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High Sierra (Snap Case)


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Product Details

  • Actors: Ida Lupino, Humphrey Bogart, Alan Curtis, Arthur Kennedy, Joan Leslie
  • Directors: Raoul Walsh
  • Writers: John Huston, W.R. Burnett
  • Producers: Hal B. Wallis, Mark Hellinger
  • Format: Black & White, Closed-captioned, Subtitled, NTSC
  • Language: English (Dolby Digital 2.0 Mono)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Warner Home Video
  • DVD Release Date: November 4, 2003
  • Run Time: 100 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (83 customer reviews)
  • ASIN: B0000B1OGA
  • Amazon Best Sellers Rank: #147,214 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "High Sierra (Snap Case)" on IMDb

Special Features

  • "Curtains for Roy Earle" - an all-new featurette on the making of the film

Editorial Reviews

Humphrey Bogart and Ida Lupino star in this tragic study of an American gangster whose hard-boiled persona finds itself at war with his compassionate side--a side that will ultimately be his downfall.

Customer Reviews

One of the 20 best Noir films ever made.
Hiram Gomez Pardo
This movie is a very complex film for its time that combines elements of the old tried and true gangster film, film noir, and melodrama.
calvinnme
For him crime is the only response to a life that has denied him any other avenue.
Martin Asiner

Most Helpful Customer Reviews

52 of 56 people found the following review helpful By cookieman108 on April 1, 2004
Format: DVD Verified Purchase
High Sierra (1941) is considered by most to be Humphrey Bogart's first real, breakout role, playing a part that wasn't initially offered to him. Bogart, the fifth member of Warner Brothers famous 'Murderers Row', came into the role of Roy 'Mad Dog' Earle only after fellow 'Row' members Paul Muni and George Raft didn't accept the part, one disagreeing on the script and subsequent changes, and the other being talked out of taking the part by Bogart, respectively. Bogart, who hadn't quite reached the level of big name star by this point, as evident to second billing to costar Ida Lupino, wanted the role badly, as he knew the character of Earle was something he could really sink his teeth into, and showcase his talent to the world.

As I said, Bogart plays Roy 'Mad Dog' Earle, a convicted bank robber serving a lengthy prison term, a life sentence, if I'm not mistaken, who has just been released. We soon find that Roy's early release isn't due to parole for good behavior, but strings pulled by his old boss, Big Mac (Donald MacBride). Seems Big Mac has a score in California that he wants Roy in on, so Roy leaves the Midwest to make the connection. Along the way, Roy has a chance meeting with Pa Goodhue (Henry Travers), a farmer who lost his farm, and is now traveling west with his wife and his clubfooted granddaughter Velma (Joan Leslie), who we will see again later. On reaching the Sierra mountains, Roy meets with the other members of the criminal enterprise Big Mac has arranged, two younger, hot-tempered men, Babe and Red, who have a have a female companion, Marie, played by Ida Lupino. Roy objects to having a woman around, as it's just an unnecessary complication.
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Format: DVD
It's the holidays so what better thing to do than package up previously released films and a couple of previously released older Bogart classics? Warner has done a good job here combining two of Bogie's finest films "Casablanca" and "The Treasure of the Sierra Madre" along with "They Drive By Night" and Bogie's starmaking performance as bad guy Ray earle in "High Sierra" (perhaps a sense of humor as well from those who combined this with "Sierra Madre" where Bogie plays a very different iconic role).

John Huston may be America's most consistently brilliant filmmaker. That's saying a lot considering the competition but Huston the son of actor Walter Huston tackled a number of genres with intelligence, a cynical wit and a sharp eye for human behavior. John Huston began as a screenwriter with one of his first jobs working on "Murders in the Rue Morgue" for Robert Florey in 1932 (that's not counting his many appearances as an extra in his father's films). By 1941 he found himself in the director's chair for the first of many collaborations with Humphrey Bogart in "The Maltese Falcon".

"The Treasure of the Sierra Madre" was only Huston's sixth credited film as director and it still stands tall in his 47 film career as director. The story of three men in search of gold in the mountains of Mexico and how greed and paranoia overwhelm the three men (Bogart, Walter Huston and Bruce Bennett) contributing to tragedy sounds like something that should be a folk tale warning of how gold can bring out the worst in a man.

"Sierra Madre" and "Casablanca" both look terrific with crisp, sharp looking images. Warner has done a superb job of cleaning up both these classic films.
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16 of 17 people found the following review helpful By Robert Moore HALL OF FAMETOP 500 REVIEWERVINE VOICE on February 21, 2003
Format: VHS Tape
This film in many ways is the culmination of the Golden Age of the gangster film. At the same time it is the true beginning of Humphrey Bogart's star career. After a string of gangster films in the thirties, all demonstrating graphically that crime really didn't pay, we get this great film, in which it not only doesn't pay, but doesn't lead to happiness, either. Unlike most of the great gangster characters of the 1930s, Roy "Mad Dog" Earle has an atypical degree of complexity and depth. He is tired of his life, and would like to very much live a different one. He meets two women, one who is a product of the kind of life he would like to escape, and another, who is young, innocent, beautiful, and a symbol of everything he would love to rediscover. Much of the movie's power and poignancy derives from these dual relationships, as he realizes the life he would like to have is denied him, while at the same time not valuing the love of a woman who doesn't represent a new way of life, but who nonetheless truly and genuinely cares for him. It ends a tragic love triangle.
The movie features a host of superb actors from Warner Brothers stable of contract players. The always-underrated Ida Lupino (who was also an accomplished director of "B" pictures) excells as Marie Garson, while 16-year-old Joan Leslie is perfect as the young, innocent girl Roy Earle wants to help. The rest of the cast is filled by such superb character talents as Henry Travers, Arthur Kennedy, Jerome Cowan, Henry Hull, Barton MacLane, and a very young Cornel Wilde.
The other thing that really makes this film stand out is the remarkable on location scenes in the Sierra Nevada Mountains. Almost all gangster films of the thirties were shot entirely on movie sets, and very, very few were shot outdoors.
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