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Then take into account the amazing support, knowns and unknowns - Cusack's sister Joan, Tim Robbins, Jack Black, etc. - even Zeta-Jones isn't half bad. Consider too the script, which is surprisingly faithful to Nick Hornby's (very good) book, and gives equal measure to comic and tragic relief.
Fianlly, the soundtrack. Can there be any greater song to sum up Rob Thomas (John Cusack's) final revelation after the film ends than Stevie Wonder's I Believe? No. High Fidelity is the complete package - funny, touching, well-acted, scripted, directed, scored for, and unbelievably true to life.
And for all those sad Englishmen writing in to complain that the movie should have been set in Britian - get real. I thank you.
John Cusack plays your typical everyday kind of guy who just so happens to have the absolute WORST luck with women. Stability in his personal life is ever elusive and he continues to get dumped by the women he dates. Typically he is ditched because the girl "meets another guy, and....."
Like most men, Cusack's character wants to have things both ways. He wants to have continuity in his life, yet the idea of commitment scares the tar out of him. What if he takes that giant leap but isn't able to make it to the other side of the canyon? What if he meets an even more worthwhile girl 2 days after getting married? Ah, the variables of relationships that we men torture ourselves with.
Aside from the venerable Cusack the film also features Catherine Zeta Jones as the paridigmatic "perfect" girl who is continually just-out-of-reach for we mere mortals. She sizzles in her role and it's obvious that she relished the chance to play a sort of Supermodel-type girl who is a femme fatale.
There is a hilarious scene of Cusack's persona standing in the rain outside her home that perhaps every single heterosexual male will be able to relate to (from one point of his life or other). A nice touch in the story is how they bring out the fact that old boyfriends are incessantly contacting her to find out why she dumped them.
If you're interested in watching a Romantic Comedy that's a bit bleaker than most, this one might be for you. If you're a male like me who has undergone myriad rejections in his life, this DVD is a MUST see. For men like myself stories don't get too much more cathartic than this one!
Anyhow, John Cusack whose niche seems to be playing losers (Better Off Dead, Say Anything, Being John Malkovich, Tapeheads, etc.) plays one of the most appealing losers since Lloyd from Say Anything. His girlfriend has left him. His career is running a failing record store. He decides to go over all his past relationships to figure out what went wrong. Worse is that his girlfriend keeps coming back for her stuff and you start to realize that she is perfect for him, even as she walks off to start something with the politically correct granola ponytail wearing upstairs neighbor played with smug self-satisfaction by Tim Robbins (in the scene where John Cusack wants to beat him senseless, Tim Robbins plays the part so you the audience would also like to beat him senseless)
Through a series of lists (five most humiliating breakups, five best songs about burning things up. four things that my ex- told her best friend to make her best friend hate my guts)his two friends at the record store (they fit the record store stereotype clerk to the hilt - or comic book store clerk or any store with a cool selection. one's a jerk and the other one's a freaky loner) and a brief affair with Lisa Bonet (whose version of "Baby I Love Your Ways" SHOULD be on the soundtrack but isn't.) and the meetings with the previously mentioned five most humiliating breakups, the main character stops relating to the world as a carnival that's out to stick him in the lion cage and starts gaining perspective, even maturity.
By the end with John Cusack back with his girlfriend, you have absolutely no idea if they are going to stay together or break up again, but you really want them to stay together. If only to give the notion that it's worth growing up. This is a long movie, a movie with many subplots and counter subplots but an honest movie and a movie that will go down as one of the classics of honest romance movies in a sea of saccharine junk with plots that were written from a standard romantic plotline (they meet, they go out, they sleep together, they break up, they get back together in a funny sequence at the end, the audience falls asleep, etc.) Original beauty and it makes me hope that the rest of Hornby's books should also be adapted for the screen.
