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Special Features
- SPECIAL EDITION DOUBLE-DISC SET FEATURES:New restored high-definition digital transfer with newly restored original four-track surround soundNew audio commentary by Akira Kurosawa scholar Stephen PrinceA 37-minute documentary on the making of High and Low created as part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to CreateRare archival interview with Toshiro MifuneNew video interview with actor Tsutomu Yamazaki who plays the kidnapperTheatrical trailers from Japan and the U.S.New and improved English subtitle translationPLUS: A booklet featuring a new essay by critic Geoffrey O'Brien and a reprinted essay by Japanese film scholar Donald Richie
Editorial Reviews
Amazon.com
Although best known for his samurai classics, Japanese master filmmaker Akira Kurosawa proved himself equally adept at contemporary dramas and thrillers, and 1962's High and Low offers a powerful showcase for Kurosawa's versatile skill. The great Toshiro Mifune stars as a wealthy industrialist who has just raised a large sum of money to execute his planned takeover of a successful shoe manufacturer. Fate intervenes when he receives a phone call informing him that his son has been kidnapped, and by unfortunate coincidence the ransom demand is nearly equivalent to the amount Mifune has raised for his corporate coup. A philosophical dilemma emerges when it is revealed that the executive's son is safe, and that it is actually his chauffeur's son who has been taken. What follows is both a tense detective thriller, as the police attempt to track down the kidnapper, and a compelling illustration of class division in Japan--the "high and low" of the title. Far be it from Kurosawa to make a mere thriller, however; this loose adaptation of the Ed McBain novel King's Ransom provides the director with ample opportunity to develop a visual strategy that perfectly enhances the story's sociological themes. The Criterion Collection DVD of this extraordinary film is presented in the original "Tohoscope" aspect ratio of 2.35:1. --Jeff Shannon
Product Description
Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in Akira Kurosawa's highly influential domestic drama and police procedural High and Low. Adapting Ed McBain's detective novel King's Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on class and contemporary Japanese society. Criterion is proud to present High and Low (Tengoko to jigoku) in this new high-definition digital transfer.
Customer Reviews
Most Helpful Customer Reviews
42 of 48 people found the following review helpful
Format:DVD
BEWARE: SPOILER ALERT
Very rarely does a film improve upon the book on which it is based. It takes a visual master, working with an excellent screenwriter, to convey as much detail about a story as an author. However, Akira Kurosawa's High and Low manages to do it. The source novel, Ed McBain's 87th Precinct novel King's Ransom is a well written thriller that, nonetheless, doesn't really stay with the reader afterwards. Kurosawa, however, better known for his samurai epics, took McBain's story and gave it a depth never realized in the book. The famed director stays faithful to the novel, but fleshes out a simple detective story into a drama that makes social commentary as well as entertains.
McBain's Douglas King never really earns the reader's sympathy -- even though we can understand his motives. Toshiro Mifune's Kingo Gondo, in contrast, becomes a three-dimensional sympathetic character. Both men have their entire financial well-being at stake in the form of a hostile takeover bid for control of a shoe company. Both men, at first, behave selfishly, refusing to pay the ransom even though they are risking their chauffeur's son's life. However, McBain's Douglas King never shows the humanity that Mifune's Gondo does. Kurosawa adds a scene, not in the book, where Gondo pays the ransom and saves the kidnapped child. Even though his business deal is now dead and he is broke, he still reacts with relief and joy when the kidnappers return the chauffeur's son. It's an emotional payoff that McBain's book is sorely lacking and helps to flesh out the character.
Gondo is also a more sympathetic character partially due to the fact that his actions are at least partially dictated by Japan's rigid caste system. Japanese society is broken up into social strata whereby the rich and powerful expect the lower classes to know their place. This division of influence, unlike in the United States, is generally accepted, even by those on the lower end of the scale. This isn't just the way Mifune's Gondo thinks -- EVERYONE thinks that way in Japan. However, Kurosawa, while he understands the mindset of Japanese society, is also critical of it. Kurosawa shows that when Gondo pays the ransom and saves the boy, even at the cost of his financial well-being, the Japanese people, as a whole, hail Gondo as a hero. Our sympathies are clearly supposed to be with the chauffeur and his son, even though it goes against every principle of the Japanese caste system. This commentary gives High and Low a depth that McBain's novel lacked.
In the novel, McBain hedges his bets morally. One of the kidnappers is a vile hardened criminal. However, the other two kidnappers, a husband and wife, are more sympathetic, particularly the wife who doesn't know about the plan until it is already in effect. In the end, the kidnappers get away and the chauffeur's son, Bobby, refuses to aid police in their capture. In addition, the police are seen as somewhat disjointed with some detectives with personalities and egos that irritate other policemen.
Kurosawa, in contrast, concentrates on one central kidnapper, a vile person who exploits drug addicts to do his dirty work and then kills them when he gets what he wants. McBain's subplot about the husband and wife is distracting, even though his kidnappers, with their self-doubt and streaks of conscience, seem to be a more balanced and realistic portrayal. In addition, the police are seen as a cohesive unit who forgo ego in order to catch the kidnapper. However, this is more a reflection of Japanese society, with its emphasis on team effort rather than individual glory, than a pie-in-the-sky idealized vision of the police. McBain's portrayal of the police is probably close to what an American police squad is like. Still, Kurosawa's vision is more satisfying. The police pursue the criminal and bring him to justice. Ironically, the resolution of the film, made in Japan, is probably much more satisfying to Americans than the resolution of the book, written by an American.
King's Ransom has an interesting plot. But author Ed McBain has only provided a good skeleton of a story. Akira Kurosawa, in contrast, has taken the exciting, but conventional story and turned it into a memorable cinematic masterpiece.
Very rarely does a film improve upon the book on which it is based. It takes a visual master, working with an excellent screenwriter, to convey as much detail about a story as an author. However, Akira Kurosawa's High and Low manages to do it. The source novel, Ed McBain's 87th Precinct novel King's Ransom is a well written thriller that, nonetheless, doesn't really stay with the reader afterwards. Kurosawa, however, better known for his samurai epics, took McBain's story and gave it a depth never realized in the book. The famed director stays faithful to the novel, but fleshes out a simple detective story into a drama that makes social commentary as well as entertains.
McBain's Douglas King never really earns the reader's sympathy -- even though we can understand his motives. Toshiro Mifune's Kingo Gondo, in contrast, becomes a three-dimensional sympathetic character. Both men have their entire financial well-being at stake in the form of a hostile takeover bid for control of a shoe company. Both men, at first, behave selfishly, refusing to pay the ransom even though they are risking their chauffeur's son's life. However, McBain's Douglas King never shows the humanity that Mifune's Gondo does. Kurosawa adds a scene, not in the book, where Gondo pays the ransom and saves the kidnapped child. Even though his business deal is now dead and he is broke, he still reacts with relief and joy when the kidnappers return the chauffeur's son. It's an emotional payoff that McBain's book is sorely lacking and helps to flesh out the character.
Gondo is also a more sympathetic character partially due to the fact that his actions are at least partially dictated by Japan's rigid caste system. Japanese society is broken up into social strata whereby the rich and powerful expect the lower classes to know their place. This division of influence, unlike in the United States, is generally accepted, even by those on the lower end of the scale. This isn't just the way Mifune's Gondo thinks -- EVERYONE thinks that way in Japan. However, Kurosawa, while he understands the mindset of Japanese society, is also critical of it. Kurosawa shows that when Gondo pays the ransom and saves the boy, even at the cost of his financial well-being, the Japanese people, as a whole, hail Gondo as a hero. Our sympathies are clearly supposed to be with the chauffeur and his son, even though it goes against every principle of the Japanese caste system. This commentary gives High and Low a depth that McBain's novel lacked.
In the novel, McBain hedges his bets morally. One of the kidnappers is a vile hardened criminal. However, the other two kidnappers, a husband and wife, are more sympathetic, particularly the wife who doesn't know about the plan until it is already in effect. In the end, the kidnappers get away and the chauffeur's son, Bobby, refuses to aid police in their capture. In addition, the police are seen as somewhat disjointed with some detectives with personalities and egos that irritate other policemen.
Kurosawa, in contrast, concentrates on one central kidnapper, a vile person who exploits drug addicts to do his dirty work and then kills them when he gets what he wants. McBain's subplot about the husband and wife is distracting, even though his kidnappers, with their self-doubt and streaks of conscience, seem to be a more balanced and realistic portrayal. In addition, the police are seen as a cohesive unit who forgo ego in order to catch the kidnapper. However, this is more a reflection of Japanese society, with its emphasis on team effort rather than individual glory, than a pie-in-the-sky idealized vision of the police. McBain's portrayal of the police is probably close to what an American police squad is like. Still, Kurosawa's vision is more satisfying. The police pursue the criminal and bring him to justice. Ironically, the resolution of the film, made in Japan, is probably much more satisfying to Americans than the resolution of the book, written by an American.
King's Ransom has an interesting plot. But author Ed McBain has only provided a good skeleton of a story. Akira Kurosawa, in contrast, has taken the exciting, but conventional story and turned it into a memorable cinematic masterpiece.
20 of 21 people found the following review helpful
Format:DVD
Watched this a few days ago for about the fifth time and have been thinking about it ever since. I think it probably is my favorite Kurosawa film.
Toshiro Mifune plays a top executive in a shoe company who is secretly planning to take over the company. He wants to keep making quality shoes and gradually expand the market. The other executives want to make cheaper shoes and take advantage of the company's reputation. Mifune has raised every yen he can, including using his house, for the buyout, but his son is kidnapped. For the ransome he'll need all the money he's raised. He's prepared to do this for the sake of his son.
Then he finds out that the kidnappers made a mistake. They kidnapped his driver's son, who is the same age as his own. What a terrible moral dilemma. Would you or I give up every dime we had to save a neighbor's or an employee's son? Mifune does, and this act has a great effect on the police and the public.
The first half of the movie takes place in his house on a hill while all this unfolds. The second half is the chase to find the boy before he's killed and to capture the kidnapper. We move from the intensity of the dilemma unfolding in Mifune's home to the gritty business of the search which takes us into some of the lowest parts of the Japanese underworld.
Mifune is powerful in the role of the father, at first torn by the decision he has to make, then commited to finding his driver's son. Tatsuya Nakadai plays the detective, handsome, smooth, professional, and ultimately deeply touched by Mifune's integrity. Years later Nakadai played the leads in Kurosawa's Kagemusha and Ran. And it was good to see Mifune out of samurai costume.
High and Low is the work of a master. The DVD has the quality and extras one has come to expect from Criterion
19 of 21 people found the following review helpful
By Daniel S.
Format:DVD|Amazon Verified Purchase
HIGH as Toshiro - Kingo Kondo - Mifune's house which lies on a hill, admired by the whole city. HIGH as Kingo's wealthiness that allows him to buy nearly 50 % of the shares of the society he's working for. HIGH as the moral integrity of this man who appears as a gentle capitalist never forgetting that money must be earned in a proper honest way.
LOW as the condition of Kondo's servant whose only son has been kidnapped. LOW as the morals of Kondo's partners who are the true villains of the movie, LOW as the expectations of the drug addicts of Dope Alley who seem have been forgotten by the prosperous 1963 Japan. At least, LOW as Takeuchi's chances to escape a police humiliated by the machiavelic plot he has imagined.
Adapted from one of Ed McBain " 87th Precinct " novels, Akira Kurosawa's HIGH AND LOW is a masterpiece. The first half of the movie takes place in the living room of Kingo Gondo. Kurosawa gives here an unforgettable lesson of cinema helped by a great actor - Toshiro Mifune - who is going to pass through the whole variety of feelings, from Happiness to Despair, in a 36 hours period.
The second half of HIGH AND LOW depicts the police investigations in order to discover the kidnappers. Another scene worthy to stay in the annals of Movie History is the expressionist description - by night - of the hot streets of the city. A cinematographical enchantment.
No bonus features with this Criterion release except for a booklet. Superb sound and images as usual.
A DVD zone your library.
Most Recent Customer Reviews
5.0 out of 5 stars
A Kurosawa masterwork
Kurosawa makes a foray into the contemporary suspense genre and adds the textures of moral ambiguity, playing with our sympathies for "high" and "low. Read more
Published 9 days ago by nicholas efteriades
5.0 out of 5 stars
It fits my requirements.
It meats my needs.
It fits my requirements.
The service was very nice to work with.
There is no problem here.
It fits my requirements.
The service was very nice to work with.
There is no problem here.
Published 2 months ago by George B. Jones
5.0 out of 5 stars
Classic Kurosawa
One of Kurosawa's best. Presented with the usual Criterion high standards. Good price, good product, incredible film you can watch over and over, as in all Kurosawa's films. Read more
Published 5 months ago by I Got Popcorn
5.0 out of 5 stars
A great movie, made better....Blu Ray
I've been a huge fan of akira for a long time, but after seeing the "High and Low" in Blu Ray, I can say it is worth adding this title to your collection. Read more
Published 8 months ago by Richard Ranta
5.0 out of 5 stars
Among the greatest films I've ever seen
High and Low is a near-perfect work by Akira Kurosawa, one of the all-time great filmmakers.
The film looks and sounds quite good, but my only problem lies with the... Read more
The film looks and sounds quite good, but my only problem lies with the... Read more
Published 9 months ago by Phxsns1
5.0 out of 5 stars
Mifune puts down his sword and tears a shoe apart....
One of kurosawa's best with the first little splatter of color in his film career. Together with Toshiro Mifune he creates a riveting thriller in modern (1962) Japan where a child... Read more
Published 11 months ago by Dr. Morbius
5.0 out of 5 stars
Fantastic & Tight 50's Potboiler & a Real Homage to the Noir Genre
A hard boiled crime & cop film with social commentary from the top & bottom of 50's Japan society.
Wether it be at the top of ladder with corporate machinations or at... Read more
Wether it be at the top of ladder with corporate machinations or at... Read more
Published 16 months ago by Nic
5.0 out of 5 stars
high and low on blu-ray
Eminently accessible, High and Low is one of the best films of one the greatest filmmakers ever, and Criterion's presentation and extra features do it justice.
Published 21 months ago by A kids review
5.0 out of 5 stars
"High and Low" is an addictive, riveting and a fantastic film that...
Another fantastic film from legendary Japanese filmmaker Akira Kurosawa and a wonderful performance by Toshiro Mifune! Read more
Published 22 months ago by Dennis A. Amith (kndy)
5.0 out of 5 stars
Blew me Away!
Of all the directors I collect, Kurosawa is the only one that I have followed from the 60's that, until now, I saw almost no Judeo-Christian commentary in. Read more
Published 22 months ago by M. Dalton
