Hogarth, France and British Art is a radical reappraisal of the art and achievement of William Hogarth (1697-1764). Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. The author examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and print-making, but also in sculpture, poetry, the novel, the theatre, public life, art education, copyright law, music, and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, Robin Simon draws upon a mass of new material, with fresh considerations of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life.
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Hogarth, France and British Art is a radical reappraisal of the art and achievement of William Hogarth (1697-1764).
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