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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
4.0 out of 5 stars
Good story, poorly written!,
By A Customer
This review is from: High Time to Kill (James Bond Adventure) (Hardcover)
Although I must confess to having really enjoyed reading HTTK, it struck me that it was one of the worst written books ever. It reads like a teenager's english essay! Having said this it was probably the slickest, fastest moving, and most action packed Bond book of all time. This is proved by the fact that I finished it in just two sittings. All the essential bond elements were there but were overdone- the Jaguar's special 'extras' were ridiculous and the girls and fights were so frequent its a wonder Bond had any energy left for his mission! The story concerns itself mainly with introducing the Union(SPECTRE II!)in a way reminiscent of Flemings introduction to SMERSH in Casino Royale. The Union(with the help of an old rival of Bond's) have stolen an important British Military secret and Bond is sent to recover it. Overall Bensons latest effort pretty good but their is still much to be improved on!
8 of 10 people found the following review helpful:
5.0 out of 5 stars
Benson's Bond Series Overview,
By A Customer
This review is from: High Time to Kill (Paperback)
As a long time 007 fan, I have just re-read all of Raymond Benson's Bond novels in the proper order and have some reflections on his entire series through "Never Dream of Dying." First of all, Benson is not Ian Fleming and readers should get past that expectation before beginning. He's not John Gardner, either (thank goodness!). That said, I believe Benson has come the closest to Ian Fleming of all the post-Fleming writers in that he has truly captured the essence of Bond's character and the universe in which 007 operates. It is a fantasy spy world, not based in reality, just as Fleming's was, but like Bond's creator, Benson keeps the main character very human. Benson's Bond makes mistakes, shows fear, feels pain, and is melancholy much of the time. At the same time, Benson has brought in many elements of the Bond film series (I have read an interview with him that states that he and the Ian Fleming Estate agreed that this would be the approach to take). Therefore, Benson's Bond is a mixture of the cinematic and literary Bonds, and for me, this works splendidly. I have seen some fans object to this or that but it seems to me that these fans are not getting past personal expectations. Bond is many things to many people. Benson, a long time Bond scholar and author of the excellent "James Bond Bedside Companion" knows his stuff. He has nailed the Bond character. Some have complained about his writing style. Benson is no Fleming, as stated earlier, but his style is succinct and easy to read. His books flow quickly and are highly entertaining. "ZERO MINUS TEN": Benson's first book has one of his best plots, but it suffers slightly from being a "first novel." His writing is at its weakest here, but that said, ZMT is a wonderful Bond story. It is very Fleming-esque with its Hong Kong location, characters like Guy Thackeray and T. Y. Woo and Li Xu Nan, and its descriptions of food, mahjong, and Triads. When reading ZMT, one is immediately aware that this is a harder-edged and darker Bond than perhaps what we are used to. For a first effort, it is very, very good. "THE FACTS OF DEATH": Benson's second book is more film-like, it feels like an EON Productions movie story. The plot is more "fantastic" in that it deals with a secret criminal organization called the Decada that is run by a crazy mastermind. The writing is improved, though, and in many ways this is a more entertaining book than ZMT. What is especially interesting is Benson's development of the "M" character and her relationship with Bond. "HIGH TIME TO KILL": My personal favorite of the bunch. This is a classic Bond novel in every sense of the word. The first half is fairly predictable cinematic-Bond stuff, except for a very Fleming-esque opening and 2nd chapter golf match. The second half, however, shows Benson hitting his stride and finding his own voice with a truly original departure from what is expected. As Bond and companions climb one of the highest peaks in the Himalayas, the action becomes more like an "Into Thin Air"-type story. It's authentic spy-stuff amidst an environment that is cruel and harsh. This is a thrilling, un-put-downable book. "DOUBLESHOT": Another departure from the norm, as Benson appears to be experimenting with the structure of a Bond novel with this one. The first chapter is the ending of the book told from the different perspectives of several characters. The rest of the story begins in the past and catches up to the ending, and by then we are hooked. In this story, Bond is not well, he is injured, he is not working at full capacity, and this is what is interesting. "Doubleshot" is the middle book of a loose trilogy (beginning with "High Time to Kill") and it is darker and more introspective than the others. Some fans apparently didn't get it, but in many ways, this is Benson's most courageous book. "NEVER DREAM OF DYING": Another great one, right up there with "High Time to Kill," in terms of glueing a reader to the page. It's an excellent plot, tying up the trilogy that Benson began in HTTK. In this book, one can see the blending of the cinematic and literary Bonds more than in any other entry-- a lot of the action is very movie-like, while the storyline and characterizations are more like the Fleming novels. The moods and settings are the best that Benson has done, and the love interest is perhaps his strongest. The real stroke of brilliance in the book is what the author has done with the character of Bond's father in law. A very engaging book. My five-star review is based on Benson's series as a whole. Each book may not be a 5-star book on its own, but I don't think any of them are less than 4. Benson has put his mark on the Bond literary series. Fans who don't like him tend to focus on one or two aspects of what he does-- his writing style, his dependence on the cinematic elements, whatever... I feel that they're not seeing the forest for the trees. In my humble opinion, Raymond Benson has brought new life to the series and I hope he continues the books a long, long time.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Something different for a Bond book, but a welcome change.,
By
This review is from: High Time to Kill (James Bond Adventure) (Hardcover)
Benson's third Bond book takes a slightly different twist on the standard Bond adventure. Gone is the old formula and what remains is an author finding a comfortable writing style that reminds one of Fleming, while still being new and enjoyable. Just like all the earlier Bond books, HTTK is a quick read, never really slowing pace too much. The first half of the book is a typically good Bondian adventure, but once the locale changes to Nepal, the book changes to a slower pace. Benson takes you inside Bond in a way that Gardner was never able to do. Bond's general dislike for parts of his job are felt, and his cold ruthlessnes shows why he survives. In my opinion the only flaw to Benson's newest book is the uncomfortable discriptions from many of Bond's companions. Some seem to be little more than a recorded playing of a tourist book. Fleming could always get inside what makes a location tick, while Benson is just not there yet. Yet along side this criticism, I must say that I enjoyed the Doctor's talk about the hazzards of mountain climbing. Although many will criticize Benson as being an amateur, his Bond books are well plotted and believeable. I look forward to the rest of the trilogy and wish Benson luck with his growth as a writer. While HTTK is an experiment in the 'Bond' style, it is much more succesful than anything Gardner tried, or Fleming's The Spy Who Loved Me. CHris
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