Amazon.com Review
Is there another writer in the English-speaking world more distinctive and adventurous than John Buchan? A foreign correspondent for the
Financial Times, Buchan has in the last 12 years produced
A Parish of Rich Women, which contrasted the drug-addled English upper crust and the citizens of war-torn Beirut and which won the Whitbread Prize in 1984, and
The Golden Plough, an intricate and puzzling Cold War thriller, as well as two other novels. His latest work is almost too dense and ambitious to summarize: it involves a Wall Street takeover specialist whose devotion to keeping a Glasgow textile mill open reveals some dreadful secrets from her own past. It also involves a bankrupt airline operating commercial flights to Antarctica, a massive oil spill, an encounter with 41,000 penguins, insurance scandals, and the descendant of an 18th-century explorer. All of this is related by a detached first-person narrator who may or may not have any relation to the novel's characters. Buchan's book is romance in the grandest sense.
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Buchan, who has won notable literary prizes in England for A Parish of Rich Women and The Golden Plough, is a showy writer who has set himself here a rather difficult task: create a novelettish plot out of the sort of characters who people sex-and-shopping potboilers, yet give the whole a high literary gloss. As he puts it himself, in one of those long asides to the reader, he wanted, among other things, to "bridge the chasm between commerce and literature in our country." What he has produced is a sort of upmarket fairy tale whose princess is Jane Haddon, brought up in direst circumstances, who becomes a millionaire CEO of a mammoth textile company, able to plot elaborate corporate takeovers with a few moments' thought. She was once married to glamorous aristocrat Johnny Bellarmine, who, in the tradition of an illustrious ancestor explorer, gets himself lost in the Antarctic. Another plot line concerns Jane's efforts to rescue an underperforming factory of sentimental value and her resulting conflict with an elderly Communist unionist who tries to blackmail her about her past. Yet another treats her affair with Stephen Cohen, another wealthy manipulator who eats columns of figures for breakfast. All this is set forth in prose of high style but considerable self-consciousness beset with countless references that only upwardly mobile people in Mrs. Thatcher's Britain would be likely to grasp.
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.