From the Back Cover
Suring the "Dawn of Sound', musical short subjects were the hors d'oeuvre before the main feature, and an effective means for the studio to test their freshly signed talent in front of the cameral. Aggressively pursuing the top singers, songwriters and musicians of Tin Pan Alley, Paramount's roster of contract players was composed of some of the top names in the world of entertainment. This first volume of Kin's four-part tribute to the Paramount musical shorts includes emerging radio stars whose cinematic talents were tested (Bing Crosby in
I Surrender Dear; Rudy Vallee in
Radio Rhythm), songwriters who could sell their own material (Hoagy Carmichael in a self-titled film and Mack Gordon and Harry Revel plugging an upcoming production in
Hollywood Rhythm) and two singers whose stormy off screen lives became the basis for hit movies: Ruth(
Love Me or Leave Me) Etting in
Favorite Melodies and Lillian (
I'll Cry Tomorrow) Roth in
Meet the Boyfriend. There's also a two-edge homage to that icon of thirties naughtiness, Betty Boop, with appearances by Betty's Prototype, "Boop-a-Doop Girl" Helen Kane (
A Lesson in Love), and Betty's actual voice, Mae Questel (
Musical Justice, with a cameo by Ms. Boop herself.