Customer Reviews

Holiday Inn (Three Disc Collector's Set)

5 star:		(53)
4 star:		(12)
3 star:		(4)
2 star:		(0)
1 star:		(1)

 

 

I've watched both the spotless B&W version with commentary and the dazzling color version of the Universal 3-disc (including CD) edition of "Holiday Inn" and I am very impressed.

If you haven't seen the film for a while, the very high points are the song "White Christmas" and its reprise and two of Fred Astaire's more unforgettable numbers: a solo dance with firecrackers and a falling down drunk number that has to be seen to be believed. But to be fair, all the numbers are memorable, from the classic "You're Easy to Dance With" to the 18th Century-influenced "I Can't Tell a Lie" and the blackface hommage to Abraham Lincoln, "Abraham", one of Irving Berlin's best "unknown" songs. The two underrated female counterparts (Marjorie Reynolds and Virginia Dale) are also quite nimble and copacetic.

This edition has kept all the extras of the 2006 Special Edition: "A couple of Song and Dance Men", a 50 min double biography of Bing Crosby and Fred Astaire that has a lot of exciting footage from many of their movies not yet on DVD, hosted by record producer Ken Barnes and Ava Astaire; "All Singing - All Dancing", a 7 min demonstration of how the dance numbers were filmed and put together (dancing to a pre-recorded soundtrack + live recording of the tapping sound with hidden microphones); a very thorough multiple commentary with input from vintage Crosby and Astaire interviews; and a well-preserved theatrical trailer.

It also includes a 12-band CD collection of the film's songs with Crosby and Astaire (from Geffen Records) presented in a cute miniature cardboard 78-RPM sleeve - a genuine collector's item, and a 7 min making-of docu of the color version with Barry Sandrew.

The Legend Films color version, in my opinion, reaches yet another summit in verisimilitude, the skin tones having been somehow improved upon and the indoor/outdoor sets and costumes being handled with the same level of maniacal authenticity as in "It's a Wonderful Life". It actually looks better than a lot of color films of the era and really strives for that saturated Technicolor look, but in a somehow more "relaxed" presentation, as B&W films obviously didn't have to try as hard to dazzle the eye in every department and every second. Still, I had to gawk and stare at a scene where Astaire is hurriedly packing a tangled bunch of vari-colored neckties, wondering at the complexity of the colorization process involved in such a puny but mind-bogling detail. The whole film - with the nicely contrasting exception of a patriotic B&W documentary montage of the USA's entry into WWII shown at the Inn - is bathed in the warm glow of intimate indoor lighting alternating with more gaudy flood-lit and heart-stopping dance numbers. You have absolutely no idea what "oomph" means until you've seen Virginia Dale's sequined night-blue dress shimmy and shake in the "You're Easy To Dance With" number. I found it really hard to come back to the B&W version after that, except for the commentary and the other extras on Disc 1. Yes, I am that shallow.

Both versions are pretty much at the maximum bitrate throughout. The whole experience can only be described as sheer, unadulterated joy and an unparalleled time-travel piece.

Universal Studios Home Entertainment, in association with Legend Films, Inc., honored Bing Crosby on the 31st anniversary of his passing this October 14th by releasing the definitive DVD / CD package of one of Crosby's most beloved films, Paramount's mammoth 1942 Irving Berlin musical masterpiece, Holiday Inn.

Universal digitally remastered the classic b/w film for it's 2006 release, with pristine picture and sound quality. They augmented it with bonus features including a video interview with Fred Astaire's daughter Ava conducted by Crosby & Astaire record producer Ken Barnes, a making of documentary, and archive audio commentary featuring the stars Bing Crosby & Fred Astaire recorded in the 1970's.

Now, Universal has gone a step further and made it a 3-disc box set, featuring the original b/w version complete with the bonus features aforementioned, an audio CD housed in a nifty '40s retro-looking paper sleeve of the commercial soundtrack recordings by Crosby and Astaire, as recorded for Decca Records in 1942 (including Bing's original hard-to-find 1942 recording of White Christmas), and now, finally, a striking new COLOR version of the film! Legend Films has done justice to this perennial favorite by painstakingly colorizing the film, utilizing the help of Jan Mucklestone, who was the personal sketch artist for Paramount costume designer Edith Head. This was obviously a labor of love, and Legend's attention to detail makes for a stunning visual.

Colorization has always been a controversial subject, with those for and against it equally passionate in their beliefs. However, colorization has come a LONG way since it's inception in the early 1980's. The late 1980's colorization of another of Bing's classic films, The Bells of St. Mary's, was a slop-shod embarrassment enough to turn anyone off to the process. So it was with a bit of apprehension when I first heard of someone daring to tamper with a national treasure like Holiday Inn. I quickly learned that this was different, something special, after viewing Legend Films' 2007 colorized version of the 1946 Frank Capra masterpiece It's A Wonderful Life. Then came a small screen video trailer for Holiday Inn on the Legend Films website. This in itself was impressive, but by no means does justice to the brilliance of Legend Films work.

The colors on Holiday Inn are vibrant and full, without being garish or obtrusive. The visual impact is breathtaking, particularly on the Easter Parade number, with Bing's sea-blue eyes all aglow in the close-up. This is how the film was meant to be seen, in all it's color glory. After decades of viewing it from grainy b/w prints on the late show, it's like seeing the film for the very first time! The colors in your mind come to life on the screen, just as you imagine them to be. Bing's corduroy sport jacket during the White Christmas scene is, as you would expect, a rich shade of beige. The curtain behind Bing during the 4th of July production number is spectacular in red, white and blue, as it should be. Not to mention those firecrackers glowing in orange and red hues during Fred Astaire's dance-ode to Independence Day! Once you see this film in color, you'll never want to watch it in b/w again!

You can't go wrong with this DVD set. Those who prefer the original b/w print, can have it, and those who prefer seeing it in color have that too, all together in one attractive package. It's a win-win situation. And to all those purists and nay-sayers who are dead-set against the colorization process, give Holiday Inn a chance. If seeing this wonderful film, in all the rainbow of colors each scene portrays, doesn't change your mind to what colorization can do, then chances are you'd rather not see ANYTHING in color, if it can be viewed in b/w! Bravo Universal Home Entertainment, and Bravo Legend Films! Let's see more of Crosby's classic films done up right in color!

This is one of the great films, with Bing Crosby and Fred Astaire doing some of their most memorable work to some of the better music of Irving Berlin, including the debut of his all-time most popular "White Christmas." The plot is clever, if somewhat silly, the writing sharp, with lots of laughs, romance, ups and downs, and a happy ending for all. If you don't already have the movie, this is certainly the nicest set. But if you have the 2006 Special Edition, you may not need to upgrade. The new Collector's Set will have a few new features not in the Special Edition:

-- a colorized version of the movie - don't worry, the original black-and-white version is included too
-- a featurette on colorizing the movie
-- a soundtrack CD (which is the third disc of the set)

The soundtrack CD would be a very nice bonus, I think. The new Collector's Set also includes the special features from the Special Edition:

-- audio commentary by film historian Ken Barnes with archival audio segments from Crosby, Astaire and Crosby's longtime music director John Scott Trotter
-- "A Couple of Song & Dance Men," a biographical documentary about Crosby and Astaire with Barnes and Astaire's daughter Ava Astaire McKenzie (44:30)
-- "All Singing, All Dancing," a featurette on making musicals, again with Barnes (7:15)
-- the original theatrical trailer

The film is preserved in its original 1.33:1 full screen format in both the black-and-white and colorized versions. The studio announcement doesn't say whether the video or sound will be remastered. The image and sound quality of the 2006 Special Edition is good but not exceptional; the new one should be at least that good.

This 1942 film centers on Jim (Crosby), a singer and part of a successful three-person New York nightclub act with dancer Ted (Astaire) and singer and dancer Lila (Virginia Dale). Their act portrays a rivalry between the two men over Lila's affections, spelled out in terms of a contest between singing and dancing. Life imitates art, as Jim decides to leave the harried show business life and buy a farm in Connecticut, thinking he'll take Lila as his bride and they'll happily live the simple life together. But Ted has other ideas, and Lila chooses to stay with Ted in show biz, so Jim starts his new life on the farm alone. Soon learning that the simple farming life isn't as carefree as he had imagined, Jim hatches the idea of turning the farm into Holiday Inn, a lodge with nightclub entertainment open only for public holidays. Naturally, events bring Ted, just dumped by Lila, out to the farm, where a new rivalry develops over Jim's new love interest (Marjorie Reynolds). Much scheming, misunderstanding, singing and dancing and romancing ensue.

Both Crosby and Astaire were at their cinematic peaks in 1942. The way they interact is great fun and worth seeing the film for by itself. The songs included many new Irving Berlin numbers, with highlights "Lazy," "Be Careful, It's My Heart," "White Christmas," of course, and the reused "Easter Parade" all sung by Crosby. Astaire was actually a fine singer himself, and did "You're Easy to Dance With" full justice. As good as Crosby and the music is, what really steals the show for me is some of Astaire's all-time best dancing, especially a hilarious drunken reprise of "You're Easy to Dance With" with Reynolds, and the immortal "Let's Say It with Firecrackers" routine, a solo he's portrayed as improvising with pockets full of firecrackers as his props.

There might be a bit of controversy over a number done in blackface, which was still popular at the time, and which is accompanied by the wonderful black character actress Louise Beavers, as Crosby's maid/cook, portraying some stereotypes not so well appreciated today. There is also a reminder of the time in the form of a patriotic montage supporting the war effort, which was just beginning.

If you like old movies at all, are looking for a classic holiday movie (this one ends up at Christmas), or are a fan of Crosby or Astaire, this is a must.

My family and I have been watching Holiday Inn every Christmas Eve for the past twenty one years! All three kids know the songs by heart. To me, no film has the mixture of sentiment and elegance that this one has.

Our discussion all that time, however, has been "Why won't they colorize it?," along with speculation about what colors gowns and other clothing might be. (Okay, my son could care less.) Never has a film's subject matter and production called for colorization more.

We always figured that the unfortunate racial stereotypical material would keep it from ever being released in an improved version. (At one point Bing slaps some blackface makeup on Marjorie Reynolds for the "Abraham" number, which causes her to say "...and here I was hoping to be pretty!" Ouch.)

But at long last it's available in a colorized version, and it's like watching the film completely anew. Details I had never noticed before pop right off the screen in this one (the salads in the foreground of the kitchen shot, the greenery in the "You're Easy To Dance To" number, the log cabin table center-pieces in the Lincoln's birthday number, Fred's star-spangled 4th of July hankie) - it's really surprising what a difference the color makes in the details.

And I could swear the sound is improved, as well. I had never before heard a triangle being played in the Washington's Birthday number - but it's there now.

Only one disappointment: We had always thought Marjorie Reynolds' gown in the Valentine's Day number was a deep red or maroon, but here it's rendered as black (with a pink heart pin). Perhaps the documentation exists that indicates that was the actual color of the dress or maybe it was a judgement call from the fashion lady doing the color palette design - but we think it would look better as a deep red.

Whatever... this well-wrought release was a long time coming and perhaps it will cause this wonderful movie musical to finally achieve the fame it deserves. (It is far, far better than the later color "White Christmas.")

Get it, and as the Holiday Inn newspaper clipping says, "God Bless America!"

Although I already had 'Holiday Inn' on DVD, I couldn't resist buying the 'colorized' version jut to experience it this way. I was not disappointed! If anything, the picture was even 'crisper' than the B&W version, and the coloring was realistic and natural. Bing & Fred are always a class act whether in color or Black & white, but it was great to see this perenial favorite as close as we'll ever get to how it would have looked if filmed this way. Hope Universal commissions more of Bing's [and Fred's] early films to be treated this way! Of course there are certain Bing Crosby films I'd love to see on DVD in any form, namely 'Sing You Sinners' [my personal favorite], and I think 'Holiday Inn' proves it's a worthwhile venture. On this occasion, Top Marks to Universal.

Paramount Pictures presents "HOLIDAY INN" (4 August 1942) (101 mins/B&W/Color) (Dolby digitally remastered) -- Bing Crosby and Fred Astaire were the stars of Holiday Inn with support from Marjorie Reynolds and Virginia Dale --- Produced and directed by Mark Sandrich, filming took place between November 1941 and February 1942. Holiday Inn had its premiere at the New York Paramount Theatre in August 1942. It was a runaway success both in the U.S. and the United Kingdom, proving to be the highest grossing film musical up to that time --- The big song had been expected to be "BE CAREFUL, IT'S MY HEART" --- While that song did very well, it was "WHITE CHRISTMAS" that topped the charts in October 1942 and stayed there for eleven weeks.

Story line and plot, In the first of two films Crosby and Astaire did together the other being "Blue Skies" (1946), the characters are remarkably the same --- Ted Hanover (Fred Astaire) is the elegant and charming show business professional who's ambitious for success --- Jim Hardy (Bing Crosby) is the talented, but lazy partner who just wants a life of ease and comfort and not to work more than he has to --- Small wonder that their double act broke up --- But now enter a complication --- They both get interested in the same girl who in this film is Linda Mason (Marjorie Reynolds) --- Plus Lila Dixon (Virginia Dale), who becomes Fred's dancing partner with some wonderful routines in fine fashion.

"BE CAREFUL IT'S MY HEART", the Valentine's Day song, sung by Crosby and danced to by Astaire and Reynolds --- Fred Astaire gave a tour de force performance, singing, and, of course, dancing his way through this delightful piece in rare form --- It is said that he worked so hard during rehearsals that he wasted away some 25 pounds by the time he filmed the firecracker number --- He might just as well have been weightless, because he defies gravity with his every move.

Under the production staff of:
Mark Sandrich - Director / Producer
Claude Binyon - Screenwriter
Elmer Rice - Screenwriter
Dave Abel - Cinematographer
Irving Berlin - Composer (Music Score)
Robert Emmett Dolan - Musical Direction/Supervision / Composer (Music Score)
Ellsworth Hoagland - Editor
Hans Dreier - Production Designer
Roland Anderson - Art Director
Edith Head - Costume Designer
Wally Westmore - Makeup
Charles C. Coleman, Jr. - First Assistant Director
Daniel Dare - Choreography

Scene Index
Disc One -- Irving Berlin's: Holiday Inn
1. Love Triangle (Main Titles) [4:39]
2. "I'll Capture Your Heart Singing" [5:43]
3. "Lazy" [8:26]
4. "You're Easy to Dance With" [3:40]
5. "White Christmas" [6:18]
6. "Happy Holiday/Holiday Inn" [3:09]
7. Let's Start the New Year Right" [6:19]
8. A New Partner [3:29]
9. In Disguise [3:30]
10. "Abraham" [5:46]
11. "Be Careful, It's My Heart" [6:38]
12. "I Can't Tell a Lie" [6:38]
13. "Easter Parade" [3:42]
14. "Song of Freedom" [3:11]
15. "Let's Say It With Firecrackers" [7:49]
16. "Plenty to Be Thankful For" [6:24]
17. Lights, Camera, Action [4:52]
18. Happy New Year (End Titles) [8:06]

the cast includes:
Bing Crosby ... Jim Hardy
Fred Astaire ... Ted Hanover
Marjorie Reynolds ... Linda Mason
Virginia Dale ... Lila Dixon
Walter Abel ... Danny Reed
Louise Beavers ... Mamie
Irving Bacon ... Gus
Marek Windheim ... François
James Bell ... Dunbar
John Gallaudet ... Parker
Shelby Bacon ... Vanderbilt

BIOS:
Bing Crosby (aka: Harry Lillis Crosby)
Date of Birth: 2 May 1903 - Tacoma, Washington
Date of Death: 14 October 1977 - Madrid, Spain

2. Fred Astaire (aka: Frederic Austerlitz Jr)
Date of Birth: 10 May 1899 - Omaha, Nebraska
Date of Death: 22 June 1987 - Los Angeles, California

SPECIAL FEATURES:
1. A couple of song and dance men; An intimate retrospective of Bing Crosby and Fred Astaire
on interview with Ava Astaire-McKenzie;
2 All singing - All dancing; Experience the making of the unforgettable song and dance numbers of Holiday Inn; ;
3. Audio commentary; Feature length audio commentary by film historian Ken Barnes with archive audio comments
by Bing Crosby, Fred Astaire and John Scott Trotter.
4. Original theatrical trailer
5. Coloring a Classic: With the help of Jan Mucklestone personal sketch artist of Edith Head.
6. Music Soundtrack: 12 classic Irving Berlin tunes from the original soundtrack

Great job by Paramount Pictures and released by Universal ---The conversion of color is done by Legend Films, which has colorized a number of Shirley Temple films --- The results are remarkable. If you'd never seen a Technicolor film, you'd think "Holiday Inn" was shot in color --- looking forward to more high quality titles from their film market --- order your copy now from Amazon where there are plenty of copies available on DVD, stay tuned once again for top notch releases --- where they are experts in releasing long forgotten films and treasures to the collector.

Total Time: 101 mins on DVD ~ Paramount Pictures ~ (10/14/2008)

A holiday perennial along with "Miracle on 34th St." and "It's A Wonderful Life", this new release brings a new perspective to a yuletide classic. As someone who is adamantly opposed to colorization of black & white movies, I've always pondered what this film would look like it in color. Had it not been wartime, perhaps Holiday Inn might have been made in color; who really knows.

Fortunately, the technical methods of colorization have improved 10 fold vs those horrible Ted Turner productions of the 1980's. The release of It's A Wonderful Life (Two-Disc Collector's Set) (B/W & Color) showed that the colorized version was very good. I found myself watching the color version first, saving the B&W rendering for closer to Christmas Day. I'm sure this colorized edition of Holiday Inn will be fine as well.

My only complaint is that digital remastering is NOT the same as a complete digital restoration, and the B&W version does need touching up. Maybe someday we will be treated to yet another release which has been restored to its original pristine B&W splendor. Meanwhile, this edition looks worthy for anyone's Christmas collection!

UPDATE: 11.04.08

Super kudos to Legend Films, Inc. for a magnificent job in bringing color to one of America's perennial holiday classics. What is most striking are the background details that color brings out. Most notable, for me, is the Independence Day sequence; the stage curtain for example. But all of the holidays are delightful making this edition pleasing for purists whom are curious to know what the holiday colors are and those whom just prefer color v B&W. And everyone blessed with good hearing should watch the movie at least once with the cleverly placed English closed captions. Just a brilliant job by Legend Films, Inc.

Why colorize Holiday Inn? Although the film has no art decco or any other reason it should be in black and white, LOST will be:
The grey Christmas Trees with their black & white decorations.
New Years Eve, with the black & white baloons.
The giant grey Valentine heart that Astaire & Reynolds jump through.
The drab presentation of what should be a beautiful, colorful holiday film.

OF COURSE I'M BEING FACETIOUS!!!

If ever a film was meant to be in color, It's Holiday Inn. While the film "White Christmas" is now a hoiliday classic, the film "Holiday Inn" is slipping into obsurity. This only reason for this is because it was filmed in black & white. In 1942 shooting a film in color added greatly to production costs, and would have cut into Paramount's profits (it brings a tear to my eye).
The film has now been colorized by Legend Films, which has been doing a fantastic job of colorization.
This set also includes the remastered black & white version of this film.
So let the anti-colorization crowd watch it black & white on Christmas Eve, while they add another lump of coal to the fire. Most of us will watch it in color, and will be tickled pink!

Having watch "White Christmas" countless times and "Holiday inn" several times on television, I was pleased to discover this Colorized version of HOliday Inn. WOW. really comes alive. yes, since colorized, when viewed on HDTV it is not as brilliant bright, etc as newer original color movies, but this adds so much to the movie.
I only wish there would have been more history about the making of the movie but most of the principals were already passed on.

This is a superb set, the best colorisation I have seen yet (along with "It's A Wonderful Life"). Highly recommended.