This book is the first comprehensive guide to Holst's orchestral suite The Planets. It considers the music in detail and places the work in its historical context, describing the circumstances of its composition and its meteoric rise to popular acclaim. Starting with Holst's particular interest in astrology, Greene reveals a profound statement of human character and Holst's own psychological journey toward the mystical state. Using parallels in the verbal and visual arts, Greene weaves here a fascinating tale of musical communication.
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Book Description
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Book Description
Starting with Holst's particular interest in astronomy, the first comprehensive guide to his orchestral suite considers the music in detail. It places the work in its historical context, and describes the circumstances of its composition and meteoric rise to popular acclaim.
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First Sentence:
When Gustav Holst came up to London from the West Country in 1893, he entered a world far removed from provincial life. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
musical action, psychological program, tonal function, musical character, center theme, musical figures Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Times, Choral Hymns, Rig Veda, Vaughan Williams, Balfour Gardiner, Beni Mora, Imogen Holst, L'Apprenti Sorcier, The Hymn of Jesus, Egdon Heath, Michael Short, Richard Strauss, Somerset Rhapsody, The Referee, Arts Gazette, Dunton Green, Francis Toye, Manchester Guardian, The Observer, The Sunday Times New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
When Gustav Holst came up to London from the West Country in 1893, he entered a world far removed from provincial life. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
musical action, psychological program, tonal function, musical character, center theme, musical figures Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Times, Choral Hymns, Rig Veda, Vaughan Williams, Balfour Gardiner, Beni Mora, Imogen Holst, L'Apprenti Sorcier, The Hymn of Jesus, Egdon Heath, Michael Short, Richard Strauss, Somerset Rhapsody, The Referee, Arts Gazette, Dunton Green, Francis Toye, Manchester Guardian, The Observer, The Sunday Times New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 27
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18
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- Sixteen Symphonies (Encore Music Editions) by Bernard Shore on 4 pages
- Heirs and Rebels: Letters Written to Each Other and Occasional Writings on Music by Ralph Vaughan Williams in Back Matter (1), Back Matter (2), and Back Matter (3)
- Violin Concerto (Penguin music scores) by Felix Mendelssohn in Front Matter, and page 2
- Ein Heldenleben: Tone Poem for Orchestra, Op. 40 (Dover Miniature Music Scores) by Richard Strauss on page 11, and page 2
- Gustav Holst (Music Book Index) by Edmund Rubbra in Back Matter (1), and Back Matter (2)
See all 27 books this book cites
- Elgar: Enigma Variations (Cambridge Music Handbooks) by Julian Rushton in Front Matter, and Back Matter
- Haydn: The 'Paris' Symphonies (Cambridge Music Handbooks) by Bernard Harrison in Front Matter
- Beethoven: Missa Solemnis (Cambridge Music Handbooks) by William Drabkin in Front Matter
- Bartók: Concerto for Orchestra (Cambridge Music Handbooks) by David Cooper in Front Matter
- Bach: The Brandenburg Concertos (Cambridge Music Handbooks) by Malcolm Boyd in Front Matter
See all 18 books citing this book
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