Focusing on the Jewish ghetto in Budapest during WWII, Cole (author of the controversial Selling the Holocaust) not only explores the architecture of ghettoization, but also tries to enter the minds of the "ordinary men" who built such places of death. "At the back of my own mind," he writes, "there is an image of an engineer working diligently in an office in Berlin, creating the most efficient door possible for a crematoria oven." Drawing on the groundbreaking work of Robert Jan van Pelt and others, Cole uses architectural history, geography and studies of space and place to explain how the Budapest ghetto was built, how ordinary urban space was converted into a death place, and how architects, engineers, and municipal officials collaborated in the Holocaust. Cole's illuminating approach is scholarly rather than narrative, and some readers will be baffled by his placing of quotation marks around words such as "Jewish" and "non-Jewish," as if to imply these are merely social constructs.
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A bold contribution to our understanding of the Shoah. Cole patiently unravels the layered complex of ideological motivations, economic ambitions, social realities and military contingencies that informed the decisions of politicians and officials who set out to separate Jews from gentiles in war-time Budapest.
Holocaust City is an important book that, like Christopher Browning's
Ordinary Men, will inspire a new genre of analysis of the Shoah as the greatest catastrophe western civilization both endured and permitted. -- Robert Jan van Pelt, co-author of
Holocaust: A HistoryTim Cole's new cultural history takes the study of space, cityscape, and the very role of the ghetto in the mass murder of Europe's Jews to revealing new levels. It will provoke and challenge readers to re-think and re-see the ghetto for what it was-an actual place and way station to death, and something that also had to be imagined conceptually and then graphically designed by the Nazis for their persecution of the Jews. This is a provocative and important book. -- James E. Young, author of
The Texture of Memory: Holocaust Memorials and MeaningCole's analysis of the subtle dynamics between state and local policy and the use of space goes a long way towards clarifying how ghettoization became an act of urban planning in Nazi-dominated Europe. -- Paul B. Jaskot, author of
The Architecture of Oppression: The SS, Forced Labor and the Nazi Monumental Building EconomyThis a unique and interesting study of the phenomenology of the Jewish ghettos of the Nazi era. --
Jewish Book WorldA bold contribution to our understanding of the Shoah. Cole patiently unravels the layered complex of ideological motivations, economic ambitions, social realities and military contingencies that informed the decisions of politicians and officials who set out to separate Jews from gentiles in war-time Budapest.
Holocaust City is an important book that, like Christopher Browning's
Ordinary Men, will inspire a new genre of analysis of the Shoah as the greatest catastrophe western civilization both endured and permitted. -- Robert Jan van Pelt, co-author of
Holocaust: A HistoryTim Cole's new cultural history takes the study of space, cityscape, and the very role of the ghetto in the mass murder of Europe's Jews to revealing new levels. It will provoke and challenge readers to re-think and re-see the ghetto for what it was-an actual place and way station to death, and something that also had to be imagined conceptually and then graphically designed by the Nazis for their persecution of the Jews. This is a provocative and important book. -- -James E. Young, author of
The Texture of Memory: Holocaust Memorials and MeaningCole's analysis of the subtle dynamics between state and local policy and the use of space goes a long way towards clarifying how ghettoization became an act of urban planning in Nazi-dominated Europe. -- -Paul B. Jaskot, author of
The Architecture of Oppression: The SS, Forced Labor and the Nazi Monumental Building EconomyTim Cole's new cultural history takes the study of space, cityscape, and the very role of the ghetto in the mass murder of Europe's Jews to revealing new levels. It will provoke and challenge readers to re-think and re-see the ghetto for what it was--an actual place and way station to death, and something that also had to be imagined conceptually and then graphically designed by the Nazis for their persecution of the Jews. This is a provocative and important book. -- James E. Young, author of
The Texture of Memory: Holocaust Memorials and Meaning