This intriguing new monograph by noted art historian Larry Silver interprets that artistic vision with admirable lucidity: it explains how Boschs understanding of human sin, morality, and punishment, which was conceived in an era of powerful apocalyptic expectation, shaped his dramatic visualizations of hell and of the temptations of even the most steadfast saints. Silvers account of Boschs artistic development is one of the first to benefit from recent technical investigations of the paintings, as well as from the reexamination of the artists drawings in relation to his paintings. Hieronymus Bosch is also unique in how securely it places its subjects work in the broader history of painting in the Low Countries: Silver identifies sources of Boschs iconography in a wide range of fifteenth-century panel paintings, manuscript illuminations, and prints, and describes how, despite their own religiousness, Boschs pictures helped inspire the secular landscape and genre scenes of later Netherlandish painters. Augmented by 310 illustrations, most in color, including many dramatic close-ups of Boschs intricately imagined nightmare scenes, this is the definitive book on a perennially fascinating artist.






