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A History of Film Music
 
 
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A History of Film Music [Hardcover]

Mervyn Cooke (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

October 20, 2008
Mervyn Cooke provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.


Editorial Reviews

Review

"As cinema's second century gathers place and the film soundtrack acquires ever greater critical respectability, the need for a good, compact, one-volume survey of its evolution from solo piano afterthought to a meticulously planned, fully integrated element as crucial to the success of a film as cinematography,lighting or direction, has become increasingly necessary. Mervyn Cooke's A History of Film Music gets magnificently close to being just such a book. ...Written in a clean, clear prose shot through with a lightly-worn, concisely-argued scholarship, this is a considerable achievement and an essential read for anyone interested in this vital and still developing genre." --Classical Music Magazine

"'Cooke hasn't written merely "a" history of film music... this will surely be "the" history of film music. ...An authoritative read, written with the cracking pace of a Bond thriller." --Classic FM Magazine

"Cooke writes accessibly yet with as much intellectual rigor on the propagandistic songs of Shostakovich as on MTV's impact on Flashdance. ....Crammed with source acknowledgement for further reading, this is nothing short of essential reading for anyone with an interest in film." --BBC Music Magazine

"Cooke has written a book useful to readers with or without musical background...they [readers] will appreciate a historical study that incorporates music and film studies and keeps the film music, not the films, its focus." --Choice

"The real charm of Mervyn Cooke's A History of Film Music, however, and one with which the reader is abundantly left, is the sheer breadth of coverage and the passion with which this coverage is conveyed. Never before has a work attempted such a wide-ranging, vivid, and well-documented sweep of film music and, for this reason among many others, it is a work thoroughly to be recommended." --Music & Letters

Book Description

From silent cinema to the modern Hollywood blockbuster, this volume provides a comprehensive and engaging overview of the major trends in the history of film music. The first study of film scoring to present a genuinely international perspective, it is ideal for both students and film enthusiasts alike.

Product Details

  • Hardcover: 584 pages
  • Publisher: Cambridge University Press; 1 edition (October 20, 2008)
  • Language: English
  • ISBN-10: 0521811732
  • ISBN-13: 978-0521811736
  • Product Dimensions: 9.8 x 6.8 x 1.6 inches
  • Shipping Weight: 2.9 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,622,889 in Books (See Top 100 in Books)

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Almost too comprehensive?, September 16, 2010
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The passion for the subject and the depth of the research overcomes the danger of attempting to cover as much as possible on the subject (film-music history). Given two volumes it would be amazing, and perhaps then Cooke could become the first to take on the last fifteen years of history (so far too daunting for anyone it would seem). I would recommend this book to anyone who is interested in a broad perspective on the whole picture, which includes great coverage of film-music made in places far from Hollywood. If you are looking for a deeper look and analysis into certain aspects of the history, you might find Film Music: A History a more thoughtful read. And if its "cheap and cheerful" you want, it's hard to beat Film Music: A Very Short Introduction (Very Short Introductions). If you are a film-music fan... you need them all :-)

But I'm not opinionated (no, sir).
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1 of 8 people found the following review helpful:
5.0 out of 5 stars Great book!, October 20, 2009
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Great book and a very good seller! Hope we meet again.

Lázaro Silva
Terceira - Açores
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
Miklós Rózsa, Béla Balázs, nondiegetic film music, nondiegetic cues, classical film score, leitmotivic procedures, nondiegetic scoring, nondiegetic score, mainstream divides, stinger chords, projection venues, other film composers, electronic sonorities, diegetic performance, nondiegetic music, chamber scoring, diegetic song, compilation score, musical provision, melodramatic clichés, filmed opera, film music music, replacement score, classical arena, temp track
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Academy Award, New York, Hollywood's Golden Age, Warner Bros, Elmer Bernstein, New Hollywood, New Wave, Vaughan Williams, Los Angeles, Second World War, Star Wars, United Kingdom, George Fenton, Alex North, Jerry Goldsmith, Alfred Newman, John Williams, King Kong, Once Upon, First World War, David Raksin, Twentieth Century-Fox, Bernard Herrmann, Adrian Lyne, John Huston
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