Customer Reviews

Highway 61 Resurfaced: A Novel

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Highway 61 Resurfaced features the return of Rick Shannon, the rockin' P.I. Shannon is a classic rock DJ by trade, but recent notoriety has prompted him to get his private investigator's license. When Lollie Woodfolk hires him to find her grandfather, Rick figures it will be another simple case. The man in question turns up dead and his client turns out to be an imposter. In steps the real Lollie Woodfolk, who hires Rick to find out who killed her Grandfather and why.

This novel finds Fitzhugh in classic form as he provides a solid mystery filled the kinds of odd, colorful characters fans have come to expect from the author. I found 61 to be more down to earth than some of Bill's previous work. His portrayal of Rick and Lollie's blossoming romance was fun and kind of sweet, He has an amazing knowledge of music and uses it to mix real history with fiction with great success.

Some fans of the author's more insane work may be disappointed by the more down to earth flavor here, but Bill still provides a supporting cast of bizarre folk and there is still more than enough weirdness to go around. I can see great success for the Rick Shannon series. I highly recommend both 61 Resurfaced as well as it predecessor, Radio Activity.

Historical only when the main character is discussing rock and roll or the blues. Otherwise this is funny fiction with a good mystery. Bill has stepped up a notch in that the content is more fluid than his first books. Not that I'm not eager to read them all again, I am.

I loved this book. Fitzhugh has a remarkable ear for the South and is a talented dialect writer. Combine that with his tradmark wacky humor, his knowledge of music (with an emphasis on Blues and Rock), and a satifying solution to the mystery. These all add up to another wonderful read. I especially like the way Fitzhugh portrays Southern racism, with an emphasis on the 50's and 60's. The author doesn't preach or beat us over the head with a PC stick. Rather he shows the world to us through characters and their actions, allowing us to draw our own conclusions.

Had read Bill Fitzhugh's "Heart Seizure" --hilarious. This one not quite up to that, but excellent, totally off the wall humor as indicated by the title. Lots of deep South, blues. Good read.

The least surreal of Bill Fitzhugh's novels so far, Highway 61 Resurfaced takes up where Radio Activity and that novel's main character Rick Shannon left off. Although still working in radio, Rick's private investigator career has kicked off with his own organisation Rockin' Vestigations. With a new kitten that has severe sinus problems, Rick is ecstatic to have a new attractive client Lollie Woolfolk, who keeps throwing money his way to find out more and more about her long lost grandfather, his long ago associates and some legendary tapes known as the Blind, Crippled and Crazy Sessions. Rick's ecstation comes to an end after he works out he has been hired to track down victims for a murderer and receives a karate chop from the real Lollie Woolfolk which leaves him briefly unconscious and determined to bring the killer and fake Lollie to justice.

Highway 61 resurfaced spent considerably less time than Radio Activity did with Rick in the studio or talking about classic rock albums which means an easier flowing storyline for this sequel which concentrates mostly on the PI side of things. It is by far the least surreal novel Fitzhugh has ever written and therefore the less humorous, but it still has a few surreal characters such as elderly blues players and a dim-witted drug taking killer to keep us entertained along with a funny occurrence between Rick and an ex client at a funeral. You don't need to have read Radio Activity to enjoy Highway 61 Resurfaced and not much of that storyline is given away if you read this novel first. Also check out Cross Dressing and Fitzhugh's other more surreal character filled novels as well.

I have never read anything else, by Fitzhugh, or anyone else, that has such delightfully hysterical and and darkly comedic scenes that I was so strongly reminded, admiringly, of the towering classic in that genre, "A Confederacy of Dunces." Highway 61 should be enjoyed by anyone with a good sense of humour, an appreciation for the odd and twisted crevices of life, and an interest in gaining insight into the life and culture of the region that birthed the blues, the fabled Mississippi Delta.

As other professional and reader reviewers for this book have already summarized the basic plot, I will not repeat that. But some of Fitzhugh's scenes are simply too funny not to want to share a bit of.

For example, the fight that erupts in the funeral parlor between the surviving wife and a call girl who have each come to pay their respects to the deceased (the same noble fellow who had a passion for peanut butter and Labrador Retrievers)... Before the dust has settled on this fast-paced scene, the funeral parlor has been turned upside down, the deceased has been ignominiously trampled, and our hero has danced furiously around the coffin trying to elude further blows from a flying purse.

I am not certain what enables Fitzhugh to provide us with such deadly accurate and comic insight into the inner-workings of the warped mind of the meth-amphetamine crazed, will-do-anything-to be-accepted-by-his-girlfriend's-affluent-family, former college football star, cum murderer, but Fitzhugh does this as no one can. This poor character is caught up in a vicious cycle of self-destruction, but being allowed to share his addled and doomed logic is nothing short of a riot. When this character's quest for the mythical recordings led him to a lawyer's office, and his misguided efforts to break in and blow open a safe run awry and left him unconscious, only to re-group in time to kidnap the lawyer, Fitzhugh had me in stitches from laughing.

Aside from the hilarious comedy that we have come to expect from Fitzhugh, and his great charcaters (including some pretty cool and profound old black musicians), I also am appreciative of Fitzhugh's apparent goal of leaving something solid with his reader. Something more than a pure romp. Sort of like a good Southern meal, Fitzhugh entertains you and then leaves you with something that sticks to your mental ribs.

As all reviewers have said, Hiway 61 leaves the reader with a far deeper appreciation for the lifestyle, predjudices and cultural setting that spawned the blues. But Fitzhugh achieves something even more difficult and delicate with this book - his vivid writing here constitutes that rarest of invitations: a ticket to visit a place and time that the reader would otherwise never have seen. For me, that place and time was best evoked by the lively scene inside the doors of the small, ramshackle, smoky, black honky-tonks that used to populate the roadsides of the Mississippi Delta. Fitzhugh's rich and descriptive language of his hoppin' Delta juke joint had me tappin' my foot to the beat of the jammin' blues, as I surveyed the scene from my safe seat in the shadows...What a fine and fascinating trip back in time and place it was.

This book is a great read, and is topped off by an action-packed conclusion that provides one of Fitzhugh's most satisfying endings. I'm wondering where Rick's wide-ranging musical interests, and unpredicatable clients, will lead us next!

The very first scene in HIGHWAY 61 RESURFACED involves a Labrador retriever. More than that you really don't need to know, other than perhaps the scene also involves peanut butter --- no, that's too much information. Suffice it to say that the first scene is hilarious beyond words, and just leave it at that.

The initial scene of any book tends to be emblematic (mostly because this is what readers read when they are going through the bookstore). But the Labrador retriever scene is even more so, and that's saying something, because HIGHWAY 61 RESURFACED is not really a "dog book." It is, emphatically, a "cat book." One of the main characters is an ever-so-reluctantly rescued feline, a kitten with the sobriquet "Crusty Boogers," named after its serious, chronic, and permanent sinus infection. But that's another issue altogether.

No, the bit with the Labrador retriever is important because the book itself is not too much dissimilar from a large, friendly, overbearing, clumsy dog. Although HIGHWAY 61 RESURFACED --- like the Lab itself --- has many sterling qualities, it is a big sloppy mess of a book. It is endearing enough and eager to please, but it tends to lumber around a bit, and is never what you would call subtle or overly averse to knocking cups off of coffee tables.

HIGHWAY 61 RESURFACED is in the tradition of Carl Hiaasen (who writes a back-cover blurb), but it's in an entirely different world. Its hero is Rick Shannon, full-time DJ for the last independent radio station in Vicksburg, Mississippi (and maybe in the entire world, by the time you read this). Shannon also heads Rockin' Vestigations, for which he investigates cheating husbands and solves musical mysteries.

At issue here is the fate of a long-lost blues recording --- a lost piece of the Mississippi past, on reel-to-reel. The tape --- if it exists --- has been sitting in the back of someone's safe deposit box for fifty years. If it can be found, digitally remastered, released on a CD, and sold at an independent record store near you, it is worth quite a few nickels. The recording --- known by blues historians everywhere as the "Blind, Crippled, and Crazy sessions," after the nicknames of the artists who created them --- is somewhere out there on Highway 61, and Rick Shannon is the one who's hired to help find it.

The Shannon character isn't especially interesting or compelling, unfortunately. But at least he's not that bright, either, which helps to move the story along. Also looking for the Blind, Crippled and Crazy sessions --- this book is nothing if not politically incorrect, joyfully so --- is an ex-convict named Clarence who has his own interest in getting his hands on the tapes, and maybe on the blues musicians who recorded them.

HIGHWAY 61 RESURFACED is much more of a dark comedy than a mystery, which matches up well with the talents of author Bill Fitzhugh. Outside of the hilarious first few chapters, most of the laughs come from the incompetence of a hit man, who suffers through the sort of indignities that similar characters suffer through in Hiaasen novels. Fitzhugh also sets up something of a love interest for Shannon, who is more than a little incompetent in this area himself. But it's really more about music than anything else, and the reader is treated to long disquisitions on the history and theory of the blues, from Robert Johnson selling his soul to the devil at a dusty crossroads to the appropriation of blues music by generations of white rock musicians.

This is a hard book to dislike, and it's probably best not even to try. It's a pleasant trip crisscrossing the rural back roads of Mississippi, with some good music on the radio and a wheezing cat in the back seat. If this sounds at all like a trip you'd like to take, then by all means, go.

--- Reviewed by Curtis Edmonds

Can't understand why Barnes and Noble never has this book in stock. It's really enjoyable to read, really funny scenes, and us yankees can even learn something about music and Mississippi. Sort of like getting a favorite uncle 1/2 drunk and telling stories, except a lot more fun.

I've now read all of Bill Fitzhugh's novels and think he just gets better and better. This is his second book starring Rick Shannon. This time Mr. Shannon is caught in the middle of a old time Mississippi family feud, while trying to solve a murder. Also involved is a quartet of octogenarian blues artists who may or may not have recorded some songs together about 50 years ago. In typical Fitzhugh style is a mix of totally strange characters. A worthy read. Thumbs up Bill.

DJ Rick Shannon has a night music show on a Vicksburg, Mississippi radio station. Though he still believes his mission in life is to save FM radio by reclaiming its southern blues roots, Rick feels emboldened by his recent success in solving multiple homicides. Thus he believes he earned his private investigative license and opens up Rockin' Vestigations.

Lollie Woolfolk swivels her way into Rick's office to hire him to locate her missing grandfather, blues record producer Tucker Woolfolk. The DJ PI figures this case is perfect for him as he knows the blues. Rick learns that Tucker was murdered and his client is missing. He searches for the lost Lollie until a different female sashays her way into his office asserting she is the real Woolfolk. As he ponders will the real Lollie please stand up, Rick meets an assortment of eccentrics, some dangerous in search of revenge and some purring seeking a hand out; none seem helpful. If the DJ sleuth is not careful his fans will sing the eulogy blues for him.

The latest Shannon tale is a solid regional investigative novel that is more detective than musically inclined (RADIO ACTIVITY was more balanced). Still Rick provides deep in sight into musical history especially in the Mississippi Delta. The sleuthing is fun to follow as the DJ fumbles his way through the investigation more like a stumbling amateur than a professional (he is being paid so he is a pro) except when musicology is involved. Bill Fitzhugh provides a fine who-done-it that his fans will want to sing along with as he travels HIGHWAY 61 RESURFACED.

Harriet Klausner