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Hidden in Plain View: Narrative and Creative Potentials in War and Peace
  
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Hidden in Plain View: Narrative and Creative Potentials in War and Peace [Hardcover]

Gary Saul Morson (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

0804713871 978-0804713870 August 1987
For decades, the formal peculiarities of War and Peace disturbed Russian and Western critics, who attributed both the anomalous structure and the literary power of the book to Tolstoy’s “primitive,” unruly genius. Using that critical history as a starting point, this volume recaptures the overwhelming sense of strangeness felt by the work’s first readers and thereby illuminates Tolstoy’s theoretical and narratological concerns.

The author demonstrates that the formal peculiarities of War and Peace were deliberate, designed to elude what Tolstoy regarded as the falsifying constraints of all narratives, both novelistic and historical. Developing and challenging the ideas of Mikhail Bakhtin, Morson explores Tolstoy’s account of the work’s composition in light of various myths of the creative process. He proposes a theory of “creation by potential” that incorporates Tolstoy’s main concerns: the “openness” of each historical moment; the role of chance in history and within narrative patterns; and the efficacy of ordinary events, “hidden in plain view,” in shaping history and individual psychology. In his reading of Tolstoy, he demonstrates how we read literary works within the “penumbral text” of associated theories of creativity.

--This text refers to the Paperback edition.


Editorial Reviews

Review

“Perhaps the single most intelligent reading of War and Peace we have in English.” —William Mills Todd III, Stanford University
--This text refers to the Paperback edition.

From the Inside Flap

For decades, the formal peculiarities of War and Peace disturbed Russian and Western critics, who attributed both the anomalous structure and the literary power of the book to Tolstoy’s “primitive,” unruly genius. Using that critical history as a starting point, this volume recaptures the overwhelming sense of strangeness felt by the work’s first readers and thereby illuminates Tolstoy’s theoretical and narratological concerns.
The author demonstrates that the formal peculiarities of War and Peace were deliberate, designed to elude what Tolstoy regarded as the falsifying constraints of all narratives, both novelistic and historical. Developing and challenging the ideas of Mikhail Bakhtin, Morson explores Tolstoy’s account of the work’s composition in light of various myths of the creative process. He proposes a theory of “creation by potential” that incorporates Tolstoy’s main concerns: the “openness” of each historical moment; the role of chance in history and within narrative patterns; and the efficacy of ordinary events, “hidden in plain view,” in shaping history and individual psychology. In his reading of Tolstoy, he demonstrates how we read literary works within the “penumbral text” of associated theories of creativity.

--This text refers to the Paperback edition.

Product Details

  • Hardcover: 322 pages
  • Publisher: Stanford Univ Pr (August 1987)
  • Language: English
  • ISBN-10: 0804713871
  • ISBN-13: 978-0804713870
  • Product Dimensions: 9 x 6 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,558,861 in Books (See Top 100 in Books)

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22 of 22 people found the following review helpful:
4.0 out of 5 stars How to make "War & Peace" meaningful & manageable. . ., December 13, 2000
By 
"mpfreedman" (Maple Grove, MN USA) - See all my reviews
This review is from: Hidden in Plain View: Narrative and Creative Potentials in War and Peace (Hardcover)
Gary Morson was a professor of mine at Northwestern University, and his classes on Russian Literature are outstanding. This is his book on the many themes Tolstoy uses in War and Peace, and it's a great way to make sure you're getting the most out of one of the best novels of all time. . ....

I am paraphrasing horribly, but here are some of the themes that Morson illustrates in this book about "W&P" that I found really interesting:

- "Unexpected Influence" - War & Peace is one of few novels that is written to represent real life. Characters you may feel at the beginning of the book are really important may get killed off unexpectedly halfway through. Other characters that you thought were minor or side characters end up being very influential later on. Tolstoy keeps you guessing. . . Just as in life, you never know who is going to be really important to you when you first meet them.

- "Flexibility is key to success/survival" - Tolstoy shows that many of the most successful people in life are those that adapt to changing circumstances as they occur. Morson helps you compare some of the "strong" characters to some of the "bendable" characters, and watch how they thrive (or do not thrive) throughout circumstances.

- "History is not made by big, historical figures." Tolstoy's view is that it is crafted by the decisions of thousands of 'little people' over many, many instances. (e.g., Napoleon may think he won the war, but it was really thousands of soldiers that made the right fighting decisions over thousands of instances that got the job done.) This is a theme that (according to Morson) Tolstoy is really interested in, and is reflected in other Tolstoy novels as well.

- "What is 'history'? Not what we think." Tolstoy reflects that "history" as we think we know it is not really "REAL history". History as we know it is written by historians, who act as a filter and put their own spin on events. Tolstoy shows in W&P that you can't really know history unless you were present, and even then, 'your history' will differ from everyone else's.

- and many other really interesting themes. This is a great treatise on a great novel that deals with life philosophies. Enjoy! ...

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