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Special Features
Original theatrical trailer
Deleted Scenes with commentary by Alejandro Jodorowsky
"The Tarot" with commentary by Alejandro Jodorosky
Holy Mountain restoration processs
Feature commentary by Alejandro Jodorosky
Deleted Scenes with commentary by Alejandro Jodorowsky
"The Tarot" with commentary by Alejandro Jodorosky
Holy Mountain restoration processs
Feature commentary by Alejandro Jodorosky
Editorial Reviews
Amazon.com
Alejandro Jodorowsky stars as The Alchemist in Holy Mountain--apt self-casting in this psychedelic masterpiece about Jesus searching for enlightenment. Fusing together many of his previously investigated themes, Holy Mountain catalogues a religious icon's surreal journey through magical realms that both mirror reality and verge on the psychotic Financed entirely by John Lennon and Yoko Ono, Holy Mountain is a more associative, more abstract, and better version of El Topo, which also features a protagonist searching for his soul. In Holy Mountain, Jesus encounters seven magicians who represent each planet, who then converge under the tutelage of The Alchemist to prepare for their life-threatening climb up a sacred hill. Completely original in its blend of Mexican magical surrealism and peace-inducing, humorous commentary on Latin American colonialism and the idiocy of war, Holy Mountain is one of the most outlandish examples of avant-garde filmmaking. Wonderfully colorful sets, zany characters in costumes straight out of the subconscious, and an inspired soundtrack, reinforce this absurdist statement about death and rebirth. Though Jodorowsky purportedly deprived himself of sleep to study Zen as research for the film, this is no flowery hippie movie. Carcasses, skinned animals, and even a scene showing frogs and toads dressed as Aztecs and Conquistators who fight until the bloody death, will make a viewer's skin crawl. After being mesmerized by such a powerful vision, the ending, in which Jodorowsky reminds us that "reality awaits," is the most bizarre part. --Trinie Dalton
Product Description
The scandal of the 1973 Cannes Film Festival, writer/director Alejandro Jodorowsky's flood of sacrilegious imagery and existential symbolism is a spiritual quest for enlightenment pitting illusion against truth. The Alchemist (Jodorowsky) assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept's intention is to put his recruits through strange mystical rites and divest them of their wordly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.
Customer Reviews
Most Helpful Customer Reviews
40 of 43 people found the following review helpful
By nonlinearize
Format:DVD
In a culture desensitized by violent brutality and computer-generated wizardry, it may be enough to say that I watched The Holy Mountain, which contains neither, with my mouth hanging open the entire time. I still can't quite believe that such a film was ever made, though I've long sensed that such a film should be. While not overtly violent, The Holy Mountain is punctuated by graphic, shocking and heretical images, but these only form one aspect of its jaw-dropping resonance. Jodorowsky's film is original, audacious, visually and thematically inspired. It's also kind of funny.
In essence the film is a series of literalized metaphors about the archetypal spiritual journey to experience reality beyond illusion, a quest motivated by a desire to transcend the absurd horrors of civilization: war, greed, corruption, self-obsession and the politics of power. As such the characters and events themselves are largely symbolic. Unlike a lot of avant-garde films, Holy Mountain's narrative is structured and surprisingly linear, though it flowers like a rambling, slightly disjointed dream.
Jodorowsky's spiritual path is an unflinching synthesis of the basic conceptual and aesthetic elements of many mystical traditions, including Zen's formal simplicity, Kabbalic and Hindu ritual, Alchemical processes, Shamanic trials, master/student dynamics and the mythology of the Holy Mountain itself, all of which are gracefully blended into the artful and psychedelic texture of the film.
Despite the clichéd "ancient wisdom" aspect of some moments, The Holy Mountain achieves what is a fairly fresh and ultimately tongue-in-cheek attempt to enlighten the audience. Sometimes the pacing and editing of the film feel a little dated, but this usually adds to the film's unique style rather than diminish it. The Holy Mountain is an ambitious film, provocative in its boldness and charming in its outlandishness, and traveling with these seekers will undoubtedly color our own journeys, both inner and outer...
In essence the film is a series of literalized metaphors about the archetypal spiritual journey to experience reality beyond illusion, a quest motivated by a desire to transcend the absurd horrors of civilization: war, greed, corruption, self-obsession and the politics of power. As such the characters and events themselves are largely symbolic. Unlike a lot of avant-garde films, Holy Mountain's narrative is structured and surprisingly linear, though it flowers like a rambling, slightly disjointed dream.
Jodorowsky's spiritual path is an unflinching synthesis of the basic conceptual and aesthetic elements of many mystical traditions, including Zen's formal simplicity, Kabbalic and Hindu ritual, Alchemical processes, Shamanic trials, master/student dynamics and the mythology of the Holy Mountain itself, all of which are gracefully blended into the artful and psychedelic texture of the film.
Despite the clichéd "ancient wisdom" aspect of some moments, The Holy Mountain achieves what is a fairly fresh and ultimately tongue-in-cheek attempt to enlighten the audience. Sometimes the pacing and editing of the film feel a little dated, but this usually adds to the film's unique style rather than diminish it. The Holy Mountain is an ambitious film, provocative in its boldness and charming in its outlandishness, and traveling with these seekers will undoubtedly color our own journeys, both inner and outer...
24 of 25 people found the following review helpful
Format:DVD|Amazon Verified Purchase
I bought this film for what has to be the lamest of reasons. I heard that John and Yoko considered it one of their favorite films. So, I figured i'd like the movie. I started the DVD, and about 20 minutes in, when the Jesus like character takes a dump inside a glass jar, which is then baked, and the fumes moved into this 8 foot large decanteur, in which the Jesus like character was enclosed, I stopped the film. Later, I started the film again, but stopped it at the anus washing scene. When this old man pulls out his glass eye, and puts it into the hand of a 7 year old child prostitute, I had to turn away, but I didnt turn it off. Hey, at least the film was making me REACT. I finally got thru the film, and thought, "This is the more weirdest film ever made." I had no idea if I had been conned, or if I had missed the point. I watched it again, after watching some of the bonus materials. (mostly about the director's daliance with Zen Dharma, and the Tarot.) Then the symbolism became clearer. I've read alchemical books, and know the Hermetic roots of the Tarot. I've explored psychedelic psychopharmacology, and various forms of gramacy. So, I could tell what Jodorowsky was presenting was serious, not a put on. This is not to say, that I was able to watch the scatological portions of the film, or the parts that caused me repulsive, subconscous fear. The third time I saw the film (ie, the third or fourth day I had it), I listened to the director's commentary. I can respect that some art, is more demanding than other art, and this film IS demanding. Thankfully, Jodorowsky deconstructes the film, explains its symbolism, its backround, and his own esthetic philosophy. So it took work on my part, to discover I was watching a profound masterpiece of cinematic art.
The commentary made clear the structure and meaning of the film. The film is NOT so conceptually avant guarde, as to be incomprehensible. It simply helps to know what the director's INTENT is. Even without that knowledge, the film is enjoyable. You dont need to have studied the TAROT for years, or know Alchemy, ceremonial magic, or Zen buddhism. Like most 20th century art, the director lives in a world that has become globalized, not just economically, but culturally, religiously, and personally. Knowing these ideas, the "plot" of the film can be explained a bit more easily. Dont worry, I couldnt give a spoiler for the plot here, if I tried. That's cos the film isnt about plot, its about artistic freedom and enlightenment.
One of the "themes" of the film, is the way religion keeps people from being spiritually enlightened. We see the Catholic church, Buddhism, and Judaism take several knock out punches, with startling, provocative imagery, which the Catholic Church considered blasphemous at the time of production. As the main character of the thief, who is a JESUS double, begins on the spiritual path, the MASTER (Jodorowsky himself) appears, and asks him, "Do you want gold?" Of course, the pseudo Jesus says yes, so that alchemical decanting takes place, where feces are magically metamorphizied into Gold. Then, the master invites the pseudo Jesus figure, to tread the path of enlightenment, with the other 9 initiate candidates, each of whom represents a different planet. Mercury is a nude black woman with symbols from the kabala tatooed on her. After that, we are taken into a large spinning room, where the plastic sculptures of each 9 initiates are shown and explained to the Theif. Each initiate represents the negative parts of that planet. The actors, and non-actors, who play these roles, went thru all kinds of strange preparations to portray their roles, including seclusion for months, while given large doses of psychedelic drugs, and forced to meditate for hours on end. (This isnt shown, but you can TELL this film is in the stratosphere somewhere...jupiter's stratosphere, not the earth's stratosphere, ok?) After the 9 initiates transcend their egos, they burn their sculptural representations, and that ends the first part of the film.
After the first section, the director cuts all the actors hair off, women and men both. Then, they try to climb up this snow capped holy mountain, in order to take over from these immortals who live on top of it for 40,000 years. They are given many chances to be lost to desire and delusion, but they all keep going. The initiates follow Jodorowsky, the master, up the mountain. Unlike the surreal, bizarre first part of the film, where imagery like toads and lizards dressed up like aztec priests and Spanish conquestitors are commonplace, the last part of the film is closer to documentary. After much dangerous struggle, the 9 archtypical initiates make it to their goal, only to discover its all been a big put on. So, the ending of the film is disappointing for some. But does that mean the film doesnt work? This film only works, if we make it work. In every way imaginable, the dense, psychedelic, humorous imagery, in tandem with the obvious sincerity of the director to make a film to enlighten his viewers, opens the viewers to almost every possible reaction a human can have to artwork. You'll be appalled, humored, nauseated, freaked out, angry, offended, disgusted, sexually aroused, and who knows what else. This is NOT family viewing, even if youre a member of the Addams family. (Manson family tho, perhaps.) So, who likes this type of film? Normally, I'd say if you liked ERAISERHEAD, or CLOCKWORK ORANGE, or VIDEODROME, you'd like this film. But really, this movie is a huge step beyond those films, in weirdness, flipped out philosophy, and offensiveness. If you are a good Catholic, you might want to avoid this DVD. If you have a squeamish stomach, avoid. The final word is this. If you could embrace art like Maplethorpe's homoerotic photography, or Fassbinder's strangest films, or music like Yoko Ono's 1970 solo album, or books like NAKED LUNCH, then I'd say you could watch the film without blinders on. If you have some exposure to Zen, Kabala, or the TAROT, all the better. Again, if religions outside our your own seem like satanism, avoid this film. If you hate Don Cherry's far out free jazz (since he helped to write the soundtrack) by all means, avoid the film. I've often heard it said, that when we are ready for the master, he appears. Likewise, I think we have to be ready for some works of art, before the esthetic objective of the artist will appear to us. If we are not "ready" for the artwork, we will just be offended, and of course, blame it on the artist, and not our own limitations. This is not fair, not to anyone. Its certainly not fair to artists in any society that claims freedom of expression. But if you want to stretch your imagination, and dont mind the iconoclastic intention of the director/writer, why not buy the film, and see what you think? Maybe you'll smash a few of your own symbols, and see things in a new way. No doubt that was what Jodorowsky wanted from his audience. Believe me, you dont need to be a psychedelic mind jockey to understand this film, anymore than you do to understand the Beatle's SGT PEPPER. The film, like all artwork, is a product of its time. But masterpieces transcend their time of creation, to become eternal symbols of mankind's quest for beauty and truth. 35 years after its premiere, HOLY MOUNTAIN remains a challenging masterpiece of world cinema.
The commentary made clear the structure and meaning of the film. The film is NOT so conceptually avant guarde, as to be incomprehensible. It simply helps to know what the director's INTENT is. Even without that knowledge, the film is enjoyable. You dont need to have studied the TAROT for years, or know Alchemy, ceremonial magic, or Zen buddhism. Like most 20th century art, the director lives in a world that has become globalized, not just economically, but culturally, religiously, and personally. Knowing these ideas, the "plot" of the film can be explained a bit more easily. Dont worry, I couldnt give a spoiler for the plot here, if I tried. That's cos the film isnt about plot, its about artistic freedom and enlightenment.
One of the "themes" of the film, is the way religion keeps people from being spiritually enlightened. We see the Catholic church, Buddhism, and Judaism take several knock out punches, with startling, provocative imagery, which the Catholic Church considered blasphemous at the time of production. As the main character of the thief, who is a JESUS double, begins on the spiritual path, the MASTER (Jodorowsky himself) appears, and asks him, "Do you want gold?" Of course, the pseudo Jesus says yes, so that alchemical decanting takes place, where feces are magically metamorphizied into Gold. Then, the master invites the pseudo Jesus figure, to tread the path of enlightenment, with the other 9 initiate candidates, each of whom represents a different planet. Mercury is a nude black woman with symbols from the kabala tatooed on her. After that, we are taken into a large spinning room, where the plastic sculptures of each 9 initiates are shown and explained to the Theif. Each initiate represents the negative parts of that planet. The actors, and non-actors, who play these roles, went thru all kinds of strange preparations to portray their roles, including seclusion for months, while given large doses of psychedelic drugs, and forced to meditate for hours on end. (This isnt shown, but you can TELL this film is in the stratosphere somewhere...jupiter's stratosphere, not the earth's stratosphere, ok?) After the 9 initiates transcend their egos, they burn their sculptural representations, and that ends the first part of the film.
After the first section, the director cuts all the actors hair off, women and men both. Then, they try to climb up this snow capped holy mountain, in order to take over from these immortals who live on top of it for 40,000 years. They are given many chances to be lost to desire and delusion, but they all keep going. The initiates follow Jodorowsky, the master, up the mountain. Unlike the surreal, bizarre first part of the film, where imagery like toads and lizards dressed up like aztec priests and Spanish conquestitors are commonplace, the last part of the film is closer to documentary. After much dangerous struggle, the 9 archtypical initiates make it to their goal, only to discover its all been a big put on. So, the ending of the film is disappointing for some. But does that mean the film doesnt work? This film only works, if we make it work. In every way imaginable, the dense, psychedelic, humorous imagery, in tandem with the obvious sincerity of the director to make a film to enlighten his viewers, opens the viewers to almost every possible reaction a human can have to artwork. You'll be appalled, humored, nauseated, freaked out, angry, offended, disgusted, sexually aroused, and who knows what else. This is NOT family viewing, even if youre a member of the Addams family. (Manson family tho, perhaps.) So, who likes this type of film? Normally, I'd say if you liked ERAISERHEAD, or CLOCKWORK ORANGE, or VIDEODROME, you'd like this film. But really, this movie is a huge step beyond those films, in weirdness, flipped out philosophy, and offensiveness. If you are a good Catholic, you might want to avoid this DVD. If you have a squeamish stomach, avoid. The final word is this. If you could embrace art like Maplethorpe's homoerotic photography, or Fassbinder's strangest films, or music like Yoko Ono's 1970 solo album, or books like NAKED LUNCH, then I'd say you could watch the film without blinders on. If you have some exposure to Zen, Kabala, or the TAROT, all the better. Again, if religions outside our your own seem like satanism, avoid this film. If you hate Don Cherry's far out free jazz (since he helped to write the soundtrack) by all means, avoid the film. I've often heard it said, that when we are ready for the master, he appears. Likewise, I think we have to be ready for some works of art, before the esthetic objective of the artist will appear to us. If we are not "ready" for the artwork, we will just be offended, and of course, blame it on the artist, and not our own limitations. This is not fair, not to anyone. Its certainly not fair to artists in any society that claims freedom of expression. But if you want to stretch your imagination, and dont mind the iconoclastic intention of the director/writer, why not buy the film, and see what you think? Maybe you'll smash a few of your own symbols, and see things in a new way. No doubt that was what Jodorowsky wanted from his audience. Believe me, you dont need to be a psychedelic mind jockey to understand this film, anymore than you do to understand the Beatle's SGT PEPPER. The film, like all artwork, is a product of its time. But masterpieces transcend their time of creation, to become eternal symbols of mankind's quest for beauty and truth. 35 years after its premiere, HOLY MOUNTAIN remains a challenging masterpiece of world cinema.
29 of 33 people found the following review helpful
Format:DVD
|
Length:
0:52
Mins
Most Recent Customer Reviews
2.0 out of 5 stars
I didn't live in the 70s
This movie is VERY strange.
If you want to eat a bunch of mushrooms and watch it, it would probably be more enjoyable. Read more
If you want to eat a bunch of mushrooms and watch it, it would probably be more enjoyable. Read more
Published 27 days ago by Lexy
4.0 out of 5 stars
Fun & Strange but not El Topo
I love Jorodowsky. That probably says more about me than I should share. This was pretty good but did not quite measure up to El Topo
Published 1 month ago by Lapis
5.0 out of 5 stars
Enjoyed!
For my son who had seen this movie before and wanted to have it for his video library. No problems, quick shipping. Would use this seller again, thanks!
Published 3 months ago by Sue Eller
5.0 out of 5 stars
Quality
The quality of the video transfer is amazing. looks better than ever on Blu-Ray. I highly recommend the other films by this writer/director. Like Santa Sange or El Topo.
Published 3 months ago by Josh
3.0 out of 5 stars
Why the different rating?
I first encountered this film on laserdisc in a Japanese print which "fuzzed out" sexual body parts. The film, however, was rated "Not
Rated. Read more
Rated. Read more
Published 3 months ago by Andrew Hill
5.0 out of 5 stars
This is a Classic
Aside from being beautiful, enigmatic and instructive, this movie is the source of many elements that you will see in other films. Read more
Published 5 months ago by Mother Mac
5.0 out of 5 stars
Love this movie.
This movie is really far out there, you need an open mind to appreciate the art side of the movie. With that being said, I have an open mind... Read more
Published 5 months ago by The Big Dave
1.0 out of 5 stars
Genius, or pretentious twaddle? The latter, I fear.
Breaking the rating down by components:
Overall--1 out of 5.
Visual imagination--3 out of 10 (striking, but derivative)
Narrative and intellectual coherence--0... Read more
Overall--1 out of 5.
Visual imagination--3 out of 10 (striking, but derivative)
Narrative and intellectual coherence--0... Read more
Published 6 months ago by William A. Smith
5.0 out of 5 stars
Not so much a film, but an intelligent, emotional and spiritual...
Its very difficult to put into mere words a full on explanation of Jodorowsky's 'Holy Mountain'. It is without a doubt exceptional and is filled to the brim with visual motifs... Read more
Published 7 months ago by Robert Torres
5.0 out of 5 stars
The Best of Ever
Holy chongus,
This movie is unparalleled. If you are into psychedelic experiences, then this is a must see. Read more
This movie is unparalleled. If you are into psychedelic experiences, then this is a must see. Read more
Published 7 months ago by Douglas Kaplan
