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9 of 9 people found the following review helpful:
5.0 out of 5 stars
10 stars, actually, October 15, 2004
"Magritte" is easily one of the best pieces Cale has written in a while. It's got the same elegant sadness as "The Endless Plain Of Fortune" but with a tinge of the viola arrangements from Nico's "No One Is There". "Caravan" delves into sublte La Monte Young droning and "Things" sounds like it could easily fit on Vintage Violence. "Things X", a rework of "Things", seems like a continuation of the ideas put forth in "Sister Ray", "Gun" and the Sabotage album but with lots of glitched electronics -- a real noise jam. "Zen" is a gorgeous, souful slice of electro-gospel. "Letters From Abroad" is a mixture of guitar weirdness and big beats. The whole album is brilliant. We get the classic Cale mixture of country/rock, noise, classical, pop and intelligent/literate lyricism. Definately right up there with Fear & Paris 1919!
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Wow!, March 22, 2005
Other reviewers have gone into the details, so let me just add a couple of comments. As I was considering whether to shell out for the expensive import, I listened to samples of each song that are up on Cale's web site. That was an amazingly useless exercise--none of the songs seemed remotely interesting. I finally got the album once it was released domestically, having faith in it because 1) it's John Cale and 2) reviewers seemed unanimous in singing its praises. After a few listens, I was completely blown away. I have listened to it compulsively, quite unlike my reaction to his last album, Walking on Locusts. It's wonderful to find music that takes so many listens to even begin to digest. I too consider it among his best. (It's so good that it made me completely forget that I had just bought the wonderul Abbatoir Blues/Lyre of Orpheus by Nick Cave, which I have finally gotten back to.) Another reviewer complained about the "special effects" as another example of Cale's over-producing. I agree about the over-production of some of his past work, and I can believe that seeing him play the music in totally stripped-down form might be the ultimate experience. (I can only judge by the sublime "Fragments of a Rainy Season," as I have sadly never seen him live.) But at least on the first few dozen listens, most of the instrumentation, loops, etc. work for me. If you like Cale's work at all, buy this today. If you don't know his work, buy it anyway, and if you don't like it after a few listens, listen a few more times, as it can take a little time for Cale's music to creep into the darker recesses of one's soul. I got hooked on this one and have played it a LOT; it also showed up two nights in a row in my nightmares when I had the flu recently.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
John Cale at work, July 7, 2004
This review is from: Hobo Sapiens (Audio CD)
There is no describing Cale, so I won't even try. His movie soundtracks of the past 10 years have been wonderful, but it's an occasion when he fills a disc with tunes. Comparing his work to others, or suggesting he's copping someone else's style... none of that washes. Cale has created more new sounds than anyone will ever have time to emulate. Don't confuse what he's doing in HoboSapiens with anyone else's work. Listen carefully and you might hear the deep classical roots, the edge of pop, the raw rock & roll, the stream-of-consciousness lyrical quality of words and music, and Things you've never heard before. All that and more. I hate to compare any of Cale's records with any other, because he goes out on a limb every single time, but as a package HoboSapiens stands with Paris 1919. Maybe we're talking 2019. Cale seems to be saying he's found a new thread of life (Hey, kick me - what do I know but what I hear on the disc?), and he's spun it out into a powerful collection of songs that have the kind of integrity that Paris 1919 is justifiably famous for. There's not a weak cut on this disc; not one awkward transition. It all holds together like a living Thing. Cale has pulled rabbit after rabbit out of this hat, easily making this my record of the year. Practical Matters: I waited for a US edition of HoboSapiens, but goofy EMI released it in October 2003 in Europe and still can't see its way clear to get it out in the US. I finally sprang for the $30+ to buy one of the UK editions in June 2004. How ridiculous is that? If Cale got the respect he deserves, and a little promotion, this disc would be tuning up lots more ears. Shame on EMI. If they'd release it in the US, they wouldn't have to worry about copy protection on the Euro editions - people would buy a reasonably-priced US edition! For the, er, um, record, the edition I'm reviewing works fine on all my CD players and my pc's. The one catch is the bonus track, which appears before track 1. I guess you'd say it's track 0, but your player won't "see" it. The only way to get to it is to hit and hold down the reverse button on your player when the disc starts, winding the seconds backwards to the beginning of Set Me Free. Click too far, and you miss it. This very manual procedure is pretty ridiculous (try it at 65 MPH on the Interstate), and it does not work on any of my pc cd players - they won't go into second-by-second reverse the way a regular cd players does. But unlike some other customers, I've had no problem copying this cd so I can listen to the tracks on my pc, except that it's impossible to copy the bonus track using any normal means. Hint: make an analog-to-digital copy of Set Me Free by attaching a portable cd player to your pc. (Take that, EMI. You boneheads. How do you expect to sell CD's in the US if you don't issue them here?)
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