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Holy Motors [Blu-ray]


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Holy Motors [Blu-ray] + The Master (Blu-ray + DVD + Digital Copy)
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Product Details

  • Actors: Denis Lavant, Kylie Minogue, Eva Mendes, Edith Scob
  • Directors: Leos Carax
  • Format: Multiple Formats, Blu-ray, NTSC, Subtitled, Widescreen
  • Language: French
  • Subtitles: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Indomina
  • DVD Release Date: February 26, 2013
  • Run Time: 115 minutes
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (73 customer reviews)
  • ASIN: B00A4W3AJC
  • Amazon Best Sellers Rank: #50,043 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Over the course of a single day, Monsieur Oscar travels by limousine around Paris to a series of nine appointments, transforming into new characters at each stop. He is a captain of industry, a gypsy beggar, a digitized ninja warrior (and reptilian sex god!), a gibberish-spewing troglodyte, the melancholy father of a teenage daughter, a shadowy assassin, a dying old man, and a thwarted lover reuniting with a past flame.

Customer Reviews

In French with optional English subtitles.
mirasreviews
I suppose that's probably what gives it some kind of appeal...but it left me detached and I like to LIKE my films not "appreciate" them.
playspence
This film has no dialogue to speak of - just a sequence of senseless visuals, a couple mildly interesting, but most really nonsensical.
G. Morton

Most Helpful Customer Reviews

59 of 63 people found the following review helpful By DVD Expert on February 28, 2013
Format: Amazon Instant Video Verified Purchase
I am appalled to discover that Amazon censors movies on VOD. And I thought censorship was dead. Well, it's not. It's alive and flourishing at Amazon!

Knowing little about the scene in question, I initially thought the blur was the director's choice, perhaps to suggest that Mr. Merde had no genitalia. But, now, I understand differently and I am rather disappointed in Amazon and will AVOID RENTING R, NC-17 or unrated titles through their VOD service in future. They may not require membership, but they still charge a fee, so shouldn't their VOD be treated similarly to NetFlix, who I can confirm appears to not be constrained by FCC rules and regulations for TV/cable broadcast?

At any rate, I'm going to be more cautious now when renting streaming movies from Amazon.

UPDATE: I can't hold Amazon completely responsible, anymore, though they should be aware of any censorship in their streaming titles, and I would expect them to refuse titles from companies who censor them. The same censored version of this film has been added to another subscription-required streaming service. I thought they might have the uncensored version, since they require a membership, but they are streaming the same version as Amazon, so it must be the studio's decision to censor the movie for streaming purposes.
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27 of 31 people found the following review helpful By Galina on December 21, 2012
Format: Blu-ray
Enter at your own risk. This movie is quite capable of confusing you and making you angry. It could delight or overwhelm you, win you over or enrage you. It could make you feel like cursing and truly hate all art-house in general, French art-house in particular, and Leon Carax, and his collaborators, specifically.

For me, "Holy Motors" is very interesting, unpredictable, shocking and ever-changing. It is my kind of movie in which the writer/director expresses his admiration for cinema as an art form. I've always felt a deep respect for the filmmakers who use in their original and unpredictable pictures the references, allusions, and direct calls to the other movies and to film creators who inspired them. "Holy Motors" is one of those pictures - about film and film-making.

Our life - is a (movie) theater, and we are actors in the movie that plays in the theater. For me, it is the first thing to keep in mind when you try to make sense of what is actually going on and what "Holy Motors" is about. I see it as a dedication to all movies and the genres. Here they are, the Umbrellas of Cherbourg and deadly struggle of the character and his doppelganger in the gangster movie. There are also the references to beauty and the beast, not Disney's version nor Jean Cocteau's, but shockingly funny monster of Walerian Borowczyk's La Bete (1975) aka The Beast. Still gorgeous Edith Scob (Celine, limo driver and Monsieur Oscar's business partner), puts on a mask in the latest episode of the film - direct reference to the classic horror, Georges Franju's film "Eyes Without a Face" (1959), where she played her most famous role in the film, which defined the whole genre.
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12 of 13 people found the following review helpful By Vic on February 6, 2013
Format: Blu-ray Verified Purchase
Some movies are made for a very specific audience. The kind of audience that yearns for a creation that has never been tried before and when transformed into an audio-visual format, leaves you speechless and spellbound once you have had the luck and the pleasure to view it. That's Holy Motors for you. There are quite a few actors in the movie. And kudos to the director for extracting every bit of acting abilities from each one of them. Be it the lead protagonist or the assistant of the photographer who gets shocked when trying to interrupt him from admiring beauty or even the kid playing his teenaged daughter. No matter how big or small the size of your role or your screen time, everyone did an amazing job - thanks to the director.

It is not very often that you get the opportunity to watch a movie that has almost no relationship to anything you might have seen before on the big screen or has any association with life as it exists (for the most part) and yet is not about special effects or scifi or historical events or futuristic fantasies. That's Holy Motors for you. Every scene is a fantasy of it's own special kind and leaves you thinking - thinking about the purpose and need of the event that you just saw. More often than not, you won't be able to derive any logical reason out of what you saw? But isn't it what we deal with on a day to day basis in our day to day lives - trying to find reasons and logic behind anything and everything that we have to go through (be it the good, the bad or the ugly); go through extreme emotions of happiness and excitement and sadness and dilemma that our lives subject us to? What if we go through emotions that we cannot define?
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17 of 20 people found the following review helpful By K. Gilman on November 26, 2012
Format: Blu-ray
It's not that most people have many expectations when seeing this movie. I was unfamiliar with the Writer/Director Leos Carax, most of the lead actors and the trailer left me puzzled. It's the ability of the movie to continually surprise, confuse and alternately either amuse or frustrate you that is its greatest delight. There is a narrative throughout the film that involves Monsieur Oscar (Denis Levant) being chauffeured in a tacky limousine by a middle-aged, classically French beauty (Edith Scob). He goes from "job" to "job" during the course of one day and becomes different characters, presented in a series of vignettes that are very different, mostly stand-alone stories filmed in different styles and moods. Don't expect to learn much more about Monsieur Oscar. You don't even know if he is really alive or dead and end the end it doesn't matter. He's just a vehicle (metaphor?) to tell the different stories. Some you will like more than others. My friends I spoke to about this film didn't agree on which ones they liked. They cover a pretty vast range of emotions in the human experience. It's whatever strikes a chord with you. The stories themselves can be enjoyed at face value but there is plenty of symbolism to give those who enjoy interpreting such things fodder for many a dinner party. I haven't read any official reviews of this film but I did see a quote from Leos Carax that the film is (paraphrasing) "not about the cinema... who would go see a movie about that"? Well, for me that's confirmation that on one level that the film is indeed about cinema itself and how audiences expectations have changed. In this sense, this is a movie for movie buffs which is probably why it has won so many awards. That's just one of many themes running through it.Read more ›
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