32 of 33 people found the following review helpful:
5.0 out of 5 stars
The first time I read Badami and she is Excellent!!, July 27, 2002
I just finished one of the most amazing books I've
read this year. The Hero's Walk is undoubtedly one of
the finest books ever written in English by an Indian.
What makes this book so different and refreshing apart
from the plot is the treatment of the books and its
characters. The plot revolves around Sripathi Rao - a
simple man with simple needs in the town of Totapuram
nestled in the South of India - and in the Big House
we meet his wife Nirmala - the ever docile Indian Wife
- his horrendous mother Ammaya who in most respects
can be labelled a witch - his unmarried sister Putti -
who longs for the boy next door, and his son Arun - a
rebellion in the true sense of the word.
Amidst all this lies the past - of his daughter Maya
getting married to a foreigner and residing in
Vancouver - who has never seen her family for seven
years now. Her father has abolished her very name
being taken in the house - till she and her husband
Alan meet with an accident and Sripathi has to go to
Canada to claim his granddaughter Nandana.
With her parents no more, Nandana is lost and confused
in India and is trying to connect stuff to her past -
which is quite a task for a seven-year old.
The story revolves around the fact that simplicity is
the biggest act of heroism. Badami's style of writing
is dry, subtle and so so heartbreaking that it almost
had me on the verge of tears.
Though the authhor does remind you of R.K. Narayan at
various points in the book, she does have the finesse
to take you by surprise. A great read!
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14 of 16 people found the following review helpful:
5.0 out of 5 stars
A true depiction of India, June 2, 2001
This is the most singularly wonderful book I have read in years. Others have reviewed the emotional/psychological aspects of the book, so I will address her depiction of India. I lived in southern India from 1996 to 1997 and Anita Badami's description of the area and the people of India were absolutely on the money. It was a sympathetic, if unforgiving, depiction of her homeland. When the monsoons hit, the streets do run with sewage. The electricity does go off many times throughout the day. The heat is brutal before the monsoons hit. There are scalper's selling tickets to the movies! And Deepavali is a festival of light and fireworks that I remember fondly, coming in the cool wet season of the year. I would read a passage and close my eyes and instantly be transported back to my room in Bangalore with the rumbling of the coming monsoon storm; the smell of dinner being prepared by Radha, our cook, who kept pictures and statues of gods and goddesses from every conceivable religion in the pantry next to our kitchen ("It is best, madam, to honor all the gods. You never know."); and the funny cry of those strange little squirrels with the two stripes down their backs. This book will forever remain on my shelf of favorites, to be read again and again in the future.
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7 of 8 people found the following review helpful:
4.0 out of 5 stars
Well-written domestic drama of small-town Indian life., November 28, 2002
The paralyzing heat at 5:00 a.m. on a July morning in Toturpuram, on the southeast coast of India, is depicted in intense, sensual imagery from the opening of the novel and becomes a metaphor for the lives of the Rao family. Three generations living together in a large and decaying house which they cannot afford to maintain, the Raos constantly carp at each other and seethe with long-standing resentments, the emotional temperature rising in concert with the heat, which "[hangs] over the town in long, wet sheets."
Author Badami carefully selects her details to reveal both the realities of her characters' lives and the emotional climate they inhabit. The grande dame and grandmother of the family, Ammayya, is a slightly senile, mean-spirited, and caste-conscious woman, who controls her son Sripathi, her daughter Putti, and her long suffering daughter-in-law Nirmala. With unusual and homely similes and metaphors, Badami establishes the tone. Nirmala is "like a bar of Lifebuoy soap, functional but devoid of all imagination." Nirmala and Sripathi are "like a pair of bullock yoked together, endlessly turning the water wheel round and round, eyes bent to the earth." The cloudy sky is "curdled milk."
Romance is the heart of the action. The problems in the marriage of Ammayya and her husband, and of Sripathi and Nirmala are described in detail. By contrast, Sripathi's daughter Maya has happily married an American and lives in the U.S, but she has been banished from Sripathi's life for defying his wishes. When Maya and her husband Alan are killed in an accident, leaving an 8-year-old daughter the Raos have never met, they bring this silent and traumatized orphan to India and into their uncertain lives.
Predictably, the family learns from each other and begins to communicate, but the events which bring about these changes are either telegraphed early in the book (the fate of Putti, Sripathi's sister, for example) or result from external chance and not from their own actions. Additionally, the responses of the child to her strange, new environment do not ring true. Already traumatized and silent, this fragile child faces additional traumas after her arrival in Toturpuram, including some very dramatic ones at the end of the book, yet she seems to suffer no ill effects. Badami tells us the book is about "the chanciness of existence, the beauty and the hope and the loss that always accompanies life," themes she has abundantly illustrated, but the warm and fuzzy ending owes more to chance than what we or the characters would expect. Mary Whipple
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