Hip hop culture emerged from an environment of extreme deprivation and decay in the South Bronx, New York City. The concept of pure invention-of creating something from nothing-was in full effect at the end of the 1970s as graffiti ("borrowed" spray paint), breaking (cardboard as dance floor), and outdoor jams (electricity source: the base of street lights) captured the attention of urban youth, coalescing into new forms of artistic expression. Fortunately, photographer Martha Cooper was at the right place at the right time to document the people that created the music, dance, and art that became known worldwide. Cooper followed people who would one day become icons: the Rock Steady Crew, Fab 5 Freddy, DURO and DONDI, LADY PINK, and Afrika Bambaataa, to name a few. Now, Martha Cooper has the reputation of being the first and foremost photographer of hip hop culture in New York City. While the publication of Cooper's photographs in the early 80s disseminated the culture both at home and abroad, her new book, Hip Hop Files: Photographs 1979-1984, makes a significant part of her extensive and unique archive accessible for the first time. From 1999 to 2003, the German hip hop head and music publisher Akim Walta tracked down the subjects in Cooper's legendary shots and conducted numerous interviews obtaining insightful quotes and statements to accompany and add voices to the photographs. Other members of the early hip hop scene, including ZEPHYR, Charlie Ahearn, FABEL, and Patti Astor, contribute text and essays, adding fresh data to the growing body of hip hop history. "Marty's pictures capture the exact moment when hip hop traveled from the Bronx uptown, downtown to the Manhattan nightclub and gallery scene. The photos and movies were suddenly in the works and (through her pictures) "discovered" by the press and then seen by the rest of the world." (Charlie Ahearn)
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About the Author
Martha Cooper is a photographer who has specialized in shooting urban vernacular art and architecture for twenty-five years. Her first book Subway Art (Thames & Hudson,1984), a legendary collaboration with Henry Chalfant, is still in print after 20 years. Martha s photos have been widely exhibited in museums and galleries and published in innumerable magazines from National Geographic to Vibe.
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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
5.0 out of 5 stars
This is REAL Hip Hop!!!!!,
By
This review is from: Hip Hop Files: Photographs, 1979-1984 (Hardcover)
Being from this era,this book brings back a ton of great memories.The photos in this book are amazing,so crisp and vibrant.It doesn't seem like it was 2o+ years ago.This book will explain to you what is REAL HIP HOP(MCing,Breaking,Graffit},NOT the garbage they consider Hip Hop today.Looking at these photos it's hard to believe how young we were.Seeing old friends and classmates put a big smile on my face knowing that WE were there when it all started!GREAT book Marty!!!!!!
16 of 22 people found the following review helpful:
1.0 out of 5 stars
IS MARTHA COOPER THE ORGINAL QUEEN OF HIP HOP?,
By pachamama "pachamama" (Liberty City, FL) - See all my reviews
This review is from: Hip Hop Files: Photographs, 1979-1984 (Hardcover)
Indeed, the handsome Book "the Hip-Hop Files: Photographs, 1979-1984" by Martha Cooper serves as a an open and closed door to what seemed a trend to many documentarians during the late 70's and early 80's. It isn't no coinsidence that Coopers photographs document Graffiti art during a period when the NY Art World was exploiting Urban aerosal artists. It is also very clear that she stopped documenting Graffiti when the "trend" ended in 1985. Though Coopers work documents a moment in time when aerosal art was King and Hip Hop was not yet a corporate advertisement, she does come off as an outsider/tourist when asked about documenting Graffiti, "I'm sure wildlife photographers feel the same way" about photographing animals when they run around. There is also the claim, by her publisher and graff-artists that she was the first photographer to document the origins of Hip-Hop. Jamell Shabazz's book "Back in The Days" never made such a claim nor did it need the fanfare that Coopers book fabricated. Jamell Shabazz,like Debra willis, Martin Chambi and James VanDerZee, documented a personal life and environment in New York before and after the trend came and went. Something to keep in mind!
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Fabulous resource,
This review is from: Hip Hop Files: Photographs, 1979-1984 (Hardcover)
I lived in NYC in the 70's and 80's and witnessed the rise of subway graffiti and the beginnings of break dancing. This book brings it all back -- in a GOOD way. Reading it, you can understand why poor urban kids went to such lengths to make a mark for themselves. No one cared at first but Martha Cooper, who earned their respect and documented their achievements with her fine photographs. This book is a monument to those unsung teenage artists and the photographer who recognized and publicized their talents.
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