Hit and Run [Import] [Paperback]

Lawrence Block (Author)

Product Details

• Paperback: 320 pages
• Publisher: Orion (an Imprint of The Orion Publishing Group Ltd ); Export Ed edition (September 1, 2008)
• Language: English
• ISBN-10: 0752890905
• ISBN-13: 978-0752890906
• Shipping Weight: 1.1 pounds
• Average Customer Review: 3.8 out of 5 stars  See all reviews (59 customer reviews)
• Amazon Best Sellers Rank: #9,300,625 in Books (See Top 100 in Books)

More About the Author

Lawrence Block (b. 1938) is the recipient of a Grand Master Award from the Mystery Writers of America and an internationally renowned bestselling author. His prolific career spans over one hundred books, including four bestselling series as well as dozens of short stories, articles, and books on writing. He has won four Edgar and Shamus Awards, two Falcon Awards from the Maltese Falcon Society of Japan, the Nero and Philip Marlowe Awards, a Lifetime Achievement Award from the Private Eye Writers of America, and the Cartier Diamond Dagger from the Crime Writers Association of the United Kingdom. In France, he has been awarded the title Grand Maitre du Roman Noir and has twice received the Societe 813 trophy.

Born in Buffalo, New York, Block attended Antioch College in Yellow Springs, Ohio. Leaving school before graduation, he moved to New York City, a locale that features prominently in most of his works. His earliest published writing appeared in the 1950s, frequently under pseudonyms, and many of these novels are now considered classics of the pulp fiction genre. During his early writing years, Block also worked in the mailroom of a publishing house and reviewed the submission slush pile for a literary agency. He has cited the latter experience as a valuable lesson for a beginning writer.

Block's first short story, "You Can't Lose," was published in 1957 in Manhunt, the first of dozens of short stories and articles that he would publish over the years in publications including American Heritage, Redbook, Playboy, Cosmopolitan, GQ, and the New York Times. His short fiction has been featured and reprinted in over eleven collections including Enough Rope (2002), which is comprised of eighty-four of his short stories.

In 1966, Block introduced the insomniac protagonist Evan Tanner in the novel The Thief Who Couldn't Sleep. Block's diverse heroes also include the urbane and witty bookseller--and thief-on-the-side--Bernie Rhodenbarr; the gritty recovering alcoholic and private investigator Matthew Scudder; and Chip Harrison, the comical assistant to a private investigator with a Nero Wolfe fixation who appears in No Score, Chip Harrison Scores Again, Make Out with Murder, and The Topless Tulip Caper. Block has also written several short stories and novels featuring Keller, a professional hit man. Block's work is praised for his richly imagined and varied characters and frequent use of humor.

A father of three daughters, Block lives in New York City with his second wife, Lynne. When he isn't touring or attending mystery conventions, he and Lynne are frequent travelers, as members of the Travelers' Century Club for nearly a decade now, and have visited about 150 countries.

Customer Reviews

Most Helpful Customer Reviews

46 of 47 people found the following review helpful:

5.0 out of 5 stars One of Block's Best, June 24, 2008

By 

Mel Odom (Moore, OK USA) - See all my reviews
(TOP 500 REVIEWER)    (VINE VOICE)    (REAL NAME)   

This review is from: Hit and Run (John Keller Mysteries) (Hardcover)

Keller is a professional hit man. He specializes in paid-to-order death that looks like an accident and has always gotten away without being caught. However, Keller is also a man with a conscience. Not about the people he kills, because that would get in the way of him doing his job. But he dwells on how he spends his life, the people he spends it with, and what life is ultimately all about. That aspect of Keller is the one that I most enjoy spending time with in the books.

HIT AND RUN is veteran mystery/suspense writer Lawrence Block's fourth book about Keller. It's also the first of the four books that's actually a novel. The previous three books were collections of short stories gathered in a loose novelistic style. Block first published the stories in PLAYBOY magazine and other magazines. Block always threw in a few new stories each volume as well.

I love the characters of Keller and Dot, the woman who brokers the services Keller offers to discriminating and wealthy clients. I look forward to the times they sit and discuss the world and their lives after Keller's adventures. Despite the lethal business they are in, Keller and Dot appear like people you could meet on the street and engage in an idle chat that would give you something to think about. Each time I closed a Keller "book" in the past, I could think about different thoughts or revelations that Keller experienced in those stories.

Block took his time writing the stories. I can tell how much he enjoyed exploring the characters and themes he developed over the course of bringing Keller and his assignments to the page. Throughout the books, the character and his situation changed. The relationship with Dot altered too, and the two of them became even closers friends than business partners.

HIT AND RUN changes a lot of things, though. For the first time, Keller's face is in the news for a murder. The kicker is that Keller didn't kill the governor of Iowa. He was framed, and he doesn't even know who did the framing.

The book divides neatly into three acts, though I didn't notice that at the time I read the book. I started on the novel intending to read just a few pages, just enough to close the book on Keller's first kill. Instead, Keller never even gets to whack the guy he hired on to kill. By the end of the first chapter, he's running for his life. Not only are the cops pursuing him, but so are the faceless people he just became the fall guy for.

I read the book from cover to cover. Could not put it down. As I said, the book divides neatly into three acts. The first act is pure adrenaline as Keller doubles back and tries to figure out what to do. Dot is off-line for the first time since forever, and there's not a single other person in the world that Keller can talk to about his career.

Keller makes it back to New York and his apartment in time to see the story about Dot's "accidental" death on the television news. In his apartment, he discovers that someone has ransacked his home and taken his stamp collection. Regular readers of Keller's adventures know that the stamp collection is the one thing that the hit man has allowed himself to care about other than Dot. All the money that Keller once had is also gone - his retirement, etc., because his real name is known to the police and he's a person of interest.

Act two covers a lot of ground. I enjoyed watching Keller trying to get it together, trying to figure out what he was supposed to do since he'd been cut off from his other life. The sincerity and weight Block brings to his character's ruminations are dead-on emotionally. In this time when so many drastic changes occur in a person's life, seeing Keller struggle with the same things is almost cathartic and lends hope.

The relationships Keller builds at this time, not only with others but with himself, are extremely well done. The love story and the resolution of the woman's sick father was well played. All the characters are vivid and believable. Block even takes time to dig into the problems New Orleans (the city where Keller ends up) faces even now.

The third act, even though it's predictable in nature to a degree, revolves around Keller's search for the men that burned him and Dot. It offers some introspection and humorous moments as well, and a lot of tension because I really didn't know how Block was going to bring everything to a close.

HIT AND RUN is a game played by a master. Block put me on the ropes even though I was dead tired that night, and he kept me there. The gentle delineation of character, the effortless plot twists and surprises, and the pared-to-the-bone writing infused me with new energy that kept me turning pages till I reached the final one with a mixture of excitement and sadness.

I'd really recommend reading other Keller "novels" before this one, but you don't have to. But to get all the subtlety Block pulls off with the character and the plot, I think it's better if you have a passing acquaintance with Keller. This is a great book.

16 of 16 people found the following review helpful:

5.0 out of 5 stars RICK "SHAQ" GOLDSTEIN SAYS: "OUR FAVORITE "HIT-MAN" IS BACK AND ON THE LAM!", June 26, 2008

By 

Rick Shaq Goldstein "*SHAQ*" (Danville, Ca, USA) - See all my reviews
(TOP 1000 REVIEWER)   

This review is from: Hit and Run (John Keller Mysteries) (Hardcover)

Lawrence Block is one of the most well known and highly "decorated" mystery authors of all-time. He has written over fifty books and been named a "GRAND MASTER" of the Mystery Writers of America and is a four-time winner of the prestigious "EDGAR" and "SHAMUS" awards along with numerous international awards. There are several individual series within the author's fifty-plus books, and the most recent series is "KELLER'S GREATEST HITS" of which the fourth and latest episode is "HIT AND RUN".

John Paul Keller, or "Keller" as he is known, mostly to his best friend and business associate "Dot" and a few other people in the world outside of his business life... and his business is killing people for money. After all he is a hit-man. Keller has saved his money over the years, and with Dot's surprising savvy business investments he has accrued quite a nest egg. He has thought of getting out of the "business" for quite awhile, but his one special "indulgence" of a hobby is quite expensive: He collects stamps. Because of his penchant for valuable stamps, every time he says this is going to be his last job; he finds another costly must-have stamp to buy, and it throws off his retirement plans. But this time, the job that Dot sets up for him to "whack" another unknown victim in Iowa, is going to absolutely, un- categorically, unconditionally, be the last one! When Keller arrives in Iowa from his home in New York, something... and everything... feels wrong. He gets the idea he is being set up... but doesn't know for what. Mr. Block's humorous "snappy" dialogue has never been crisper. Keller always uses aliases or no names at all, and it isn't surprising when he uses so many aliases during a caper that it might be handy to have a scorecard. When he meets his contact in Iowa the man says to Keller: "THEY NEVER TOLD ME YOUR NAME,... Keller says: "THEY NEVER TOLD ME YOURS, EITHER." "MEANING LET'S KEEP IT THAT WAY? FAIR ENOUGH." He is registered in the hotel under the name Leroy Montrose, and he rents a car at Hertz under the name of Holden Blankenship.

Perhaps the author's greatest strength, is in the machine-gun like pace of the parenthetical humor and insight that he imbibes the main character with throughout this first rate saga. Keller stops by a stamp shop and he impresses the owner with the fact that he pulls his own "tongs" out of his pocket. Keller laments to himself that with the current airport security that he's afraid to carry his stamp "tongs" on a plane. "If you were going to get on an airplane, some clown at Security would confiscate them. Imagine a terrorist with a pair of stamp "tongs". Why, he could grab the flight attendant and threaten to pluck her eyebrows." While he is at the stamp shop there is an announcement that John Tatum Longford the first black Governor of Ohio was assassinated while visiting Iowa. When Keller gets back to his room he turns on CNN and as they report the assassination, all of a sudden he sees his picture on the screen identifying him as the killer. And that leads to Keller-aka-Leroy-aka-Holden to go on the lam and try to get himself safely back home to New York. What follows are stolen cars, switched license plates, murders, more aliases, sleeping in cars, a valuable Homer Simpson hat, and as Keller himself sadly states: "He'd suffered the two greatest losses of his life in the course of a single day. His best friend was killed and his stamp collection was stolen."

Don't worry, I would never give anything away that would ruin the story for you. The author never lets go of the reader's interest and some of his dialogue is so smooth and finely tuned it should be taught in colleges and universities. And we even have a good dose of revenge. Lawrence Block is still at the top of his game and I wish he would publish books more often. One real-time probably-not-meant-to-be-humorous-fact in the book, is even though this story is set in current time, when the protagonist gets gas for his car while on the lam... THE PRICE IS $2.50 PER GALLON!!??

15 of 15 people found the following review helpful:

5.0 out of 5 stars A dark story with an incredibly timely theme, June 30, 2008

By 

Bookreporter (New York, New York) - See all my reviews

This review is from: Hit and Run (John Keller Mysteries) (Hardcover)

There is an 800-pound elephant in the room this political season, and it makes people so queasy they don't want to talk or even think about it. But it's impossible to ignore since this year marks the 40th anniversary of the assassinations of Dr. Martin Luther King, Jr. and Senator Robert F. Kennedy.

Great fiction reflects the time in which it is written. And great fiction is fearless. Richard Condon wrote a novel called THE MANCHURIAN CANDIDATE, which became a classic film in 1962. The movie was pulled from public viewing for 25 years after the murder of President John F. Kennedy. But no sane person would say that Condon and director John Frankenheimer's fiction had anything to do with the tragic events in Dallas.

Now in 2008, veteran mystery writer Lawrence Block has written a novel in which his hit man, Keller, is in Des Moines, Iowa, on assignment when the African American governor of Ohio, John Tatum Longford, is assassinated while exploring a run for the White House. And Keller has been fit for the frame. Of course, this book was written months before Senator Barack Obama began his meteoric rise to the Democratic presidential nomination.

HIT AND RUN is not a political thriller. After it happens, the assassination and its political or social significance is barely mentioned. That is not what the book is about. This is a noir story about the innocent man trapped. Yet the paranoia that has been present in the American psyche since those dark days of Dallas and Memphis and the pantry of the Ambassador Hotel lingers faintly in the background here, like a discordant jazz soundtrack from a classic film noir.

For five decades, Block has been writing mysteries and is one of the greatest writers in the history of American letters to work in this genre. Whether in the dark novels of alcoholic PI Matthew Scudder or the lighter books involving burglar Bernie Rhodenbarr, Block has consistently proven he deserves his place in the pantheon of great American mystery writers alongside Ed McBain, Elmore Leonard, Donald Westlake and Robert B. Parker.

So those of us who are fans of Block expect good, extremely well-written books. But by page 28 it becomes apparent that HIT AND RUN is not merely a good book but a great book in the noir tradition. And then it does something truly amazing: it transcends that dark tradition to become a novel of redemption and hope.

Hit man John Paul Keller was first introduced to us in a Playboy short story many years ago. Like a corporate downsizing consultant, he has an unpleasant job to do. He does it very well but does not particularly enjoy killing people. Keller does evil work but is actually a nice, apparently normal guy who readers can't help but root for.

Keller is now looking forward to retirement with his beloved stamp collecting hobby when he reluctantly agrees to "the last job." You know trouble will ensue when something is the last job. And it does. He immediately senses danger when he is escorted around Des Moines by a mystery man working for somebody named "Al." But Keller is always careful where he leaves his prints.

Then the assassination occurs and Keller wonders, "If you wanted to frame someone for murder, why not pick a murderer? Hire him to kill some nonentity, and time it so that he's in the right place at the right time, and then frame him for the real killing, the important killing." Shades of our collective paranoia.

Sure enough, Keller's face is soon on every TV channel 24/7. "He was on his own," Block simply writes. Now the most wanted man in America, the hit man who didn't make a hit, is stuck with $200 in cash and a rented car with stolen plates. He has nobody he can trust and must make the 1,000-mile dash home to safety in New York City. Throughout his career, Keller has worked hard to keep his home city separate from his professional life. Initially he convinces himself he will be fine once he makes it home.

But about halfway through his journey east, the dark truth sets in. Block writes with concrete simplicity: "It was over, he saw now... But however much people both in and out of the city might prefer to think otherwise, New York was part of America. New Yorkers watched the same newscasts and read the same newspaper stories... He'd come as far as he had in life by staying out of the spotlight, and now he was in it and that was the end of it... The end of John Paul Keller."

Block here has worked a modern story out of two classic noir themes: the Trapped Man made famous by Cornell Woolrich and the Wrong Man worked to perfection by Alfred Hitchcock. We follow Keller on the run as he travels a hundred miles at a time with no destination, his days spent hiding in movie theaters and nights spent in little motels, sleeping occasionally on sheets recently abandoned by adulterous couples, constantly waiting to be recognized or for his money to run out, whichever comes first.

If this were a typical noir story, we would follow Keller down that Lost Highway until the road inevitably ends in The Big Sleep. But Block is too good a writer to take the easy way out. And let's face it, Keller might be a bad man, but he's our bad guy. We like him despite what he does as only a mother can. After all, he makes sure to leave his fast food wrappers in the trash cans when finished and always has time to rescue a damsel in distress.

This is when HIT AND RUN takes a few incredible twists that I will leave for you to discover and enjoy. Suffice to say the Block manages to inject a note of redemption, hope and love into a really dark story. And while the darkness and paranoia are real and cannot be denied, perhaps at the end of the day, real change is still possible for a hit man and the rest of us.

Lawrence Block has written a novel that transcends the mystery genre and manages to be topical without being sensational. It is one of the greatest accomplishments of his long storied career.

--- Reviewed by Tom Callahan