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Hiroshige in Tokyo: The Floating World of Edo (Painters and Places Series)
 
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Hiroshige in Tokyo: The Floating World of Edo (Painters and Places Series) [Hardcover]

Julian Bicknell (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Product Details

  • Hardcover: 160 pages
  • Publisher: Pomegranate; First Edition edition (March 1994)
  • Language: English
  • ISBN-10: 1566408032
  • ISBN-13: 978-1566408035
  • Product Dimensions: 11.1 x 8.8 x 0.8 inches
  • Shipping Weight: 1.9 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,162,937 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful:
5.0 out of 5 stars AN IMPORTANT ADDITION TO THE ARCHIVES OF JAPANESE PRINTMAKING, July 30, 2006
This review is from: Hiroshige in Tokyo: The Floating World of Edo (Painters and Places Series) (Hardcover)


Nature was the primary subject of renowned Japanese printmaker Hiroshige (1797 - 1858). He painted birds, flowers, and legendary scenes, as well as contributing to the Ukiyo-e prints, which depicted scenes in the world of fashion and entertainment.

Hiroshige in Tokyo details the background of woodblock printing which was introduced in Japan in the eighth century. At that time, its chief use was the production of inexpensive religious charms. Gradually the art of block printing grew into the masterpiece represented in this lovely volume.

The author concentrates on two of Hiroshige's series of prints: "The Fifty-three Stations of the Tokaido" and "One Hundred Famous Views of Edo." These scenes, which are identified according to actual location, sometimes represent the Japanese view of nature. It was seen in its sheer simplicity as a means for an interpretation of reality.

The scenes beautifully capture Tokyo during the Edo period, reflecting the seasonal changes in the countryside as well as the daily lives of Tokyo's citizens.

With over 100 paintings, photographs and artifacts, Hiroshige in Tokyo is an important addition to the archives of Japanese printmaking.

- Gail Cooke





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