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Hollywood Lolita: The Nymphet Syndrome in the Movies
 
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Hollywood Lolita: The Nymphet Syndrome in the Movies [Paperback]

Marianne Sinclair (Author)
4.0 out of 5 stars  See all reviews (4 customer reviews)


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Review

In Hollywood Lolita: The Nymphette Syndrome in the Movies, Marianne Sinclair explores both the history of the screen image of the alluring child-woman, exemplified by such stars as Shirley Temple, Elizabeth Taylor, Natalie Wood, Sue Lyon, Carole Baker, Jodie Foster and Brooke Shields, and the public and private lives of these Hollywood Lolitas. These insightful observations, along with the revelations that rocked Hollywood, make fascinating suggestions about the old studio star system and its abuses -- as well as today's financial pressures and changing morays. -- Midwest Book Review

Product Details

  • Paperback: 192 pages
  • Publisher: Plexus Publishing (March 22, 1996)
  • Language: English
  • ISBN-10: 0859651304
  • ISBN-13: 978-0859651301
  • Product Dimensions: 10.2 x 7.1 x 0.4 inches
  • Shipping Weight: 14.1 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,917,957 in Books (See Top 100 in Books)

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4 of 5 people found the following review helpful:
2.0 out of 5 stars Crucial Subject Matter, Completely Lost on Author, March 21, 2009
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This review is from: Hollywood Lolita: The Nymphet Syndrome in the Movies (Paperback)
Hollywood Lolita / 0-85965-130-4

This book was recommended to me, not as light reading, but as a critical commentary on our culture that fetishizes and sexualizes very young girls, particularly on the silver screen. To Sinclair's credit, this slim book has managed to assemble some of the most interesting and egregious cases of Hollywood exploitation of young girls - complete with photos to match. What is not in Sinclair's credit, however, is that she has managed, in compiling this slim volume, to completely and utterly miss the point.

Make no mistake about it - this book is not commentary in the critical sense. Sinclair has managed to compile and catalog instances, both on and off the screen, of young women being exploited sexually, but she has no interest in examining the social causes behind the culture that allows and embraces this exploitation. Sinclair documents the phenomena only, she does not examine it, except in the most superficial, apologist terms.

Sinclair regularly rails against the mothers of these young actresses, dismissing them with stale criticism like "husbandless ex-dancer" and calling these often exploitative mothers 'has-beens' and 'never-was' actresses. However, this criticism is more name-calling than substantive, as Sinclair is never curious enough to examine these mothers more closely. It would certainly be valid to question why, for instance, so many relatively young, beautiful, and talented women felt that their only chance at stardom was through their younger daughters - daughters who were often less experienced (and, thus, often less talented) than their mothers. Why did this culture place youth at such a premium? Why were these beautiful women considered worth 'less' than their children? It would also be valid to wonder why, exactly, did American movie tastes run so strongly towards seeing extremely young women in (often) highly sexualized roles? Sinclair cannot step back from her culture to question these cultural 'truths', and thus is she a furthering part of this problem.

If Sinclair is perhaps too hard on Hollywood mothers, she falls all over herself to exonerate the Hollywood men who too advantage of these girls. Regularly, when discussing a sexual "affair" between a powerful director in his forties and a new actress of thirteen, fourteen, or fifteen years of age, she assures us that "we may never know who seduced whom". Sinclair turns the reader's stomach with page after page of apologetics, as she hurries to make such commentaries that "most" men desire to have sex with girls twelve years of age or younger, and that "most" women fantasize about being a young child again, with an older father figure to have sex with them before they are even physically capable of having sex without being seriously hurt. Indeed, reading "Hollywood Lolita" is something of an eye-opener into the concept of 'projection' as Sinclair seems to do a great deal of it.

Due to the apologist note, it is difficult to say how much of "Hollywood Lolita" can be taken as gospel truth, which is troubling. Sinclair is notably fact-free in her light commentary on Polanski - she brushes his rape conviction off as a simple case of statutory shenanigans, and completely fails to mention that Polanski's sodomy of the young girl was so brutal that he wasn't even initially charged with "statutory" rape at all, rather he was properly charged with forcible sodomy, and he pleaded down to statutory rape as part of a plea bargain. For Sinclair to obscure the facts of the case by, basically, lying about the case entirely casts doubt on the factual accuracy of this book.

Although "Hollywood Lolita" examines an important phenomenon in our culture, I really cannot in good conscience recommend spending money on this book. In addition to Sinclair's lack of depth, critical examination, and disgusting projection and apologetics, the last several chapters of the book descend into serious boredom, as Sinclair abandons her premise entirely (Hollywood Lolita syndrome and the causes and effects on our society) in order to gossip about how pretty Elizabeth Taylor's "violet eyes" looked in her prime. Shallow commentary indeed.

~ Ana Mardoll
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2 of 3 people found the following review helpful:
5.0 out of 5 stars easy reading, December 4, 2008
By 
Robertson Thomas (Hapcheon, Gyeongnam, South Korea) - See all my reviews
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This review is from: Hollywood Lolita: The Nymphet Syndrome in the Movies (Paperback)
The last three or four books I've read abounded in compound complex run-on sentences. I began to wonder if my reading comprehension was faltering. But this easily comprehensible book reassured me.

Moreover, it didn't take long for me to read the book and pat myself on the back for having read another book. The book is 160 pages long and about half of it is illutrations.

The book introduces us to all the little darlings from the beginning of Hollywood history all the way up to Pretty Baby. It even reports mischief wrought by Hollywood personalities which I didn't even know were little girl fanciers, such as D. W. Griffith and Charlie Chaplin.

The book also discusses the effects, both positive and negative, of being a Hollywood Lolita. Here I raise a question mark: Did these effects come from being a Hollywood Lolita specifically, or from being a child celebrity generally? If the author could have compared the experiences of these children with those of other kids stars, such as Little Rascals and Mouseketeers, her case might be more convincing.

Just one disappointment: I expected the book to discuss the subliminal ways in which the Hollywood directors arouse the viewers' attention. Except for the discussion of the Freudian symbolism in "Baby Doll" starring Carroll Baker, the book offers very little of this. Perhaps I was at fault, because the advertising for the book promises no such thing.

PS In case you are looking for eye candy, there is one picture of a draped Victorian child, a rear view of an adolescent Jody Foster, and that's all you can see that you can't see at the beach.
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6 of 16 people found the following review helpful:
4.0 out of 5 stars From Shirley to Brooke, December 28, 2002
By A Customer
This review is from: Hollywood Lolita: The Nymphet Syndrome in the Movies (Paperback)
I enjoyed reading Hollywood Lolita up to the next-to-last chapter. It is filled with gorgeous photos and being quite young there were several personalities I had never heard of (like Mary Pickford who played little-girl roles until she was 32!!). I also enjoyed the chapter about Shirley Temple, but the Brooke Shields / Jodie Foster part of the book really deceived me.

Being a huge Brooke fan, the constant ridiculing tone the author used while describing Brooke's roles and talent was infuriating. I also wished Mrs Sinclair would have skipped the moralist comments (aka : Oh the big bad mom who let her 3 year old bare her behind for a Coppertone commercial). Maybe the author wishes she'd have been a child star instead of a rather unknown author ? Who knows !

In any case, if you're interested in cinematography and young actresses, buy this book. Read the bios, look at the pictures and skip the author's sore comments.

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