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Hired Pens: Professional Writers In America'S Golden Age Of Print
 
 
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Hired Pens: Professional Writers In America'S Golden Age Of Print [Paperback]

Ronald Weber (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Editorial Reviews

Amazon.com Review

Ever wonder how Franklin W. Dixon or Carolyn Keene managed to churn out the hundreds of titles in their respective Hardy Boys and Nancy Drew series? The answer is, they didn't. Franklin W. Dixon and Carolyn Keene were the noms de plume of a small army of anonymous writers-for-hire who produced a neverending stream of adventure tales aimed at young readers. In Hired Pens, author Ronald Weber explores the so-called golden age of print, a time when the market for fiction was huge and a wide range of writers from the nameless authors of the Hardy Boys books to the likes of Upton Sinclair could make a steady--and in some cases, handsome--living from their pens. Weber's book starts in the 1830s and ends in 1969; during the intervening decades, Harriet Beecher Stowe and Charles Dickens share the page with Zane Grey and Max Brand as Weber tells the sometimes glorious, often grubby story of mass-market publishing. For every author who made it big (Stowe, for example), there were plenty who didn't, and the book abounds with tales of poverty and suicide. Still, Weber's view of his subject is generally admiring, and Hired Pens offers some interesting insights into a time when writing could be wild, woolly, and sometimes even profitable.

Review

...though Weber's backward glance at the literary emporium is told without condescension, its breezy, unfocused enthusiasm does not finally reckon whether journalism, pulp fiction and literature are different degrees of writing or widely different pursuits. Surely there is some distinction to be made between Edgar Rice Burroughs and Jack London--or is there? -- The New York Times Book Review, Brenda Wineapple

Product Details

  • Paperback: 326 pages
  • Publisher: Ohio University Press; First Printing edition (December 31, 1997)
  • Language: English
  • ISBN-10: 0821412051
  • ISBN-13: 978-0821412053
  • Product Dimensions: 9 x 6.1 x 0.8 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,963,454 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
4.0 out of 5 stars When does hack work become literature?, August 23, 1998
By A Customer
This review is from: Hired Pens: Professional Writers In America'S Golden Age Of Print (Paperback)
Professor Weber, Notre Dame University, has filled in a gap in the history of American letters which is a must for two segments of the reading public: (1) aficiandos of American literature and the history thereof, and,(2)those who aspire to write (who according to the book make up all but about 10 million of the American population). For the former, the book will serve to not only inform, but entertain. Several giants of American literature made their spurs as hired pens, from Poe, to Crane, to Upton Sinclair, and even Papa Hemingway, supporting their writing habits with articles and hack work, albeit "irridescent" and "inspired" hack work. For category (2), those who would hit the lottery by publishing that first big best seller, "Hired Pens" may be their "...liberation from a grand delusion."-- namely, that they can write -- and they can then go about their lives in a useful profession. The reality of the writing life is anything but a mandarin-style life of leisure in a Tuscan villa. Even for the most successful authors, writing is depicted as an unrelenting grind, overshadowed by anxieties about one's hard work being rejected, and the next pay check. One sets aside this book wondering what literature is. Where does hack work cross over into literature? Some of the professional writers depicted in Weber's book were astoundingly productive, writing hundred of stories and novels with eloquence and verve, and able to tailor their style and subject matter to suit the editor and, hence, the reading audience. If anything, Weber's book takes the mystery out of writing. We leave you, dear reader, with the following advice (quoted by Weber)from author Frank Norris: 12. Don't write a colonial novel. 13. Don't write a Down East Novel. ...15. Don't write a novel. 16. Try to keep your friends from writing novels.
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