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16 of 16 people found the following review helpful:
5.0 out of 5 stars
Finest espionage novel ever?, December 24, 2009
Charles Cumming's "The Hidden Man" is certainly the finest espionage novel I've read. While I love the works of Littell, Deighton, Greene, McCarry, Ignatius and Le Carre, as well as Cumming's own "A Spy By Nature," "The Hidden Man" is unique in how effectively it deals with the effects of cold war espionage on very ordinary people. The main characters in Cumming's novel are not spies, ambassadors or diplomats, but a businessman and an artist. Nor does Cumming succumb to having them turn into James Bond. History simply reaches into their lives, and unravels them. Even one is not interested in that particular theme, one will be treated to a fast, engrossing drama. By page fifty, Cumming has amassed so much intruiging plot with remarkably little prose.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Multiple layers of intrigue, November 4, 2010
As of this writing, there are thirty customer reviews of Charles Cumming's first novel, A Spy by Nature, but only one of his second novel, The Hidden Man. This is unfortunate because The Hidden Man is the better of the two books. Readers who enjoy well written, character-driven espionage fiction should seek it out.
When Christopher Keen's two children were young, Keen abandoned his family to take a job as an SIS operative. Thirty years later, Keen works for Divisar Corporate Intelligence. His wife is long dead. Keen has reestablished a relationship with his son Mark, but his son Ben refuses to speak to him. Mark is a senior executive at Libra, a nightclub chain that is about to open a club in Russia. The lawyer putting that deal together is under investigation by MI5, in cooperation with Russian police authorities who observed his meetings with an organized crime figure during trips to Russia. Keen has given professional advice to Libra about its Russian business dealings, and MI5 not only wants Keen's assistance, it wants to use him to get information from Mark. Hours after Keen has his first serious conversation with Mark since leaving the family, a Russian with an apparent score to settle enters Keen's flat and kills him. (The killing is actually the first event in the novel; the early chapters fill in the backstory.)
The bulk of the story centers on the sometimes independent, sometimes cooperative efforts of Mark and Ben to learn who killed their father and why. Cumming builds suspense slowly as we learn about each brother: Mark's enthusiastic but naive willingness to assist MI5; Ben's curiosity about a father he's so long detested; Ben's shaky relationship with a wife who finds herself attracted to his boss. Cumming creates a strong sense of atmosphere and danger as the plot develops; a particularly tense scene has the brothers meeting with Latvian gangsters in a strip club. Each brother is a fully developed character; their very different relationships with their father, and their reactions to conflicting stories they hear about him after his death, is fascinating. A turf war between intelligence agencies working at cross-purposes has become standard fare in spy novels, but it's used to great effect in The Hidden Man. The brothers are caught in the middle, they don't know who or what to believe ... it's a great story.
The careful plot, the depth of the characters, and the nice pace at which the story unfolds all make this an excellent, rewarding, five star novel.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Pretty Darn Good, August 21, 2011
Charles Cumming is a "newish" author in the spy/espionage genre, his books dating back to 2001, and he has been favorably compared to John LeCarre. Now before you George Smiley fans start hyperventilating, here's the good news and maybe the bad news. The author's characters are very reminiscent of LeCarre's. They are self-centered, manipulative, scheming, secretive and more than occasionally, flat-out liars - in a word smarmy. Cumming also likes to mix his amateur spies with the professionals. On the other hand, the author's plots, even with all the underhanded double dealing, are nowhere near as convoluted or opaque as LeCarre's. I will leave it up to the reader to decide if this is a positive or a negative. Cumming's books deal with mind games instead of mindless action and along with LeCarre, one can see Graham Greene influences with this author.
The Hidden Man follows this formula. Two brothers are "found" by their father, who abandoned them years ago - when they were just young boys - for a life as a British spy. This reconciliation is not without its ups and downs, but unfortunately before there is a resolution, the two brothers find themselves "fatherless" once again. (I am being deliberately vague here so as not to spoil the plot.) Now, the two brothers - amateurs - are thrust into the "professional" world of spydom as they attempt to get to know their "estranged" father and figure what happened to him.
I enjoyed this book. There are good and bad characters, many of them a combination of both, and of course some "smarmy" ones. There are a few scenes that stretch credibility/plausibility - particularly near the conclusion - but they are the exception. If you are looking for a change of pace or something a little more cerebral in a spy thriller, you won't go wrong picking up this book.
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