Product Details

• Actors: Viggo Mortensen, Omar Sharif, Zuleikha Robinson, Louise Lombard, Adam Alexi-Malle
• Directors: Joe Johnston
• Writers: John Fusco
• Producers: Casey Silver, Chris Salvaterra, Don Zepfel, Patricia Carr
• Format: Closed-captioned, Color, NTSC
• Language: Arabic, English
• Rated: PG-13 (Parental Guidance Suggested)
• Number of tapes: 1
• Studio: Touchstone / Disney
• VHS Release Date: August 3, 2004
• Run Time: 136 minutes
• Average Customer Review: 4.2 out of 5 stars  See all reviews (284 customer reviews)
• ASIN: B00024I2TK
• Amazon Best Sellers Rank: #148,781 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Director Joe Johnston has always had an entertaining sense of adventure, and with Hidalgo he proves it in spades. It's yet another underrated film for Johnston (along with such enjoyable popcorn flicks as The Rocketeer and Jurassic Park III), dismissed by many critics but a welcome treat for anyone drawn to good ol'-fashioned movie excitement. In his first role since playing Aragorn in the Lord of the Rings trilogy, Viggo Mortensen brings handsome appeal to his low-key portrayal of Frank T. Hopkins, a real-life long-distance horse racer who, as the movie opens, has witnessed the appalling massacre of Native Americans at Wounded Knee in 1890. Drifting into Buffalo Bill's Wild West Show, he agrees to compete, with his trusty mustang, Hidalgo, in "The Ocean of Fire," a treacherous 3,000-mile horse race across the Arabian desert. Toss in a bunch of conspiring competitors, a noble sheik (Omar Sharif), his lovely daughter (Zuleikha Robinson), and enough fast-paced danger to fill 133 minutes, and you've got a rousing, humorous, and lightly spiritual adventure that's a lot of fun to watch. It hardly matters that it's almost pure fiction (the real Hopkins was known by many as "a pathological liar"). More important is the love of movies and moviemaking that Johnston so delightfully conveys. --Jeff Shannon

From The New Yorker

The supposedly true tale of a man, Frank Hopkins, his horse, Hidalgo, and a three-thousand-mile endurance race across the Arabian desert in 1890. Viggo Mortensen, late of Middle Earth, gives an old-fashioned and gently sexy performance as Hopkins in this overlong but impressively mounted epic. The director, Joe Johnston, films the desert landscapes of Morocco with panoramic grandeur and wisely gives Hidalgo, a beautiful mustang, some major closeup time. And while the storytelling is choppy-the movie is saddled with a subplot designed to add in some romance-the racing scenes are terrifically exciting, with plenty of Spielbergian obstacles (sandstorms, ambushes, quicksand) to keep the Indy crowd happy. -Bruce Diones
Copyright © 2006 The New Yorker

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Customer Reviews

Most Helpful Customer Reviews

57 of 57 people found the following review helpful:

4.0 out of 5 stars "Hidalgo" Is Filled With High Excitement (4.5 OUT OF 5), March 10, 2004

By 

Sarah Schenkkan (Seattle, WA USA) - See all my reviews

Based on the life story of Frank T. Hopkins and his horse Hidalgo, "Hidalgo", from director Joe Johnston, is a compelling, beautiful, and exciting film (even though it stretches its running time to 130 minutes) that interests every moviegoer with suspense, romance, and tales of comraderie.

The year is 1890, and half-American, half-Souix Indian Frank T. Hopkins (Viggo Mortensen), is invited by an Arabic sheik to compete in "The Ocean of Fire", the most prestigious and dangerous long-distance race ever known to man. Usually reserved for the purest bred stallions and the wealthiest and best riders in the world, the 3,000 mile race across the Arabian Desert leaves half of its competetors dead from natural disaster, insanity, or the treachery of fellow riders. After witnessing a tragedy at Wounded Knee Creek, and falling out of his once-claimed title of the best rider in the West, Frank and Hidalgo jump at the opportunity, where they encounter danger in all forms, and must rely on their friendship and strength to pull off the impossible.

Seeing as "Hidalgo" is Viggo Mortensen's first film in which he has been the only-billed star, he handles the pressure well as the quiet and conflicted Frank T. Hopkins. He plays the character with a brilliant subtlely, and gives him an air of understated intelligence and courage. With the right amount of emotion, Mortensen is the modern day Indiana Jones-like action hero; with sex appeal and gripping stunts. Although he lacks charisma in some instances, he is overall perfect and enjoyable in his role. The supporting cast is strong, with the highlights being Louise Lombard as Lady Anne Davenport and a small but memorable performance by Victor Talmadge as Rau Rasmussen. However strange this may sound, the horse Hidalgo gave one of, if not the best, performance in the movie. He made the relationship between himself and Frank heartbreaking and fufilling, and expressed emotions and conveyed certain thoughts across to the audience in simply a look. If there was ever an award for the best animal actor, I would personally award it to Hidalgo.

One of the main highlights of Hidalgo is the beautiful sets and surrounding scenery. Rich in color, there are stunning shots of the Arabian desert, the plains of old America, and snowy forests and rivers, and just the people of each new environment, which make the story overall more enjoyable. The cinematography is jaw-dropping, as the perspectives, running shots of the races, and choice in angles and film speeds are spot on in nearly every scene. The music is also incorporated well, jerking emotions and suspense from the audience.

Although I have heard the contrary, I was thoroughly satisfied with "Hidalgo" as a whole. I loved the way the relationship between Frank and Hidalgo was portrayed, the story was new and exciting, and I was moved, gripped by the suspense, and engrossed in the film from start to finish. Although it runs a little long, ends one too many times, and has some bad dialogue, it will ultimately satisfy moviegoers of most ages due to the content, draw, and overall look of the film.

86 of 92 people found the following review helpful:

3.0 out of 5 stars "Best Performance by an Animal Actor" Nominee, February 26, 2004

By 

Bitcetc (Houston, TX USA) - See all my reviews

Unless the Academy opens a new category for "best performance by an animal actor", you won't be hearing of this movie next Oscar season, but that's no reason to miss this movie now. Hidalgo, the horse, and Viggo Mortensen, as Frank T. Hopkins, completely won my heart as well as a place in "Great Couples of the Silver Screen", or at least as great partners in a buddy movie. This wonderful painted mustang plays the serious buddy, making his human tend to business in spite of other inclinations. It is a charming footnote to the movie that Mortensen was so taken with the horse that he bought it after the movie was completed.

Frank T. Hopkins may or may not have lived all the adventures he was famous for recounting, but it is verifiably true that he was instrumental in saving the wild mustang from extermination in North America. For that he is a hero.

This movie version of the 3000 mile race Hidalgo and Hopkins were said to have run across the Arabian desert to keep their title as "greatest long distance race runner" is an old-fashioned popcorn-movie-as-entertainment movie. It should also help the theaters sell quite a bit of bottled water and soda. The film's weaknesses are mostly attributable to the script. The writing (credit is to John Fusco, not-quite-known for writing the screenplay for SPIRIT: STALLION OF THE CIMARRON--- an AHA!! moment here) could have been tighter, and left needless plot holes. Also annoying is a slight laxity in editing. However, the story itself is a dramatic one, and the movie is fun to watch. The cinematography does well by the story and the locale.

Omar Sharif, once again as a sheik, comfortable to the core in his role, is a delight. Viggo Mortensen is good to look at, obviously, but made me realize how difficult "laconic" is to play. He manages. Just. Louise Lombard, playing the English seductress Lady Anne, who continually raises her stakes in the race, has the most compelling eyes of any actress I can recall. The original music by James Newton Howard is also well done.

"The Last Samurai" opened on a similar note: Army orders cause a murderous slaughter of Native Americans for which the protagonist feels responsible, explaining his taking refuge in alcohol. Both protagonists have cynical reasons for leaving America, but some prospect of finding their souls again in a very foreign land, a completely unfamiliar culture. "The Last Samurai" has what this film lacks: a psychological examination of the hero's journey. Both films' protagonists and heroines form a prohibited bond, Samurai's developing naturally, this one seemingly more contrived and less deep. But whereas "The Last Samurai" is a war movie, this film ends as "Seabiscuit": a very exciting horse race.

Our audience was completely involved, groaning, cheering, sweating it out for the heroes, the heroine, and even, occasionally, for the also-rans. It is a satisfying ride. B-

21 of 22 people found the following review helpful:

5.0 out of 5 stars Classic film making on a grand scale. A truly epic film., August 13, 2006

By 

W. N. Stape "NJ Review Guy" (Bayonne, NJ USA) - See all my reviews
(REAL NAME)   

This review is from: Hidalgo (Widescreen Edition) (DVD)

Hidalgo is based upon a true story, so it's no wonder it's thrilling, truth being stranger than fiction and all. Although it's highly doubtful that everything in the movie actually happened, Frank Hopkins was indeed a real life cowboy, master horseman and rider and he did participate in the great Bedouin horse race of the Middle East known as the "Ocean of Fire" in the 1890's.

This wonderfully stylized and lovingly crafted film clocks in at over two hours, yet never bores and your interest should never waver. The international cast is terrific, led by Viggo Mortensen in a low-key, subtle performance which brings depth and a real sense of nobility to the notion of a "cowboy'. We've seen loads of silver screen gun slingers, bandits and marshals from icons like the swaggering John Wayne to the laconic Clint Eastwood, but with Viggo's Frank Hopkins, we may now be witness to one of the most balanced and interesting portrayals of an authentic cowpoke. And it's all the more interesting because Frank Hopkins isn't all cowboy - half of him is Native American. This internal duality and cultural division brings character shadings and a unique sense of perspective to Hopkins.

Balancing the tensions of Native Americans with the US Government of the time, the film explores Frank Hopkin's journey between two worlds - that of a half Native American with loyal ties to his tribe and his jobs as a pony express rider and performer in Wild Bill Hickcock's show, all while having to live in the White Man's world. When he's invited to participate in the Bedouin Race, Frank soon discovers there's a whole other world out there bound by similar dogmatic traditions, where women must hide their faces behind veils, much like he's chosen to hide his native ancestry to enable him to live an easier life.

Sweeping cinematography beautifully composes authentic locations and the stunt choreography infuses the race and the action set-ups with fun and authenticity. Viggo must have definitely "lived" horses for the film, irregardless of his prior expertise with them. He clearly is at the reigns of the horse most of the time and he's totally capable and always convincing. Hidalgo the horse may qualify for his own sequel or a TV series. This beautiful animal is more expressive than many human actors and it's just one of the many joys and reasons to give this film a chance. Apparently lost by audiences in it's initial theatrical release, Hidalgo should be discovered by every movie lover.