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Most Helpful Customer Reviews
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Unusually fine performance and disc from HYPERION,
By Paul (Atlanta) - See all my reviews
This review is from: Holst: Choral Symphony; Choral Fantasia (Audio CD)
If you have a very high-end system (hopefully with MARTIN-LOGAN electrostatic speakers), you will experience a very wide and razor sharp detailed soundstage from this disc. The performance and engineering is spectacular. Its obvious that the conductor has an affection for this music as evidenced by the orchestras' impassioned performance. HIGHLY RECOMMENDED A+++++
2 of 4 people found the following review helpful:
3.0 out of 5 stars
Very Uneven Music by Holst,
By Eric S. Kim (Southern California) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Holst: Choral Symphony; Choral Fantasia (Audio CD)
Gustav Holst is pretty much best known for his orchestral suite "The Planets". The "Mars" and "Jupiter" sequences are particularly famous and well-liked respectively. It's a tragedy, however, that his other works are not as well-known. His other orchestral pieces like "Edgon Heath" and "Hammersmith" should be heard by every Holst listener on the planet. His choral music such as "The Hymn of Jesus" and his massive epic "The Cloud Messenger" must not fade into oblivion, because they're beautiful and ethereal works to speak of.
With choral music, you can't go wrong with Holst. This "First Choral Symphony," however, is mostly weak. The composer based the text for this choral piece on poetry based on John Keats. The problem here is that the the text found in "Choral Symphony" are put in random order, meaning that they're all over the place. One sequence uses Keat's "Ode to a Grecian Urn", then in another sequence he uses "Hymn to Apollo", which is a totally unrelated poem. It would've been nice if Holst used a single large poem and have it the main text in "Choral Symphony". The other problem here is the music. It reminded me of "The Cloud Messenger", but only for its mysticism. The harmony and melodies are considered a failure, at least to me. It sounds like Schoenberg having a fistfight with Tchaikovsky: there's an uneven mix of tonal and atonal harmonies throughout the piece. Bartok and other composers did this sort of thing very well, but here Holst didn't seem to have the perfect knowledge to create this sort of thing. But it's all not a total loss: the musicians here make it all worthwhile. The Guildford Choral Society has done an extraordinary job with Holst's complex choral composition. The Royal Philharmonic have plenty of polish and panache that the piece requires. Hilary Davan Wetton does a very good job with keeping up with the score. Also on this CD is "A Choral Fantasia". It's not as good as Richard Hickox's rendition, but it's nice to hear it with more balance betweeen choir and orchestra. I can see why "First Choral Symphony" wasn't successful at the time. In the liner notes, it says that "literary purists were offended by the juxtaposition of unrelated elements from Keats' poems," while music critics "accused Holst of not pouring enough debauchery into the Bacchanale". It's a shame that this piece ruined Holst's career. Nevertheless, we will still have his "Edgon Heath" and "Hmyn of Jesus" and, of course, his "Planets" to cherish. Grade: C-
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