History of the Blues: The Roots, the Music, the People: From Charley Patton to Robert Cray [Paperback]

Francis Davis (Author)

Book Description

Publication Date: February 15, 1996

In this exciting tie-in to a three-part PBS-TV series, Atlantic music critic Francis Davis presents a remarkable history of the blues that challenges many standard assumptions. Davis presents a fascinating synthesis of cultural commentary, first-rate musical analysis, copious research, and marvelous visuals.

Editorial Reviews

From Publishers Weekly

Atlantic Monthly music critic Davis traces the Blues from its Delta beginnings at the start of the century to its recent revival, focusing on individual artists as well as examining the way changes in race relations have altered perceptions of the music.
Copyright 1995 Reed Business Information, Inc.

From Library Journal

Since its origin in Mississippi before the turn of the century, the blues has been pronounced dead many times. Davis (music critic of the Atlantic) assures us that it "rises up like Lazarus every ten years or so." This book, published in advance of a three-part PBS companion series scheduled to air in the fall of 1995, is a great starting place in understanding the continued appeal of this uniquely American music. Moving from its roots in field hollers, work songs, spirituals, country reels, and Anglo-Scottish ballads to its present-day uses selling diet soda and laxatives, Davis profiles the major artists and the developmental changes of the music. An extensive discography and bibliography give ample resources for future exploration, while a "Blues Timeline" offers an at-a-glance overview of blues milestones in relation to corresponding events in art and history. This fine introduction to the blues is recommended for most libraries.
Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, Pa.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 320 pages
• Publisher: Hyperion (February 15, 1996)
• Language: English
• ISBN-10: 0786881240
• ISBN-13: 978-0786881246
• Product Dimensions: 9.9 x 6.9 x 1 inches
• Shipping Weight: 1.4 pounds
• Average Customer Review: 3.4 out of 5 stars  See all reviews (14 customer reviews)
• Amazon Best Sellers Rank: #1,243,638 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

22 of 23 people found the following review helpful:

5.0 out of 5 stars Excellent study and a needed corrective, July 29, 2000

By 

Howard Sauertieg "Howard Sauertieg" (Harrisburg, PA USA) - See all my reviews
(REAL NAME)   

This review is from: History of the Blues: The Roots, the Music, the People: From Charley Patton to Robert Cray (Paperback)

History of the Blues is criticized for the author's "cynicism," but the author is justified in seeking to modify or correct much of the last century's "blues scholarship." The book is more valuable because Davis doesn't accept the suppositions and theories of earlier writers, and in the first chapters the author establishes that "the blues" are far more complex, socially and musically, than we've been led to believe. He writes with wit and plenty of feeling - but the feeling expressed is one of annoyance with blues and folk "scholars" who have either not researched very thoroughly, or who have deliberately ignored facts that subvert their simplistic theories. What are the blues? Where did they come from? What's happened to the blues since mid-century? Davis examines all of these questions and comes up with some reasonable and provocative answers. The book isn't meant to be a study of individual blues musicians; such works have already been written (by Samuel Charters, Peter Guralnick, Pete Oliver) and they were well-done. The History of the Blues is a very readable account of a century of confusion, best approached with an open and attentive mind.

12 of 12 people found the following review helpful:

4.0 out of 5 stars Tony is wrong. This IS a good book!, August 28, 2007

By 

A. Filacchione - See all my reviews
(REAL NAME)   

This review is from: The History Of The Blues: The Roots, The Music, The People (Paperback)

I wonder if this person even read the same book that I am reading. Some people won't like this book simply because it does not always take a traditionalist view of things. It is much broader and more open minded and tends to look at the blues from a broader region (IOW, there are blues outside of the Delta region) in order to gain a better understanding of it, it's performers, and theories as to it's origins. It challenges common accepted notions, and encourages the reader to challenge them as well. Sure the author injects his own opinions and experiences from time to time, but not only does he back them up, he does not try to pass them off as concrete fact, and you are fully aware that these are his thoughts on a particular matter.

Now as far as some of the listed "inaccuracies" in the book... Tony states:

"he stupidly tries to talk about Bluegrass existing in the 1920s or about the Carter family." Well, what Francis Davis ACTUALLY says is the following:

"the repertoire of the typical black country songster of the 1920's was more or less identical to that of the white rural performers of the same period. [snip a sentence abt Miss. John Hurt] The typical black songster was probably someone like Leslie Riddle, a singer and guitarist from North Carolina who didn't record until the blues revival of the 1960s, and who might be completely forgotten now if not for his early relationship with A.P. Carter, the patriarch of the Carter Family, the legendary white country harmony group...."

The fact is that Leslie Riddle DID meet A.P. Carter in 1928. The two went on trips throughout the south "collecting songs" with A.P. Carter writing down the words to the songs they liked, and Riddle remembering the Music. (google for it)

Tony says that a history would include when the blues began, how it related to other forms of music and discuss different types of regional music. Tony then says "such a discussion would be far beyond Davis's knowledge or concern". In fact, Francis Davis *DOES* discuss these things. Perhaps Tony needs to re-read Chapter *1*! Francis discusses popular beliefs of the origins of the blues including African music, field hollers, and even celtic-derived folk music. He discusses the call and response of African music that is common in the blues, and then talks about how it is not unique to blues, but is also in folk, and gospel music of the time, and even quotes Robert Palmer to back himself up. He talks about the fact that blues did not just begin one day. It evolved over a longer period of time, and from a myriad of influences. The blues did not begin on whatever specific date in 1895 with the first recording, or in 1920 w/ Smith's "Crazy Blues". That's just when we got the first recorded evidence. It developed over decades before. He discusses regional variations. It's one of the rare books that covers the likes of Blind Willie McTell and Barbeque Bob Hicks as well as the Delta blues musicians, and Texas blues musicians, among others.

Re: Minstrelry vs Minstrelsy - well that would typically be the fault of the editor for not catching it, and is a common misspelling, but lets use that as ammo to discredit the author, shall we?

This book does assume that you know at least a little bit about the differetn blues musicians in question. It at least assumes that you recognize their names and have a pretty good idea of the region that they came from. This book is not a bunch of mini biographies for all of the bigger names in blues. If you want that, you need to look elsewhere. If you want something different, something that challenges common notions, and provides a nice overall "survey" of the blues, how it began, and evolved, then this is definitely a book to add to your collection

9 of 10 people found the following review helpful:

5.0 out of 5 stars No Pretence!, June 29, 2000

By A Customer

This review is from: History of the Blues: The Roots, the Music, the People: From Charley Patton to Robert Cray (Paperback)

Finally, an "historian" who doesn't pretend to be an objective, impartial documenter of facts. This is Davis' version of the blues, and he lets you know it. Thankfully, he has the skill of a consummate wordsmith, an encyclopedic knowledge of the subject matter and a fan's love and appreciation for the music. This reads like a conversation with an old, knowledgeable friend and I, for one, find that refreshing. Definitely worth the time for anyone who's interested in something more than simple facts, dates and names