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The High King of Montival: A Novel of the Change (Change Series) [Hardcover]

S. M. Stirling (Author)
3.8 out of 5 stars  See all reviews (69 customer reviews)

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Book Description

Change Series September 7, 2010
The New York Times bestselling author continues his post- apocalyptic series chronicling a modern world without technology.

With The Sword of the Lady, Rudi Mackenzie's destiny was determined. Now he returns to Montival in the Pacific Northwest, where he will face the legions of the Prophet. To achieve victory, Rudi must assemble a coalition of those who had been his enemies a few months before and forge them into an army that will rescue his homeland.

Only then will Rudi be able to come to terms with how the Sword has changed him, as well as the world, and assume his place as Artos, High King of Montival...


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Editorial Reviews

About the Author

S. M. Stirling is the author of numerous novels, both on his own and in collaboration. A former lawyer and an amateur historian, he lives in the Southwest with his wife, Jan.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

Nantucket Island
Imbolc, February 18,
Change Year 24/2023 AD

"Where did it all go?" Mathilda Arminger said. "There were roads and houses! Now it"s just trees. They're old trees too; you can see that, even if the sea-wind has stunted them."

"Why are you asking me?" Rudi Mackenzie said, with studied reason in his tones.

The which always drives you crazy and makes your eyes sparkle fetchingly, anamchara mine, he thought.

"You're the one with the magic sword!"

Mathilda caught the twinkle in his own eye and stuck out her tongue at him. They laughed, a quiet, relieved sound; it was good to have nothing but a mystery troubling them, as opposed to homicidal strangers. Rudi let his hand fall to the hilt of the weapon slung at his right hip. The pommel shaped of moon-crystal held in antlers gave him a slight cool shock as his calloused palm touched it, less a physical sensation than a mental one…;or possibly spiritual.

"What does it feel like?" Mathilda asked, subdued again.

"To hold it?"

She nodded, and he went on: "It's…;hard to describe; that it is. Not as much of a shock as the first time; I grow used to it, but…;It's as if my thoughts themselves were faster somehow. More sure. More themselves. You know how you think, If I do a certain thing, that might happen, or the other thing, or, then again, perhaps this? And your wit and experience give you an idea of each, and how likely they are? Well, when I do that now it's as if little mummers were making a play of it in my head, and I know what's most likely. It's…;disconcerting; that it is."

"It would be," she said seriously. "Useful! But, well, Rudi, if you could really see what would happen whenever you did something, would you have any freedom of choice at all? After all, you'd always know the best thing to do!"

He laughed a little, but there was less amusement in it this time.

"Sure. Don't folk choose to do things even if they know it's folly and the result will be black disaster? And don't they do that all the time?"

She snorted and elbowed him in the side. In armor it was more heard than felt, but he took the point.

"So, bearer of the Sword of the Lady, what does its power tell you about this island? What and where and what is it, now?" she said.

"It's not visions I'm receiving," he said. "And there's no printed list of directions on the scabbard!" He could feel her shift.

"You'll probably spend a lot of time learning what it can do," she said.

Rudi smiled at the winter ocean. Nobody's fool, my Matti! he thought. Aloud: "That I will! So far it's like the sharpening of my own thoughts. And I think…;" He hesitated for an instant. "I think that this island has been a…;a patchwork since the Change ended the old world; that it has. Not quite the place it was before that day. Not quite the island of another time, or many other times. Now it's all of one thing—and that thing is the Nantucket Island that was before men first cut down its trees for cornfields. As if a thing started the year we were born has now been completed."

"Then what happened to the island from our time? Or at least from the time of the Change? There were thousands of people here according to the books."

"I suspect—not know, mind, but suspect—that the island that lay here twenty-four years ago was switched for the one we've gotten. And so began the Change Years."

She frowned. "But wouldn't that have made things different? Changed the past, I mean. When the English came here they didn't find men speaking English, or riding horses, or forging iron swords."

The vision that had come with the Sword's finding was slipping away, as such things did. Flickers of a forest far grander than this, grander even than the Douglas fir woods of his homeland. Trees that towered towards a crescent moon. Three Ladies—Maiden, Mother, Crone—had spoken with him, and he could still grasp at shattered fragments of what they told, at vistas of time and space vaster than a human mind could ever hold, of universes born and dying and reborn again.

He touched the hilt, and Mathilda shivered against him. Rudi was tempted to do likewise.

"You've the right of that. There's something…;something about what the Ladies said to me—spirals of time, and each different yet partly the same…;As to how the one is linked to the other, well, don't ask me, for I can't do more than babble of wondrous things seen in dreams."

Then he worked his shoulders and returned to practicalities:

"From the sky, the weather and the way our wounds have healed, I'd say we lost about a month since we arrived…;in an instant or so," he said. "And to be sure, we've lost that…;town too. If it was altogether here to begin with…;the strangeness and dark bewilderment of it. I kept seeing it different while we were running through it."

"Me too," Mathilda said, and crossed herself. "Then…;it was as if someone was talking to me."

"Who?" Rudi said, and tightened his arm as she shivered.

"A…;a woman in blue? Ignatius saw her in the mountains, but…;or was she in armor? There's Saint Joan…;I don't know. And they were the most important words I'd ever heard but now they're gone, mostly. Then you were back, and I didn't care anymore where we were."

She took his arm. "Now…;now, like you said, it's all of a piece. And, more important, it looks like it isn't going to change on us again." There was as much question as certainty in her voice.

He nodded. "It feels that way to me, as well."

Now there was a thick, low forest of leafless brown oak and chestnut, and green pine behind; ahead lay beach, and salt marsh full of dead brown reeds, and the ruffled gray surface of a broad inlet of the winter-season Atlantic. It still seemed a little unnatural for the glow of sunrise to be over the eastern waters; the only ocean he'd ever seen until a month ago had been the Pacific, which beat on the shores of Montival—what the old world had called Oregon and Washington.

It's still the Mother's sea, he thought.

The wind came off it, damp and chill under a sky the color of frosted lead, blowing his shoulder-length red-blond hair around his face and smelling of salt and sea-wrack; it brought out the gray in his changeable eyes as well, overshadowing the blue and green. Mathilda's brown locks were in two practical braids bound with leather thongs, framing her strong-boned, slightly irregular young face. She leaned against him and he put his chin on her head; she was taller than most women, but his height of six-two made the action easy. A few stray locks tickled his nose. He shut his eyes, letting the scents of sea and woman fill his nostrils, and the rushing-retreating shshshsshs of waves on sand and the raucous cries of gulls fill his ears.

She sighed deeply. "I feel…;I feel like all the way from home to here I've been running down a set of tower stairs in Castle Todenangst, the way we did when we were kids and you were visiting? And it's dark and I don't notice I am at the bottom and my feet keep trying to run down after I've hit the floor."

He nodded—she could feel the pressure of his chin, even if she was looking into the green leather surface of his brigandine. Between that, with its inner layer of little riveted steel plates, and her titanium alloy mail hauberk and the stiff coat of padding beneath, the embrace was more theoretical than real, but comforting nonetheless.

"I know what you mean! Near two years we've been after the Sword, from sunset to sunrise, from Montival to Nantucket…;and now we've got it, the creature. What next?"

"Home," she said, and there was longing in the word, a feeling he could taste in his own mouth.

"Home. Though that walk is likely to be upstairs, as it were."

Then she went on: "You said to walk towards the Sword was to walk towards your own death. Now we've got it—and you're still alive, by Father, Son and Holy Ghost!"

"And I'm still walking towards death," he said. At her scowl: "Though to be sure, we all are! At the rate of a day for every day, so to speak."

Then she sighed, and he nodded. It was cold, if bleakly beautiful, and the damp chill penetrated their grimy wools and leathers and padding. More, there was work to be done. They turned and walked hand in hand back towards the spot where the…;town…;had been.

The Nantucket where the Change had begun a generation before was gone. So was the Bou el-Mogdad, the captured Moorish corsair vessel they'd run ashore as it burned beneath them, and the wharf it had struck with multiton violence. Slightly charred, the long, slender shape of her sister-ship lay canted on the shore. Even awkwardly stranded on the sandy mud by the retreating tide, the pirate schooner Gisandu still had the graceful menace of her namesake—the word meant Shark in the Wolof tongue. Beaching her hadn't done any harm; ships of that breed were built for longshore work.

Three groups stood there under the shadow of its bowsprit, edging apart. Rudi's friends and kin and the followers picked up along the way, thirty altogether, stood around a crackling driftwood fire that spat sparks blue and green. The surviving dark-faced corsa...


Product Details

  • Reading level: Ages 18 and up
  • Hardcover: 496 pages
  • Publisher: Roc Hardcover; 1 edition (September 7, 2010)
  • Language: English
  • ISBN-10: 0451463528
  • ISBN-13: 978-0451463524
  • Product Dimensions: 9 x 6.4 x 1.5 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (69 customer reviews)
  • Amazon Best Sellers Rank: #105,657 in Books (See Top 100 in Books)

More About the Author

I'm a writer by trade, born in France but Canadian by origin and American by naturalization, living in New Mexico at present. My hobbies are mostly related to the craft -- I love history, anthropology and archaeology, and am interested in the sciences. The martial arts are my main physical hobby.

 

Customer Reviews

69 Reviews
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 (12)
3 star:
 (19)
2 star:
 (5)
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Average Customer Review
3.8 out of 5 stars (69 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

48 of 53 people found the following review helpful:
3.0 out of 5 stars The stage is set for the war to be resolved, at last, September 14, 2010
By 
Ron Boerger (Austin, TX United States) - See all my reviews
(REAL NAME)   
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This review is from: The High King of Montival: A Novel of the Change (Change Series) (Hardcover)
Looks like I'm going to express the minority view. So be it. This is an engaging story, if you've read the rest, but the introduction of the deus ex machina-cum-Sword makes everything much too pat.

And, since some have complained (and it's a fair observation): ** spoiler alert **. Reading past this point will reveal the setup for the next set of books in the series.

Rudi suddenly has the Sword - though a good deal of time passed in an instant, and Nantucket has changed - and begins to make his way back across country. Along the way he, strengthened by the Sword, is able to bring just about everyone he meets into line on the side of the good guys, and armies assemble to attack the CUT from the east. There are a couple of set battles, one with the Cutter's allies in the East, one with the Cutters themselves in the Canadian Midwest, but thanks to the Sword and its immaculate gifts the good guys win convincingly. Amazingly, in a world where radio and other long-distance communications are long since gone, the Montivalians and their allies have precise timing and everything falls into place *just so*. An attempted assassination against Artos and his allies takes place in Iowa, but is easily foiled when Matti spies a reflection of one of the assassins just in the nick of time. About the only sign of trouble for Artos is that each time he uses the Sword, it seems harder for him to come back to himself. No doubt future books will continue to take us down that path.

Back out west, in Montival proper, things aren't going nearly as well, though Artos' capture of the Sword means the Cutter mystics can no longer infiltrate the minds of our heroes. They still have to deal with the disciplined armies of the United States of Boise and their copious military output, and are fighting a losing battle. Once Artos starts heading back in earnest, however, we don't hear much more about what's happening in on the home front.

The book ends with a happy event (after which the Sword shows its approval), Rudi is back in the PPA with basically his entire team intact (Odard died in the previous book), and so we're set up for another set of books detailing the Cutter-Montival (& ally) War.

I do have to take exception at the ease with which our protagonists use the rail network for transport. After nearly 30 years with very little maintenance, most rail in remote areas would be in a very bad way. There is some provision made for light repairs, and of course some areas have been maintained, but in the wilderness it would be no easy task to ride the rails any more.

It's a decent book, with lots of what we've come to expect from Sterling; vivid descriptions of home life after the change, banquet after banquet, lots of gods from many pantheons getting involved. At the same time, the level of action suffers - with all of that other stuff, there's not much room for battle.

Like everyone else, I'll be waiting for the next volume ... but hoping that we'll see a little less florid prose and a bit more action.
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38 of 45 people found the following review helpful:
3.0 out of 5 stars Doesn't Add Much to the Series, October 27, 2010
By 
Grey Wolffe "Zeb Kantrowitz" (North Waltham, MA United States) - See all my reviews
(VINE VOICE)   
This review is from: The High King of Montival: A Novel of the Change (Change Series) (Hardcover)
Before I write anything else, I want to make a formal complaint to ROC and SMS, who approves the covers for these books? Why is Rudi/Artos NOT in a KILT, why is his hair SHORT and Black, and why for all the GODS is he standing in front of a DC-3 which they stopped building in the 1950s? Doesn't anyone look at the covers before they print the books?

Like a TV series that has to have some 'filler' episodes, this book is just a rehash of the previous stories. OK, 1)Stirling has to get Rudi/Artos back to Montival, but did it have to take 476 pages! 2)Once again the
covers SUCK, 3) you don't have to describe every piece of armor that Rudi puts on him or Epona, 3) I don't want to read about all the ingredients that go into the food, 4) please don't name every freeking tree along the way, 5) enough with the going back to describe what's already happened (let those laggards read the other books), 6) enough with describing things in Sindarin, 7) stop talking about the "Sword of the Prophet" and tell us what's going on with the 'evil' that's got Corwin under it's spell, 8) this is not 'America's Next Top Model', I don't care what the woman are wearing (unless of course they're naked), 9) stop with the puns based on stuff no one born before the 'Change' would understand (it sounds like the side comments from Rocky and Bullwinkle), and 10) don't write two (2) more books, just finish it up in one (This IS beginning to be a tedious as Robert Jordan).

Just my two euros.

Zeb Kantrowitz
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34 of 43 people found the following review helpful:
1.0 out of 5 stars What should've been a snickers is nothing but predictable nougat, October 22, 2010
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I won't give cliff notes...those can be found among many other reviews.

First, the good: Let me say that Stirling, as always, creates an entertaining read centered around characters who have been imbued with plenty of depth.

Now, the not-so-good: If you aren't entertained by repeated descriptions of armor and banquets, High King doesn't offer very much. If you've read the previous 3 "Rudi Books", it offers no surprises. None. By now in the series, you are accustomed to Stirling's style, and it's like nougat...you either love it or hate it. Some people love reading endless descriptions of armor, weapons, and banquets. However, if you were expecting some resolution, what we got was 450 pages of "fight, have a banquet, describe scenery", rinsed and repeated. It further doesn't help that the greatest examples of the PPA, MacKenzie, Rangers, etc are really beginning to look more like the Get Along Gang rather than the circle of advisors to the first High King. It really, really doesn't help that after reading Meeting at Corvallis, you KNOW what Stirling is capable of, and after reading it, you are left with the empty realization that it was nothing more than filler to pay the bills before the series is concluded. In short, this experience was just like a Milky Way...a little bit of meaningful chocolate and a bunch of cheap, crappy nougat filler...a sore disappointment if you were expecting to finally get a Snickers with lots of tasty caramel and filling peanuts.

The straw that breaks this camel's back is that in addition to this gang of nimrods dog-paddling in a sea of nougat, Stirling insists on concluding some serious "WTF are you doing" moments. I understand that a massive army (2 of the largest armies on the continent joined together) is heading for the west coast. I understand that Rudi needs the Sword to ascend to demigodhood. I understand that Rudi needs to get Iowa (the biggest, baddest boy on the block) to join with the Corvallan Conglomerate in order to defeat the huge combined army of CUT and Boise. What I don't understand is how a wad of hangers-on from Jake Sunna Jake (a bunch of savages with a year's worth of training) and some neo-vikings from the northeast coast (who have a LOT more to worry about from north african raiders than they do from anyone west of the Mississippi) will in any way effect this battle. This makes NO sense at all. To defeat an army of 10,000, you get another army of 10,000. Or 15,000. Or maybe even just 5,000. You don't get a couple hundred people, half of whom have no business in an open field battle in the first place and the other half who should've stayed home to keep raiders from killing or carrying off everyone left behind. The only purpose I can think of for this was to give the reader a sense of Rudi's greatness, and if you haven't gotten anything else from the 3 books preceeding this one, it's a sense of Rudi's greatness. It's like letting a 200 pound hot fudge sundae melt while you try to get one more cherry on top. Enough already. Rudi could've assisted the Jakes and the vikings like the good guy he was, and left them behind. Why rail them all the way across the country to be a chipmunk in a fight between 4 pitbulls?

In closing, the only reason this book gets one star is that I can't give it zero. I admit, I reviewed other "Rudi" books critically based upon incredulity...from Mathilda sporting titanium maile to Rudi playing hopscotch across a stampeding buffalo herd. This time, however, I can honestly give this book the rating I did because of lack of content, even incredulous content. I will purchase the conclusion to this series; however, I think Stirling may have painted himself into a corner...I'm not sure there is enough story left for a 450-500 page book (there certainly wasn't enough for this one), but given the excellence of Meeting at Corvallis, I'm willing to roll the dice. Or maybe since I've gotten burned on books 2-4 of the Rudi Series, I no longer have any great expectations.

ETA: Okay, I read it again, just to make sure I wasn't being uncharitable, and maybe I was a bit harsh... so I upgrade to a solid "1", rather than the zero after my initial impression. It does have some action. Enough to warrant over 450 pages? Certainly not. Compared to the earlier trilogy, this series is lacking in resolution, entirely predictable and far too wordy. The Dies/Protector's/Corvallis trilogy covers the rise of three major "chiefdoms" and their principle characters over 10 years, along with a helping of the politics and history of the "supporting cast", if you will (Mt Angel, Corvallis, etc). So far, it has taken Stirling FOUR books just to get Rudi to Nantucket and back. This one basically covered a cross-country train ride. The expected fifth book, probably another 450 pages, will cover what? The final battle? Are we going to get entire pages dedicated to describing the mole on the nose of the Sword of the Prophet? Sheesh.

Again, this book is a "5" if you want nothing more than Super Rudi and his Magic Sword. However, if you are expecting a resolution and a maybe even a plot twist or two, you are going to be gravely disappointed.

ETA2: I can't help it. It's like watching wrasslin' on TV...you can't help but flip back to it. I read it again, hoping that my method of reading (I read fast) was the source of the plot holes and lack of anything stimulating (except the ending, which we saw coming in the Protector's War). Nope...this book does a fantastic imitation of a well-respected hobbit...that is, never having any adventures or doing anything unexpected. I can't believe that the same author who turned out Dies the Fire and Conquistador cranked this out. I changed my mind...I'm not buying the last book of this series. We already know how it will end; thus I see no reason to spend $20 and read 500 pages to find out. Want me to spoil it? The good guys defeat the bad guys in the final epic battle in which Rudi dies (after personally slaying the Prophet), he ascends to godhood to guard over the summerlands with the earth mother, and closes with Mattie giving birth to Rudi's son...paving the way for the next series of Emberverse books.

After watching redlettermedia's reviews of the new Star Wars trilogy, I realized what the problem was. The first trilogy was a lot like the first Star Wars trilogy. Stirling was a lot more careful when he did the first 3 books. The scenes are more memorable (you even remember what books they're from and why the scenes were important to the stories). The characters seem to be "just enough". Deep enough to get you interested in them, but not so detailed you get lose interest. The next series relies on more flash to cover up the lack of substance. Why does Rudi need to surf across a buffalo herd? Why does he need to be "Lugh come again" every time something more threatening than a praire chicken shows up? It's like the overdone lightsabers, CG/greenscreen and "turbo yoda" that everyone except 12 year olds got tired of by the end of Revenge of the Sith because someone couldn't even figure out what story they were trying to tell.

Oh well. Stirling will get our money for the last book, just like Lucas got our money for Sith.
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