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Hitchcock Becomes Hitchcock : The British Years
 
 
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Hitchcock Becomes Hitchcock : The British Years [Paperback]

Paul M. Jensen (Author)

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Book Description

July 27, 2000
Alfred Hitchcock’s comments in his frequent interviews have encouraged many critics to assume that the director’s true career began in 1934 with The Man Who Knew Too Much, the first in a long, almost unbroken string of thrillers. Then, having defined Hitchcock as a specialist, these critics select from his earlier work only those films that anticipate his later career: The Lodger (1927), Blackmail (1929), Murder! (1930), and Number Seventeen (1932). Such a perspective, mired in the confidence of hindsight, results in a highly misleading view of the director, one that dismisses his 12 other early features—eight silent and four sound—and implies that he was merely marking time until his “true” creative personality emerged. Hitchcock was, in fact, a major director from the very start of his career in 1925 and for 10 years he made substantial, mature features that reveal an impressive consistency in content and form. This book examines those all important films.

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About the Author

Paul M. Jensen is a Professor at the State University of New York at Oneonta. A member of the Communications Arts Department, he teaches courses in film history, appreciation and production. After graduating from SUNY—Albany, Mr. Jensen received his M.F.A. in Film, Radio and Television from Columbia University. He is the author of four books—The Cinema of Fritz Lang (1969), Boris Karloff and His Films (1974), The Men Who Made the Monsters (1996) and Hitchcock Becomes “HITCHCOCK” and has published articles on film-related subjects in various periodicals, including Film Comment, Films in Review, Midnight Marquee, Scarlet Street, Variety and Video Watchdog.

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Inside This Book (learn more)
First Sentence:
By the end of his first two years as a director, Alfred Hitchcock had already defined himself as three men, all of whom continued, for the rest of his life, to co-exist somewhat uneasily within his ample body. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
film technique, essay reprinted
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Easy Virtue, Sir John, Alfred Hitchcock, Miss Froy, The Manxman, The Skin Game, The Lady Vanishes, Jamaica Inn, Hitchcock Becomes, The Pleasure Garden, Alice White, Hairless Mexican, Hitchcock Defined, Jack Sander, John Whittaker, Number Seventeen, Samuel Sweetland, Visual Language, Film Society, New York, Peter Lorre, Professor Jordan, The Bioscope, London Evening News, Madeleine Carroll
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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This book cites 32 books:
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