Amazon.com Review
What do you get when you combine the resources and ethos of the BBC with the literary panache of one of the world's best narrative historians? The answer is
Simon Schama's A History of Britain, the first volume of which accompanies the BBC-History Channel series of the same name. In a beautifully written and thoughtfully crafted book, studded with striking portraits, pictures, and maps, Schama, the bestselling author of books on European cultural history such as
The Embarrassment of Riches and
Citizens, as well as 1999's
Rembrandt's Eyes, has managed to be both conventional and provocative.
He tells the official version of Britain's island story--from Roman Britain, through the Norman conquest, the struggles of the Henrys and Richards with their barons and clerics, Edward I and the subjugation of Wales, King Death (the plague), and on to the Henrician reformation, before closing with the remarkable reign of the virgin queen, Elizabeth I. But, while sticking to a script familiar to anyone who sat up and listened in history lessons at school, Schama brings it all alive, with memorable prose--Simon de Montfort's rebel parliament is described as inaugurating the "union between patriotism and insubordination"; with Henry VIII, Schama says, "you could practically smell the testosterone." And with fine sensitivity, too, particularly on the symbolism of buildings, memorials, language, and ceremonies, and on the complex relations between England and her Celtic and Catholic neighbors. If history must have gloss, then let it be written and presented like this. --Miles Taylor, Amazon.co.uk
From Publishers Weekly
One suspects that Schama harbors a secret desire to be the Venerable Bede, whom he describes as a "consummate English story-teller, an artful retailer of wonders, a writer of brilliantly imaginative prose." In earlier works on the French Revolution (Citizens) and the golden age of Holland (The Embarrassment of Riches), he perfected his balance: market appeal is never sacrificed to condescension. This new volume is a model of literate elegance, enlivened by good humor and bursts of pugilistic directness: "The Faerie had warts all right," he writes of Elizabeth I. His task is not easy: British national identity is no longer axiomatic. Schama steers away from a Churchillian litany of patriotic glories, and from the revisionist pieties of the Left. In practice, this means, that unlike Landscape and Memory and Dead Certainties, this is not a work of great conceptual boldness. Its strengths lie rather in the detail. From his opening chapter, in which a prehistoric Orkney community is described as a "seaside village," Schama is ever alert to the unexpected. We learn that Hadrian's wall, far from being an impregnable fence, was designed to control the flow of men and goods; that Saint Patrick was not Irish (he was "a Romano-British aristocrat" by birth); and that the Battle of Hastings, at six hours, was one of the longest of battles in medieval history. His book has all the hallmarks that he admires in Bede, his medieval forebear: vigor of language, the capacity to evoke and clear-eyed common sense. (Oct.) market.
Copyright 2000 Reed Business Information, Inc.