Customer Reviews

Hollywood VS the Mob: Fact VS Fiction

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4 star:		(2)
3 star:		(0)
2 star:		(2)
1 star:		(0)

 

 

This is an excellent set of DVDs that compares movies about crooks, and cops, and the actual people and events they represent. Lots of footage from the movies and quite a bit of factual information. One of my favorites, "The Law Gang-AKA the FBI", is based on the movie "G Men", and J. Edgar Hoovers"s FBI. It more or less affirms the contention that sometines the only difference between the crooks and the cops is that the cops wear a badge, or in some cases, an evening gown, although that bit of information was not disclosed in the segment. All in all, this collection is a great value for the money. Very good quality picture and sound.

MILL CREEK's HOLLYWOOD VS. THE MOB consists of nine documentaries that focus on American cinema's depiction of organized crime, right from its early 20th Century roots. Bonus features include an interactive Mob timeline, plus a slide show comparison between actors and the Mob bosses they portrayed.

A related item of interest: MADACY's 6-hour documentary series, CRIME INC: THE TRUE STORY OF THE MAFIA.

PROGRAM for "Hollywood vs. the Mob"--

DISC ONE--

1. The Mafia Comes to America - Little Caesar

2. The Irish Gangs - The Public Enemy

3. Al Capone's Chicago Mob - Scarface

DISC TWO--

4. The Law Gang: AKA the F.B.I. - G-Men

5. Lucky Luciano's New York Mafia - Marked Woman

6. The Rackets - Loan Shark

DISC THREE--

7. The Black Mafia - The Black Godfather

8. The Jewish Mafia - The Purple Gang

9. The Godfathers - Honor Thy Father

If you know anything concerning the history and the bio's of the criminals covered here you'll discover that the narrator constantly make comments that are false. It's almost like he doesn't know what he's talking about. They're just minor technicial mistakes but True Crime fans with knowkedge on the subject might find it annoying. For example when he states Lucky Luciano's real name he gets that wrong. Then he says the Luciano and Lansky called their paid killers "Murder Inc." which is incorrect. The press labeled the killers as "Murder Inc." and from what I studied they refered to themselves as "The Combination". That said, you still might enjoy the movies being compared to the real life situation. But every episode opens with the same first 3 minutes and every episode uses the same old footage over and over again no matter what's be commented about. I found that annoying. Overall, because I am a True Crime fan as well as a fan of the Ganster movies discussed, I'd give this 2 and a half stars but since I can't give half stars I had to give it 2 because it's just not a 3 for me.

Hollywood VS the Mob (2008) from Mill Creek Entertainment, is a

unique and remarkable documentary series, made up of 9 DVD's, each

lasting 90 minutes or longer.

Each episode relies on a stunningly crystal clear footage and

flawless editing, coupled with a well researched, agreeable and

intelligent narrative.

The merit of this series, is that is never loses sight of reality,

and with entertainment as well, at one point labeling the

Abrahamic mobs in America the Kosher Nostra (as compared to the

Cosa Nostra.)

Fleeing a continent where the quality of life of individuals was

pigeon-holed by social class, and agricultural jobs, America was a

unique opportunity for precisely the opposite.

For example, an episode analyzes the accuracy of the movie 'The

Purple Gang' (1959), with actors Barry Sullivan and Robert Blake.

That movie is hard-hitting even 50 years later, in 2010, showing a

victim having cement boots added, payoffs suggested to

detectives, and "Rat Pack" scare tactics.

The gang comprised 3 brothers, led be Abe Bernstein, who ran the

clique for 5 years during the 13 years of Prohibition - before

rivals from St Louis took over. The existence of this gang isn't

altogether surprising, as 250,000 Abrahamic immigrants arrived to

America by 1880, and 2.5 million more from 1880 to 1924, among a

total of 20 million arrivals of all backgrounds during that span.

It is said that movies at the time, portrayed underworld members

as cold-hearted, spontaneous, irrational killers, some film scenes

showing people pushed in front of trains, down flights of stairs

or being strangled. They also sanitized the ethnicity of members,

through the use of Anglo-Saxon names in place of actual ones. For

example, the financier Arnold Rothstein trained, mentored and

funded underworld operations, later to a lesser degree by Meyer

Lansky. Those movies that the time, suggested society had

delinquent elements, in some cases with low IQ's, with behavioral

and mental issues, examples being WILD ONE, or REBEL WITHOUT A

CAUSE, EASY RIDER.

Othter mobsters were shown to be clever, relying on double-book

accounting, pristine offices, intelligence business models and

legitimate business fronts for their underlying, underworld

operations.

As with narcotics, the Purples "cut" the Canadian liquor with much

cheaper, easier to manufacture and lower-grade content before

retail. Between them, the Purples were responsible for 500

gangland rubouts in Detroit.

The various aspects of the underworld are discussed, from the

"muscle" to commodity transportation lines (Windsor to Detroit),

payoffs, meat packing and truck union rackets, factory shakedowns

(odor attacks, fire, disruption of supplies), casinos, numbers

rackets ("bolita") vehicle theft, narcotics, kidnappings, pension

fund-raiding etc.

Other Abrahamic mobsters included Bugsy Siegel, Mickey Cohen in

California, Dutch Schulz in NYC, Lefty Rosenthal. No mention is

made of Lepke Buchalter, or Mendy Weiss, Al Tannenbaum or Hymie

Weiss, in Murder inc.

The morale of movies called out to the public to resist apathy,

instilling honor, a civic duty, patriotism and a desire to take

the witness stand and speak up when called upon or identify

suspects in lineups.

The focus of the series is on those suppliers of slot machines,

casino games, narcotics, escort services and not on the

consumers. There is also a lack of discussion of the political

machinery behind important public figures, that often are in

close contacts with the underworld.

Ive only watched one, it was more about Edward R Robinson and some thirtys film. I just hope it gets better.