Women have made vital contributions to photography both as a profession and as an art form. This is a comprehensive history of women's accomplishments in photography, ranging around the world and throughout the entire history of the medium, from the mid-1800s to the 21st century. Naomi Rosenblum explores the work of some 250 women photographers, from Julia Margaret Cameron to Tina Modotti, Margaret Bourke-White, and Cindy Sherman. She chronicles both the women's creativity and the challenging contexts within which they worked. In addition to the text and photographs, there are detailed individual biographies and an annotated bibliography. This edition also includes two new colour images (replacing two earlier choices) and 15 additional black-and-white images; the final three chapters have been revised and updated, as have the biographies and the bibliography.
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Book Description
Editorial Reviews
From Publishers Weekly
In this landmark volume, Rosenblum (A World History of Photography) examines sympathetically the achievements of women in photography since its invention in 1839, and highlights society's failure to give them appropriate recognition. One research obstacle the author encountered was the 19th-century practice of men taking credit for work done by women. Here is work from 250 female camera artists, from Julia Margaret Cameron (b. 1815) to Annie Leibovitz (b. 1949), who, despite strong cultural resistance, mastered everything from early wet-plate views and portraits to 35 millimeter photojournalism, often initiating aesthetic and commercial improvements. Her chronicle of women's part in each era's artistic movements and media transitions, plus capsule biographies with an in-depth bibliography and index, make this a seminal reference work. The author's choice of 263 photographs seems to favor the esoteric, bringing to light a largely unknown world in vivid originality and broad archival conception.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Here is yet another publication that strives to rescue from oblivion the neglected achievements of women in the visual arts. Juxtaposing the past 155 years of photographic history with events from women's social history, Rosenblum (A World History of Photography, LJ 2/1/85) documents women's contributions to the technological, artistic, and experimental development of photography. Her feminist narrative explores women's creativity both as a means of self-expression and as a lucrative profession. The 36 color plates, along with over 200 black-and-white illustrations, include fine examples of portraiture, advertising, and photojournalism. The last section contains valuable thumbnail biographies of approximately 240 female photographers-from the obscure to the famous-whose illustrations appear in the text. An ambitious bibliography makes this a prime tool and stimulus for researchers. Highly recommended for photography, women's studies, and young adult collections.
Joan Levin, MLS, Chicago
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Joan Levin, MLS, Chicago
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
20 of 21 people found the following review helpful:
5.0 out of 5 stars
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This review is from: A History of Women Photographers (Hardcover)
This book deserves all of the praise it has earned. Dr. Rosenblum is passionately involved in the art and craft of photography. She has a world view that she puts to great use here. One of the best and most respectful things about this survey, aside from its obvious profusion of well-chosen photographs and the assured and authoritative commentary, is the effectiveness of Dr. Rosenblum's knowing method of assemblage. In the arrangement of these photographs there is ample room for readerly associations, emotions, and thought. The commentary, both in form and content, reinforces this. We are in the hands of a gifted teacher, in fact. Whether it is a series of photos of human hands, folds of clothing, leaves, children's faces, natural forms - the reader is taken on a deeply affecting, associative journey, and the results run deep. This is in addition to this book's obvious workhorse usefulness as a terrific reference work.One hundred pages at the book's end are devoted to notes, careful and thorough biographies of the photographers, a selected bibliography, and an index. The production values are first-rate. A wonderful book.
0 of 4 people found the following review helpful:
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