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Holon

Nik Bärtsch, Nik Bärtsch's RoninAudio CD
4.7 out of 5 stars  See all reviews (18 customer reviews)

Price: $16.68 & FREE Shipping on orders over $35. Details
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MP3 Music, 6 Songs, 2008 $11.49  
Audio CD, 2008 $16.68  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Modul 42 6:28$1.29  Buy MP3 
listen  2. Modul 41_1714:52Album Only
listen  3. Modul 39_8 8:00Album Only
listen  4. Modul 46 7:16Album Only
listen  5. Modul 45 9:41Album Only
listen  6. Modul 44 9:23Album Only


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Frequently Bought Together

Holon + Stoa / Nik Bartsch's Ronin + Llyria
Price for all three: $46.75

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Product Details

  • Audio CD (February 5, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Label: Ecm Records
  • ASIN: B000ZWWRXG
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Best Sellers Rank: #24,704 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Eagerly-anticipated second ECM album from Swiss pianist-composer Nik B rtsch and his committed young 'Zen-funk' band Ronin, whose label debut "Stoa" received rave reviews all around the world.

Review

"This is music that throbs with a pulsating dynamism" -- Observer Music Monthly

There were moments - long, magnetic spells, actually - during a recent set by Nik Bärtsch's Ronin at Joe's Pub in New York when the Swiss instrumental quintet seemed more like a double trio: two percussionists; a bassist and one band member exhaling low, sustained drones on bass clarinet and contrabass clarinet; and Bärtsch on both acoustic and electric piano, one hand on each, playing hypnotic overlapping riffs that were more pulse than melody. The music was a subtle, accelerating excitement, a trance-fusion melting of the '71 Pink Floyd, the '68 Grateful Dead and the rhythm armies in Miles Davis' electric bands - minus guitars and trumpet. There are no song titles on Ronin's latest album, Holon (ECM) or 2006's Stoa (ECM) - the tracks are numbered - because the colors, lift and flow in this fusion speak for themselves. -- David Fricke, Rolling Stone, April 03, 2008

Customer Reviews

Most Helpful Customer Reviews
40 of 40 people found the following review helpful
5.0 out of 5 stars More Swiss Timing February 18, 2008
By TSK
Format:Audio CD
If you know and love Nik Bartsch's Stoa, you're sure to feel the same about Holon, which is, in effect, Stoa 2. Outside of the fact that Bartsch plays only acoustic piano on Holon; the reedman known as Sha has added alto sax to his clarinets; and there's a more pronounced Middle Easternish feel to some of the writing, Holon picks up exactly where Stoa's jazz/minimalism left off. Bartsch has called this style Zen funk, but there's a lot more Zen than funk in the mixture. This isn't funk in the chicken 'n' grits manner--it's more like wiener schnitzel und sauerkraut. The Ronin band might be likened to a weird blend of Kraftwerk and Steve Reich (I'd say the James Brown comparison that's sometimes made is way too far a stretch), running like humanized clockwork on complex repetitive patterns that, though precise as all hell, are never machinelike. Conventional solo space is distinctly limited in this kind of music, as you'd expect, but the electric bassist gets a nice turn or two, and he's chiefly responsible throughout for funking up the Zen.
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26 of 27 people found the following review helpful
5.0 out of 5 stars The shape of jazz to come? May 3, 2008
Format:Audio CD|Verified Purchase
*THE CONTEXT...*
In the world of jazz 'avant-garde' there are two main currents: on one hand, you have the musicians who are simply content with re-enacting the canon (Cecil Taylor, Ornette Coleman, Sun Ra, sometimes to amazing results it must be said) while on the other there are those who prefer to push the envelope by going, if ever slightly, beyond the boundaries of the genre.

Mostly this is done by combining jazz with 'other things', i.e., influences coming from different musical fields. Hence, a lot of experimentation mixing jazz with electronics, hip-hop, minimalism, indie rock, etc.
While this 'mixing' concept is in no way new (didn't bossa nova stem from the jazz+latin music formula?), it can often produce exciting results.
Matthew Shipp work with Thirsty Ear, ups and downs notwithstanding, is a good example (or at least a widely publicized one)

*...AND THE ACTUAL REVIEW*
Nik Baertsch's Ronin Quintet does the same, fashioning a record that borrows from minimalism, funk (especially in the use of bass), IDM and, just like some other reviewer noted, middle-eastern motifs.
He (Nik) calls this concoction 'Zen Funk', I call it 'good enough to deserve 5 stars'.

Each composition is based on hypnotic piano modules (think of minimalist repetition) played by Baertsch himself. This is the foundation on which the other instruments play, either by building the groove or by showing amazing interplay and exciting solos.

This album is truly amazing and has been on heavy-rotation in my player since the day it reached my mailbox. Kudos to NB for pushing the genre to new directions and, most importantly, for delivering such an exciting record.
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24 of 25 people found the following review helpful
5.0 out of 5 stars Thoroughly engaging March 27, 2008
Format:Audio CD
Not having listened to Stoa, I really had little idea what to expect here. I looked at the somewhat strange titles & thought maybe I was in for a John Cage-esque experience & although certainly there are elements of Cage, there's much more of Steve Reich, Christian Wallumrod & even Esbjorn Svensson here, meaning that whilst every piece is structured such that you can often predict when an established, largely minimalist pattern is going to change, you're often surprised as to exactly how this happens & where the change leads. In virtually all cases, the changes are exciting, engaging & never one-off (ie. each piece changes instrumentation, mood & dynamic several times &, apart from three brief blazing saxophone interludes in Module 45, these are never abrasive). Further, the Middle Eastern modes of Module 44 were a delight.
If there's to be a minor criticism, I found the 14' 51" second piece took a little TOO long (6' 57" to be exact) to change out of its initial Reich-esque pattern, which, on just this one occasion, fell on the wrong side of the thin dividing line between rivetting/mesmerising & annoying/repetitive minimalism.
Minor criticism(s) aside, an excellent album.
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6 of 6 people found the following review helpful
5.0 out of 5 stars What Jaga Would Sound Like..... April 24, 2009
Format:Audio CD
....if they were signed to ECM!!! One of the top 5 releases of the decade....shoulder to shoulder with Claudia Quintet's equally captivating For. Loosely conceptualized around six piano based modules, this is far from your usual atmospheric driven ECM sound. This become obvious minutes into the second track, when the hypnotic ambience is traded for groovy 6-string electric bass lines atop a killer piano vamp and an even more lethal phat hi-hat/snare hits. Adding to this dimension is the sound of the bass clarinet, grooving in a way not heard since the days of the Mwandishi recordings. Definitely Eicher's trademark production is still present here, but there is less emphasis on space while leaning more towards the improvised jams one associates with say 70s jazz-rock experiments. Brilliant.
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4 of 4 people found the following review helpful
4.0 out of 5 stars More Jazzlike than "Stoa" July 7, 2009
Format:Audio CD
Swiss pianist Nik Bärtsch is back with his ensemble Ronin, featuring Sha on bass clarinet, contrabass clarinet, and alto saxophone; Björn Meyer on bass; Kaspar Rast on drums; and Andi Puato on percussion. Back too are the snappy song titles such as "Modul 42"and "Modul 41...37." What is new on this outing is the increased emphasis on acoustic sounds, with Bärtsch now employing an acoustic piano. Overall, though, the music has the relentless rhythmic pulse and minimalist structure that characterized the group's ECM debut recording, Stoa.

Perhaps because of the sound of the acoustic piano, however, Holon makes a different musical impression than did Stoa, the newer release sounding more like jazz and less like minimalism. When I reviewed Stoa back in Issue 105 of The $ensible Sound, I said it sounded more like jazz than classical minimalism; with Holon, that claim can be made more emphatically, meaning that Holon is the release more likely to be embraced by more traditional jazz fans.
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Most Recent Customer Reviews
3.0 out of 5 stars Minimalism-inspired jazz that feels too short on "content" for me
Nik Bärtsch’s Ronin is a jazz group that explores an improvisatory style strongly inspired by the American minimalist composers of the 1970s like Steve Reich. Read more
Published 9 months ago by Christopher Culver
5.0 out of 5 stars Faster Than Thought - Intriguingly Fresh Music
What a treat to be turned on to new music that is firmly grounded in what I'm familiar with - here, like a mix of British Prog rock circa 1979 (think mellower Brand X), hip... Read more
Published on January 28, 2011 by applewood
5.0 out of 5 stars Moody, brooding, dark - but ultimately enjoyable
My first experience with Nik Bartsch but it certainly won't be my last. There's a brooding menace to the music, a slow buildup that always threatens to explode. Read more
Published on January 14, 2011 by Singslinger
4.0 out of 5 stars Glimmers and pulses with energy
On "Holon," Nik Bärtsch's Ronin fashions disparate elements of jazz, funk, and ambient music into a musical fabric that glimmers and pulses with energy, sounding in places as... Read more
Published on April 27, 2010 by loce_the_wizard
5.0 out of 5 stars Music of the Momentous Moment
These modal explorations are minimalistic, holistic, gestaltic, self-evolving, and utterly fascinating. Read more
Published on June 11, 2009 by Dr. Debra Jan Bibel
5.0 out of 5 stars SIMPLEMENTE MAGNIFICO
CREO QUE LOS QUE SOMOS SEGUIDORES DEL SELLO ECM BUSCAMOS ALGO DIFERENTE U ORIGINAL CUANDO ADQUIRIMOS UN CD. Read more
Published on April 21, 2009 by Richard Wagner
5.0 out of 5 stars Bärtsch in Spanish
Llegué a escuchar a Nik Bärtsch por mera casualidad.
Simplemente, encargué el disco a ECM en Alemania. Read more
Published on February 14, 2009 by Héctor Parra
5.0 out of 5 stars addictive
Not quite sure what kind of music this is. A bit jazz and a bit Philip Glass minimalism. Still, end result is that at the end of the album I hit repeat, gotta hear this strange... Read more
Published on January 18, 2009 by David (design matters) Robbins
4.0 out of 5 stars spacial, powerful, really good
Great atmospherics, some songs are a little "spooky". Really deserves to be listened to with headphones. The depth of the recording is wonderful. Read more
Published on October 13, 2008 by Clay M. Aston
5.0 out of 5 stars Something of new using great old concepts .
This Swiss people really catch me deep and fully with a neo Minimal /Zen/Funk thing that is so fascinating , hypnotic , engaging and in someway also Black tanned . Read more
Published on September 19, 2008 by lingua fabio
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