans Wake. His first original work, The Hero with a Thousand Faces, came out in 1949 and was immediately well received; in time, it became acclaimed as a classic. In this study of the "myth of the hero," Campbell asserted that there is a single pattern of heroic journey and that all cultures share this essential pattern in their various heroic myths. In his book he also outlined the basic conditions, stages, and results of the archetypal hero's journey.

Throughout his life, he traveled extensively and wrote prolifically, authoring many books, including the four-volume series The Masks of God, Myths to Live By, The Inner Reaches of Outer Space and The Historical Atlas of World Mythology. Joseph Campbell died in 1987. In 1988, a series of television interviews with Bill Moyers, The Power of Myth, introduced Campbell's views to millions of people.

For more on Joseph Campbell and his work, visit the web site of Joseph Campbell Foundation at JCF.org.

Customer Reviews

4.3 out of 5 stars

Most Helpful Customer Reviews

531 of 561 people found the following review helpful By Will Errickson on April 27, 1998
Format: Paperback
Joseph Campbell was one of the great souls of our age. I've read this book twice, first on my own and the second for a class in "Myth, Religion & the Mythic Imagination." I read the paperack to tatters, literally, marking each illuminating, exhilirating insight. "Dry"? "Not a fun read"? What book did YOU read? Campbell is unlike other writers on myth; he looks not at an entire myth but at its parts. By the end of the book, he has essentially created the Ultimate Hero Myth, which takes bits of every hero myth from virtually every culture (heavy on Native Americans). Campbell was not a dispassionate academic--this was his gospel, and he lived by it. This book is alive and inspiring like no other book I know. One unique aspect of it at the time it was published was its approach to Christianity. For Campbell, Christ's life had to be seen as a myth. Before him, most Western scholars wouldn't have dare to say such a thing. Others had written on that, but in a skeptical manner. Campbell's view is that the Virgin Birth, miracles, Resurrection, etc have meaning only because they ARE myths. Look, there'd be no "Star Wars" without this. No "Sandman" comics from Neil Gaiman. No "Watership Down." This book is for the intellectual who wants to LIVE, not just to sit sterile at the desk. Recommended like mad.
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163 of 174 people found the following review helpful By OAKSHAMAN VINE VOICE on July 7, 2002
Format: Paperback
First of all, I feel inadequate and unworthy to review this book, but since Amazon has given me the chance, all I can say is that this is one of the greatest Books (with a capital "B") of my experience. I suspect that it shall be recognised as one of the single greatest products to come out of 20th century American letters.

No, I'm not setting Campbell up as a prophet or anything like that, indeed, I suspect that this book's greatness lies in the eternal truths that transcend Campbell's individual personality. He just managed to tap into them- thank God.

The entire book deals with the hero's journey. This is the Monomyth shared by all cultures- and indeed seems to be a direct inspiration from the cosmos itself by way of the collective unconscious. Here we have the eternal cycle of 1) the call to adventure; 2) the crossing of the threshold; 3) the tests, trials, and helpers; 4) the sacred marriage, apotheosis (becoming one with god), or elixir theft; 5)the flight 6) recrossing/ressurection; and 7) the return to society with hard won gifts. He examines all of these elements in depth with a wealth of cross-cultural examples. The first half of the book deals with this cycle on a more individual and personal level (the microcosm), while the second half deals with the greater cosmogonic importance (the macrocosm.)

Now, the really amazing part of all this is that virtually all of it comes across as meaningful, interesting, and totally nonacademic. That's why academic types hate Campbell, and his mentor Jung,- they know that Campbell's and Jung's works will endure and be read a thousand years from now, while their own monographs will be justly forgotten. There are a lot of mediocre Ph.
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248 of 276 people found the following review helpful By Robert Kall VINE VOICE on August 7, 2000
Format: Paperback
All may roads may lead to Rome, but for me, this year, all books seemed to lead to Joseph Campbell's Hero With 1000 Faces.
I have discovered that this book is probably one of the most influential, widely read books of the 20th century. It's no wonder the author, Joseph Campbell, was featured in a Bill Moyers special on The Power of Myth (with an accompanying book, as usual for Bill Moyer's specials.)
I was reading books on writing-- on story structure-- Particularly, Christopher Vogler's excellent Writer's Journey, and it was based on this book. Ironically, I was already reading another of Campbell's series of books on myth. But then I started looking deeper into this realm-- the idea of the Hero's journey, -- the call to adventure, refusing the call, finding a mentor, encountering threshold guardians, crossing the threshold, facing the worst evil, winning the elixir--- and I discovered that dozens of books have been written about the concepts Joseph Campbell first broached.
It's such a powerful idea, and so useful in conceptualizing life's changes. I used it as an element in a presentation I just gave this past weekend on how the art and science of story can be applied to healing and helping people grow. 80% of the people attending the lecture were familiar with the concept.
This is such powerful material, you might consider essential for helping you understand the way movies are made, and how the contemporary world has been affected by advertising and the loss of sacred rituals in everyday life.
One way I gauge a book is by how many marks I make in the margins, to indicate wise ideas or quotable material ( I collect quotes, and quotation books big-time, owning over 400 quotation books) and this book's margins are just packed.
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51 of 55 people found the following review helpful By JR Pinto on July 8, 2002
Format: Paperback
Joseph Campbell is a "love him or hate him" type of guy. The other reviews of his works that I have found on Amazon bear this out. The criticisms seem to be that his examples do not bear out his theories, that he relies on Freudian and Jungian psychology as "proof", and that people do not agree with his world-view. My response is this: we must bear in mind that Joseph Campbell was, above all things, a pioneer. A pioneer need not get everything right the first time out - he is setting up a new paradigm with which to view the world. Freud did not get everything right when he fathered modern psychoanalysis, but he created a new framework and steered it in the direction it needed to go.
The Hero with a Thousand Faces is a comparative study of the religions and myths of the world. Its central theme is that all of their stories are essentially the same. They follow certain archetypal paths that are different in particular circumstances, but in general, follow the same overall arch. Now, this is not 100% true as even he admits - stories get changed around a bit and different things happen, but to the extent that he makes his point, the similarities are astonishing. His conclusion - or ONE possible interpretation - is that this reflects certain archetypal themes that are in every society's collective subconscious (Jung) and that these myths represent eternal truths about life...how to look at it and how to live it.
Now, as to the criticism that his examples don't bear out his theories, Campbell states that he is just choosing an example or two to illustrate his point. The purpose of this book is not to be a comprehensive collection of the world's myths - that book is The Golden Bough. Campbell selects myths that the average reader may not be familiar with.
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