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The Hollywood Studio System: A History
 
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The Hollywood Studio System: A History [Paperback]

Douglas Gomery (Author)
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Book Description

1844570649 978-1844570645 January 22, 2008
Despite being one of the biggest industries in the world, the "dream factory" that is Hollywood is little understood outside the business. The Hollywood Studio System fills that gap. It is the first book to describe and analyze the complete development, operation, and reinvention of the global corporate entities that produce and distribute most of the films we watch. 
Starting in 1920, Adolph Zukor, head of Paramount Pictures, helped to fashion Hollywood into a vertically integrated system, a set of economic innovations that was firmly in place by 1930. For the next three decades, the movie industry operated according to these principles. Cultural, social, and economic changes ensured the demise of this system after WWII. Beginning in 1962, Lew Wasserman of Universal Studios emerged as the key innovator in creating a second studio system. Gomery relates the history of these two systems using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time. A number of previously unpublished photos illuminate the narrative. 

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Editorial Reviews

From Publishers Weekly

Gomery, who teaches communications at the University of Maryland, has produced a detailed textbook on the economics of the Hollywood studio system which will no doubt become required reading at every film school. The eight major corporations which dominated the "golden age"1930 through 1949are examined in terms of management style, financial stability, labor and production, distribution and exhibition. Balance sheets for each are provided to substantiate Gomery's conclusion that the profit motive dictated all artistic decisions. Competitors had difficulty breaking into the charmed corporate circle of MGM, Warner Bros., Paramount et al.; any illusions about Hollywood autonomy are swiftly dispelled by a description of the financial clout centered in New York City's brokerage houses. For those interested in a comprehensive view of the megabucks industry, this is a solid grounding in the business side of a glamorous, ephemeral workplace. Photos. January 6
Copyright 1985 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In what reads somewhat like a doctoral dissertation, Gomery presents a history of the business side of the Hollywood studio system, with particular emphasis on the system's halcyon years, 1930-49. There are chapters on each of the major studios. Gomery frequently emphasizes his points that most money in the picture business was made in distribution and exhibition, not production; and most power resided with the studios' corporate headquarters in New York City, not in the Hollywood film factories. Unfortunately, he seems unaware of Robert Stanley's The Celluloid Empire (LJ 5/15/78), which covers the same topic more readably and with a broader focus, though with somewhat less detail. This book does have some information not included in the Stanley book and will be useful in special collections. John Smothers, Monmouth Cty. Lib., Freehold, N.J.
Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 340 pages
  • Publisher: British Film Institute (January 22, 2008)
  • Language: English
  • ISBN-10: 1844570649
  • ISBN-13: 978-1844570645
  • Product Dimensions: 9.2 x 6.8 x 0.9 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #474,009 in Books (See Top 100 in Books)

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8 of 8 people found the following review helpful:
5.0 out of 5 stars excellent history of the studio system, February 12, 2007
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This review is from: The Hollywood Studio System: A History (Paperback)
Doug Gomery has written a fine book on the history of the Hollywood studio system. Whereas earlier treatments of this topic tend to neglect the period after the rise of television, Gomery does an excellent job of covering that period as well. One argument in the book that scholars will recognize as original is that the studio heads have always been quite concerned about distribution issues and that even though they no longer directly control the majority of movie screens they still have a lot to say about what gets screened and where. There is considerable detail in the book on the history of each of the major studios based on archival materials and interviews. This book should be required reading, in short, for anyone writing about Hollywood in the future.
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