From Library Journal
Hildegard of Bingen (1098-1179) was one of the greatest thinkers and doers of medieval Europe: a visionary and mystic, she composed lyric poetry, songs, and liturgical hymns and also wrote important works on medicine, natural science, and spirituality. To boot, she founded and governed two monasteries for women and toured major cities to preach and to consult with theologians. Craine (spirituality, Seminary of the Immaculate Conception) elucidates Hildegard's spirituality, unique in its time for her understanding of the intimate union of God, humankind, and the natural world. Craine points out that Hildegard's thought is supremely Christian: Christ-centered, Trinitarian, incarnational, churchly, and liturgical. Craine's work will especially interest students of Roman Catholic spirituality. Lachman follows up on her fictional "autobiography," Journal of Hildegard of Bingen (Crown, 1993), with a fictional journal of Hildegard's last year. Lachman is concerned with Hildegard's slow spiritual and physical movement toward her death; the work does not make for conventional historical fiction, lacking plot, forward movement, excitement, and climax, as well as characterization of persons other than Hildegard herself. The reader gradually absorbs Hildegard's deep acceptance and even comfort with her approaching death. Readers of an inward and contemplative bent may well be entranced. Both books are recommended for academic libraries and for public libraries with substantial religion collections.?James F. DeRoche, Alexandria, Va.
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