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Hit List (John Keller Mysteries) [Mass Market Paperback]

Lawrence Block (Author)
2.9 out of 5 stars  See all reviews (69 customer reviews)

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Book Description

John Keller Mysteries February 5, 2002

Keller is a regular guy. He goes to the movies, works on his stamp collection. Call him for jury duty and he serves without complaint. Then every so often he gets a phone call from White Plains that sends him flying off somewhere to kill a perfect stranger. Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming yet, when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, God help him, has found his way onto somebody else's hit list.


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Editorial Reviews

Amazon.com Review

Few mystery authors have a stable of protagonists as uniformly appealing as Lawrence Block's. Whether Block's taking the reader into PI Matthew Scudder's world of dimly lit bars and basement AA meetings, quirky burglar Bernie Rhodenbarr's used bookstore, or the international hot-spot hangouts of Evan Tanner, the spy who never sleeps, he always provides good company. John Keller, star of Block's 1998 story collection Hit Man, is a typical Block invention: an unassuming, get-the-job-done-and-move-on New York contract killer who collects stamps, does the morning crossword, eats Vietnamese takeout, and falls for the occasional woman.

When Keller gets off a plane in Louisville, ready to do the job he's been hired for, something about it feels wrong from the start. And when two people are killed in the motel room he's just vacated, he realizes he narrowly missed a setup, but can't figure out why. Then he goes to Boston to do another job, and afterwards dines in a coffee shop where another patron has the misfortune of leaving with Keller's raincoat:

The Globe didn't have it. But there it was in the Herald, a small story on a back page, a man found dead on Boston Common, shot twice in the head with a small-caliber weapon.

Keller could picture the poor bastard, lying face-down on the grass, the rain washing relentlessly down on him. He could picture the dead man's coat, too. The Herald didn't say anything about a coat, but that didn't matter. Keller could picture it all the same.

Keller's agent, Dot, puts the pieces--including the death of another contract killer she books occasionally--together and comes up with the seemingly crazy idea that a greedy hit man is knocking off the competition. In between other legit hits, romancing a commitment-shy artist, visiting an astrologer, and a long stint on jury duty, Keller slowly moves closer to the faceless nemesis he and Dot dub "Roger." But it's Dot, the woman of action, who figures out what to do about him. Though Hit List is too introspective to be a caper novel, and too funny to be noir, it's bound to find a rapt audience with fans of both subgenres. After two such engaging books, can Hit Parade be far behind? --Barrie Trinkle --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

John Keller, whom Block introduced in Hit Man, is a killer for hire, with a difference. He's thoughtful, even broody, tends to take a liking to some of the towns where he goes to do his work, dreams of perhaps settling down in one of them one day and collects stamps in his spare time, of which there's plenty. It's a novel idea, and it carried an excellent group of stories in the previous book. A whole novel about Keller, however, who after all walks a very delicate line between likability and horror, is more than he can readily bear, and, almost unknown in Block's work, there are longueurs here. The plot is wryly serviceableAa rival is attempting to corner the market by getting to some of Keller's intended victims first, and clearly has to be disposed ofAbut about halfway through a certain unease creeps in and won't let go. For all Block's usual great skill with goofy dialogue (here between Keller and Dot, the intermediary who takes the orders for his jobs), it's difficult to indefinitely enjoy jokes about the violent deaths of a number of people who, for all Dot and Keller know, are harmless, perhaps even good citizens, but whom someone is willing to pay to remove. Apparently mindful of this, Block keeps the killings mostly offstage, or with a minimum of graphic violence. But an affection for Keller is an acquired taste, and here it proves difficult to acquire. 9-city author tour. (Nov.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 384 pages
  • Publisher: HarperTorch (February 5, 2002)
  • Language: English
  • ISBN-10: 0061030996
  • ISBN-13: 978-0061030994
  • Product Dimensions: 6.8 x 4.2 x 1 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (69 customer reviews)
  • Amazon Best Sellers Rank: #538,245 in Books (See Top 100 in Books)

More About the Author

Lawrence Block (b. 1938) is the recipient of a Grand Master Award from the Mystery Writers of America and an internationally renowned bestselling author. His prolific career spans over one hundred books, including four bestselling series as well as dozens of short stories, articles, and books on writing. He has won four Edgar and Shamus Awards, two Falcon Awards from the Maltese Falcon Society of Japan, the Nero and Philip Marlowe Awards, a Lifetime Achievement Award from the Private Eye Writers of America, and the Cartier Diamond Dagger from the Crime Writers Association of the United Kingdom. In France, he has been awarded the title Grand Maitre du Roman Noir and has twice received the Societe 813 trophy.

Born in Buffalo, New York, Block attended Antioch College in Yellow Springs, Ohio. Leaving school before graduation, he moved to New York City, a locale that features prominently in most of his works. His earliest published writing appeared in the 1950s, frequently under pseudonyms, and many of these novels are now considered classics of the pulp fiction genre. During his early writing years, Block also worked in the mailroom of a publishing house and reviewed the submission slush pile for a literary agency. He has cited the latter experience as a valuable lesson for a beginning writer.

Block's first short story, "You Can't Lose," was published in 1957 in Manhunt, the first of dozens of short stories and articles that he would publish over the years in publications including American Heritage, Redbook, Playboy, Cosmopolitan, GQ, and the New York Times. His short fiction has been featured and reprinted in over eleven collections including Enough Rope (2002), which is comprised of eighty-four of his short stories.

In 1966, Block introduced the insomniac protagonist Evan Tanner in the novel The Thief Who Couldn't Sleep. Block's diverse heroes also include the urbane and witty bookseller--and thief-on-the-side--Bernie Rhodenbarr; the gritty recovering alcoholic and private investigator Matthew Scudder; and Chip Harrison, the comical assistant to a private investigator with a Nero Wolfe fixation who appears in No Score, Chip Harrison Scores Again, Make Out with Murder, and The Topless Tulip Caper. Block has also written several short stories and novels featuring Keller, a professional hit man. Block's work is praised for his richly imagined and varied characters and frequent use of humor.

A father of three daughters, Block lives in New York City with his second wife, Lynne. When he isn't touring or attending mystery conventions, he and Lynne are frequent travelers, as members of the Travelers' Century Club for nearly a decade now, and have visited about 150 countries.

 

Customer Reviews

69 Reviews
5 star:
 (14)
4 star:
 (15)
3 star:
 (9)
2 star:
 (14)
1 star:
 (17)
 
 
 
 
 
Average Customer Review
2.9 out of 5 stars (69 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

16 of 19 people found the following review helpful:
5.0 out of 5 stars A hit man you hate to love, October 27, 2000
By 
Cynthia Chow (Kaneohe, Hawaii) - See all my reviews
This review is from: Hit List (Hardcover)
Keller is a hit man who works to finance his habit ofcollecting stamps. If this isn't a sign of the originality ofBlocks's killer for hire, the contrast between the gentleness of theman and the violence of his job is. While content with his job andand enjoying his verbal fencing with his middlewoman, Dot, a series ofnear misses on his own life cause him to suspect that HE has beenplaced on someone's hit list. Then, just when he thinks that he hasfigured out what's going on, all of his targets start dying before hecan get to them. While it's nice to be earning money without actuallykilling anyone, he soon becomes anxious about who's doing his job andhe and Dot plan how to hit the hitter.

Keller is one of the moreneurotic hit men who has no problem killing so long as it's part ofthe job and not for any personal. The pace moves along nicely, andhis moral debates with the matronly Dot over the ethics of his job arehilarious. Keller is a killer, but he still dutifully reports forjury duty between jobs and has a unique concept of innocentbystanders. A great follow-up to HIT MAN.

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5 of 5 people found the following review helpful:
4.0 out of 5 stars It's All About Character, August 26, 2001
This review is from: Hit List (Hardcover)
I understand the complaints about the banter between Dot and Keller, and I understand the complaints about the lack of a plot. To me, neither of these things are weaknesses because they're very close to being what the book is about. The relationship between Dot and Keller is very close, but at the same time there's a distance and wariness between them that comes through in their digressive, joking discussions. As for the lack of a plot, though this is billed as a novel it's really nearly as episodic and fragmented as "Hit Man," the collection of short stories that introduced Keller. How much you like the book is going to depend a lot on how interesting you find Keller. I find him very interesting, particularly in his inability to face the violence that is central to his life; Keller lives in continual denial of the fact that he is a monster. The thread tying the book together, then, is not the barely-there plot, but Keller's continual, subutle shifts of mood and attitude. Block is going somewhere with this, I hope; there should eventually be a Keller book in which he really has to come to terms with what he does. In other words, this book is very light on the surface, but I think Block--and the attentive reader--are conscious of much deeper levels of meaning.
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5 of 5 people found the following review helpful:
3.0 out of 5 stars Hit and miss, February 19, 2001
Amazon Verified Purchase(What's this?)
This review is from: Hit List (Hardcover)
This book is a bit weird. I wanted to give up so many times - because it was BORING - but bravely soldiered on - because INTERESING bits and pieces kept on popping up.

Still, it's more a miss than a hit, and endless conversations between Dot and Keller reminded me of Waiting for Godot. Was there another point to their dialogue, except to drive everyone crazy? I don't know.

Can't say I recomend it fully, can't say I don't recomend if fully. Hence 3 stars.

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Inside This Book (learn more)
First Sentence:
Keller, fresh off the plane from Newark, followed the signs marked Baggage Claim. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
stamp auction, stamp dealers, property clerk
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Crosby Street, White Plains, Regis Buell, Declan Niswander, Louise Carpenter, Morgan Freeman, Susan Hollander, Winding Acres Drive, Fells Point, Byrne Hollander, Exeter Street, Long Island, Maggie Griscomb, Orange County, Richard Archibald, San Diego, Back Bay, Hell's Angels, Irene Macnamara, Milton Simmons, Taunton Place, Alvin Thurnauer, Betsy Hirschhorn, Days Inn
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Enough Rope by Lawrence Block
Hitlist by Lawrence Block
 

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