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8 of 8 people found the following review helpful:
4.0 out of 5 stars Good resourse, March 28, 2007
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I find this a useful book in coming to conclusions about why 19th century composers made certain key as well as key related decisions, especially in regard to their piano works. A great deal of the book is bibliography, as well as German untranslated source material. But there is enough food for thought to enhance the premise that keys are indeed built on specific character, and that composers have gravitated to or away from them, basing choices on their individual and national "characteristics."
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A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries
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