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The year is 1890, and half-American, half-Souix Indian Frank T. Hopkins (Viggo Mortensen), is invited by an Arabic sheik to compete in "The Ocean of Fire", the most prestigious and dangerous long-distance race ever known to man. Usually reserved for the purest bred stallions and the wealthiest and best riders in the world, the 3,000 mile race across the Arabian Desert leaves half of its competetors dead from natural disaster, insanity, or the treachery of fellow riders. After witnessing a tragedy at Wounded Knee Creek, and falling out of his once-claimed title of the best rider in the West, Frank and Hidalgo jump at the opportunity, where they encounter danger in all forms, and must rely on their friendship and strength to pull off the impossible.
Seeing as "Hidalgo" is Viggo Mortensen's first film in which he has been the only-billed star, he handles the pressure well as the quiet and conflicted Frank T. Hopkins. He plays the character with a brilliant subtlely, and gives him an air of understated intelligence and courage. With the right amount of emotion, Mortensen is the modern day Indiana Jones-like action hero; with sex appeal and gripping stunts. Although he lacks charisma in some instances, he is overall perfect and enjoyable in his role. The supporting cast is strong, with the highlights being Louise Lombard as Lady Anne Davenport and a small but memorable performance by Victor Talmadge as Rau Rasmussen. However strange this may sound, the horse Hidalgo gave one of, if not the best, performance in the movie. He made the relationship between himself and Frank heartbreaking and fufilling, and expressed emotions and conveyed certain thoughts across to the audience in simply a look. If there was ever an award for the best animal actor, I would personally award it to Hidalgo.
One of the main highlights of Hidalgo is the beautiful sets and surrounding scenery. Rich in color, there are stunning shots of the Arabian desert, the plains of old America, and snowy forests and rivers, and just the people of each new environment, which make the story overall more enjoyable. The cinematography is jaw-dropping, as the perspectives, running shots of the races, and choice in angles and film speeds are spot on in nearly every scene. The music is also incorporated well, jerking emotions and suspense from the audience.
Although I have heard the contrary, I was thoroughly satisfied with "Hidalgo" as a whole. I loved the way the relationship between Frank and Hidalgo was portrayed, the story was new and exciting, and I was moved, gripped by the suspense, and engrossed in the film from start to finish. Although it runs a little long, ends one too many times, and has some bad dialogue, it will ultimately satisfy moviegoers of most ages due to the content, draw, and overall look of the film.
Frank T. Hopkins may or may not have lived all the adventures he was famous for recounting, but it is verifiably true that he was instrumental in saving the wild mustang from extermination in North America. For that he is a hero.
This movie version of the 3000 mile race Hidalgo and Hopkins were said to have run across the Arabian desert to keep their title as "greatest long distance race runner" is an old-fashioned popcorn-movie-as-entertainment movie. It should also help the theaters sell quite a bit of bottled water and soda. The film's weaknesses are mostly attributable to the script. The writing (credit is to John Fusco, not-quite-known for writing the screenplay for SPIRIT: STALLION OF THE CIMARRON--- an AHA!! moment here) could have been tighter, and left needless plot holes. Also annoying is a slight laxity in editing. However, the story itself is a dramatic one, and the movie is fun to watch. The cinematography does well by the story and the locale.
Omar Sharif, once again as a sheik, comfortable to the core in his role, is a delight. Viggo Mortensen is good to look at, obviously, but made me realize how difficult "laconic" is to play. He manages. Just. Louise Lombard, playing the English seductress Lady Anne, who continually raises her stakes in the race, has the most compelling eyes of any actress I can recall. The original music by James Newton Howard is also well done.
"The Last Samurai" opened on a similar note: Army orders cause a murderous slaughter of Native Americans for which the protagonist feels responsible, explaining his taking refuge in alcohol. Both protagonists have cynical reasons for leaving America, but some prospect of finding their souls again in a very foreign land, a completely unfamiliar culture. "The Last Samurai" has what this film lacks: a psychological examination of the hero's journey. Both films' protagonists and heroines form a prohibited bond, Samurai's developing naturally, this one seemingly more contrived and less deep. But whereas "The Last Samurai" is a war movie, this film ends as "Seabiscuit": a very exciting horse race.
Our audience was completely involved, groaning, cheering, sweating it out for the heroes, the heroine, and even, occasionally, for the also-rans. It is a satisfying ride. B-
This wonderfully stylized and lovingly crafted film clocks in at over two hours, yet never bores and your interest should never waver. The international cast is terrific, led by Viggo Mortensen in a low-key, subtle performance which brings depth and a real sense of nobility to the notion of a "cowboy'. We've seen loads of silver screen gun slingers, bandits and marshals from icons like the swaggering John Wayne to the laconic Clint Eastwood, but with Viggo's Frank Hopkins, we may now be witness to one of the most balanced and interesting portrayals of an authentic cowpoke. And it's all the more interesting because Frank Hopkins isn't all cowboy - half of him is Native American. This internal duality and cultural division brings character shadings and a unique sense of perspective to Hopkins.
Balancing the tensions of Native Americans with the US Government of the time, the film explores Frank Hopkin's journey between two worlds - that of a half Native American with loyal ties to his tribe and his jobs as a pony express rider and performer in Wild Bill Hickcock's show, all while having to live in the White Man's world. When he's invited to participate in the Bedouin Race, Frank soon discovers there's a whole other world out there bound by similar dogmatic traditions, where women must hide their faces behind veils, much like he's chosen to hide his native ancestry to enable him to live an easier life.
Sweeping cinematography beautifully composes authentic locations and the stunt choreography infuses the race and the action set-ups with fun and authenticity. Viggo must have definitely "lived" horses for the film, irregardless of his prior expertise with them. He clearly is at the reigns of the horse most of the time and he's totally capable and always convincing. Hidalgo the horse may qualify for his own sequel or a TV series. This beautiful animal is more expressive than many human actors and it's just one of the many joys and reasons to give this film a chance. Apparently lost by audiences in it's initial theatrical release, Hidalgo should be discovered by every movie lover.
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