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History of Modern Design [Hardcover]

DAVID RAIZMAN (Author)
4.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

December 29, 2003
The first book of its kind, Raizman’s History of Modern Design offers a gorgeously illustrated survey of the applied arts and industrial design from the eighteenth century to present day, covering furniture, metal, glass, ceramics, fashion, appliances, transportation, and advertising.


Editorial Reviews

From the Back Cover

Design plays an integral part in our lives, surrounding us at home and in the office. The products of design—whether in the form of household products, packaging, fashion, software, industrial equipment, or promotional images in the mass media—can be seen both as objects of beauty and as the result of creative human endeavors.

This insightful, wide-ranging book surveys applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social, and commercial context in which this relationship developed. The effects of a vastly enlarged audience for the products of modern design and the complex dynamic of mass consumption, are also discussed. Part of this dynamic reveals that products serve as symbols for desires that have little to do with need or function.

Wide-ranging examples of product and graphic design are shown—and their significance within the history of design explained—including vessels and other objects made from glass, ceramics, plastic, or metal, as well as tableware, furniture, textiles, lighting, housings for electric appliances, machines and equipment, cars, tools, books, posters, magazines, illustrations, advertisements, and digital information. The book also explores the impact of a wealth of new manmade industrial materials on the course of modern design—from steel to titanium, plywood to plastic, cotton to nylon, wire to transistors, and .from microprocessors to nanotubes. The research, development, and applications of these technologies are shown as depending upon far-reaching lines of communication, stretching across geographical and linguistic boundaries. In this way, David Raizman reveals the history of modern design as a "global" history.

--This text refers to an out of print or unavailable edition of this title.

About the Author

David Raizman is a professor in the Department of Visual Studies at Drexel University in Philadelphia, PA.

--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover: 400 pages
  • Publisher: Prentice Hall Art (December 29, 2003)
  • Language: English
  • ISBN-10: 0131842668
  • ISBN-13: 978-0131842663
  • Product Dimensions: 11.3 x 9.8 x 1.4 inches
  • Shipping Weight: 4.7 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #447,100 in Books (See Top 100 in Books)

More About the Author

"The 2nd edition of History of Modern Design gives me the opportunity to share my excitement about this subject with students and with the general public. I'm delighted that Prentice-Hall and Laurence King Publishing (in the UK) allowed me to revisit the subject matter, change, and add to its content. If you'd like to comment on the book or just write about design and design history, I'd welcome your thoughts and observations."

David Raizman is Professor in the Art and Art History Department in the Westphal College of Media Arts & Design at Drexel University in Philadelphia and currently Head in the College's Media Arts Department. In addition to being the author of History of Modern Design, he also has written numerous articles and reviews, and co-edited with Professor Carma Gorman (Southern Illinois University, Carbondale) the book Objects, Audiences, and Literatures: Alternative Narratives in the History of Design, Newcastle, Cambridge Scholars Press, 2007).

He was a research fellow at the Wolfsonian-Florida International University museum in Miami Beach, Florida in October, 2009, examining materials for his current research topic: 19th-century World's Fairs in relation to the design, production, and reception of furniture. He has been teaching at Drexel University since 1989, and earned his Ph.D in art history at the University of Pittsburgh (1980).

Professor Raizman has been an invited speaker on art and design history topics at numerous conferences and sponsored events. These include the Second International Conference on Historical Studies in Design, Universitá Iuav, Venice, Italy, The Columbus College of Art & Design, Columbus, Ohio, the Rhode Island School of Design (Industrial Design students), Providence, Rhode Island, the Preservation Society of Newport, Newport, Rhode Island, and the Morgan Library in New York.


 

Customer Reviews

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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

3 of 4 people found the following review helpful:
5.0 out of 5 stars Impressive!, April 5, 2007
I completely disagree with the first reviewer's comments, especially about the quality of the pictures. In fact, that's probably one of the book's highlights. The writing is also extremely accessible whether you are a student or a coffee-table book browser. The book is clearly meant to complement a wide range of history of design courses, which may likely vary from instructor to instructor, college to college. I would venture that it is the instructor's responsibility to find relevant sections that can be utilized in her class, and not expect that the book will be organized according to her own syllabus.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars Wonderful, May 24, 2007
By 
I've wanted this book for quite some time now. I actually remember the day I first spotted it on the shelves of a local bookstore. Since then, I have frequently gone to peruse its pages at the design library where I work, and I have found it to be an invaluable resource. It is one of the few books that strive to show the interrelationship between the many design disciplines, and, for those of us lucky enough to have had the opportunity to study under Dr. Raizman, it serves as a constant refresher and reminder of a truly wonderful class.
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4.0 out of 5 stars Great book, November 22, 2011
I have to say, it is the best Design history book i've read in english.
His approach is very similar to some Italian, German and Scottish authors.
I strongly recommend it.
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Inside This Book (learn more)
First Sentence:
At the beginning of the eighteenth century parallel revolutions in methods of production and patterns of consumption profoundly affected the history of manufactured products in Europe and in North America. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
esthetic purity, modern industrial materials, mechanized mass production, modern industrial design, elastic market, color lithograph, more unified approach, design reform, bold sans, industriels modernes, mass design, esthetic considerations
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, New York, World War, Art Nouveau, Metropolitan Museum of Art, General Motors, New Typography, Aesthetic Movement, Herman Miller, Philadelphia Museum of Art, Great Exhibition, Museum of Modern Art, William Morris, Frank Lloyd Wright, Charles Eames, Harper's Bazaar, Alvar Aalto, Crystal Palace, Henry Ford, Raymond Loewy, Henry Dreyfuss, Kelmscott Press, Vanity Fair, Deutscher Werkbund, John Langdon
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