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Home and Exile (The W.E.B. Du Bois Institute Series) [Hardcover]

Chinua Achebe (Author)
4.8 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

0195135067 978-0195135060 July 27, 2000 1
Chinua Achebe is Africa's most prominent writer, the author of Things Fall Apart, the best known--and best selling--novel ever to come out of Africa. His fiction and poetry burn with a passionate commitment to political justice, bringing to life not only Africa's troubled encounters with Europe but also the dark side of contemporary African political life. Now, in Home and Exile, Achebe reveals the man behind his powerful work.
Here is an extended exploration of the European impact on African culture, viewed through the most vivid experience available to the author--his own life. It is an extended snapshot of a major writer's childhood, illuminating his roots as an artist. Achebe discusses his English education and the relationship between colonial writers and the European literary tradition. He argues that if colonial writers try to imitate and, indeed, go one better than the Empire, they run the danger of undervaluing their homeland and their own people. Achebe contends that to redress the inequities of global oppression, writers must focus on where they come from, insisting that their value systems are as legitimate as any other. Stories are a real source of power in the world, he concludes, and to imitate the literature of another culture is to give that power away.
Home and Exile is a moving account of an exceptional life. Achebe reveals the inner workings of the human conscience through the predicament of Africa and his own intellectual life. It is a story of the triumph of mind, told in the words of one of this century's most gifted writers.

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Editorial Reviews

Amazon.com Review

Based on three lectures distinguished Nigerian novelist Chinua Achebe gave at Harvard University in 1998, this short but trenchant work does not pretend to be a full-fledged autobiography. Instead, Achebe makes forceful use of his personal experiences to examine the political nature of culture. Born in 1930, the son of a Christian convert, young Achebe received a privileged colonial education and "was entranced by the far-away and long-ago worlds of the stories [in English books like Treasure Island and Ivanhoe], so different from the stories of my home and childhood." Yet he and fellow university students indignantly rejected Anglo-Irishman Joyce Cary's highly praised novel Mister Johnson, which bore no resemblance to their knowledge of Nigerian life. This encounter "call[ed] into question my childhood assumption of the innocence of stories," Achebe comments, using scathing assessments of white Kenyan writer Elspeth Huxley and Indian/Caribbean expatriate V.S. Naipaul to remind us that all literature reflects its creators' beliefs and prejudices. Achebe is not an enemy of Western culture; he merely asserts Africans' right to their own perspective and their own art, as exemplified in works like his groundbreaking 1958 novel, Things Fall Apart. Though blunt, his argument is tempered by humor and a passionate belief in "the curative power of stories." --Wendy Smith

From Publishers Weekly

Though it is labeled autobiographical by the publisher, this small book, which originated as three lectures given at Harvard University in December 1998, barely covers the rudiments of Achebe's long and productive life (he is now 70). But the great Nigerian novelist and poet, a master of compression, needs little more than 100 pages to tell the dramatic story of the emergence of a native African literature; in the 1950s, students at English-dominated universities started speaking out against the long European tradition of depicting Africans as "a people of beastly living, without a God, laws, religion," which dates back to Captain John Lok's voyage to West Africa in 1561. "Until the lions produce their own historian," says Achebe, quoting an African proverb of uncertain provenance, "the story of the hunt will glorify only the hunter." With characteristic ease and economy, he traces the long African tradition of asserting the worth of the individual, born of Igbo myths that described each community as created separately with its own original ancestor. This notion of individuality, which made the Africans vulnerable to the Atlantic slave traders and to colonial occupation, is the same quality that defined the native African fiction and poetry that emerged in the 1950s, at the time of independence for many African nations. This slim volumeDtold in Achebe's subtle, witty and gracious styleDis one of those small gems of literary and historical analysis that readers will treasure and reread over the years. (June)
Copyright 2000 Reed Business Information, Inc.

Product Details

  • Hardcover: 128 pages
  • Publisher: Oxford University Press, USA; 1 edition (July 27, 2000)
  • Language: English
  • ISBN-10: 0195135067
  • ISBN-13: 978-0195135060
  • Product Dimensions: 8 x 5 x 0.7 inches
  • Shipping Weight: 8.6 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,168,532 in Books (See Top 100 in Books)

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Customer Reviews

5 Reviews
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Average Customer Review
4.8 out of 5 stars (5 customer reviews)
 
 
 
 
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20 of 22 people found the following review helpful:
5.0 out of 5 stars Long Live our blessed Statesman and elder, October 31, 2001
This review is from: Home and Exile (Paperback)
Long live the proud son of Africa and our respected statesman.
Achebe the honest and truthful dispenser of both sides of the story. Colonial griots (to borrow Achebe's words) such as Elspeth Huxley and other apologists have for too long been left alone to justify the dispossession of precious lands and cultures. Until the proud son of Africa made them eat their own words and exposed them for what they are. Dishonest griots deftly laying the groundwork for self-enrichment at the expense of peace loving and decent Human Beings.
Chinua Achebe as exemplified by his few but precious books writes not to make money but only when he must say something useful. Unlike modern day "authors" who are more about money than substance. I have no doubt Achebe can write profound and moving accounts of African and world issues at the rate of one book a day but he chose only to spend his time teaching.
It is obvious why the Nobel Prize went to Wole Soyinka instead of Chinua Achebe. Achebe refuses to write for a "foreign" audience and does not take his marching orders from anybody. He is his own man. Africans and honest people all over the world have in their own ways given Achebe the best prize in the world.
Continuous interest in his worthwhile classics such as Things Fall Apart,The Man of the People,No longer at Ease,Anthills of the Savannah, Morning Yet on Creation Day,Hopes and Impediments and many others.

Home and Exile may be a small book but has enough three pence (from Achebes "somebody knock me down and have three pence!") to liberate nations and individuals from the grip and stench of colonial and racist apologia masquerading as literature.

Long live Achebe, proud son of Africa and citizen of the world.
To know Achebe (by reading his books) is to know how to be an unassuming and proud Human Being who quitely and calmly states his truth for the benefit of us all.

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7 of 7 people found the following review helpful:
4.0 out of 5 stars If you like Achebe, or care about indigenous literature, October 5, 2004
By 
A. Snyder (Brooklyn, NY U$A) - See all my reviews
(REAL NAME)   
This review is from: Home and Exile (Paperback)
Since the book is already well-summarized above, I'll just give my own reaction.

I've read a number of Achebe's novels and one essay (the excellent critique of Heart of Darkness) and really enjoyed the "backstage" feeling of hearing the author's first person voice - an insightful and kindly voice. For me, the effect of Achebe's strong positions is heightened by the dignified presentation, and of course by the poignant and funny stories from his own life that he uses to illustrate those positions. As compared to one of my other favorite authors, James Baldwin, Achebe's writing includes less calls to action, and more explanation. For instance, even in his sharp critique of Vidiadhar Naipaul's novels, Achebe's first priority is to shine light on the processes that led to Naipul's failures of vision. I think people who have read Achebe's fiction or essays and liked it, or generally care about literature from an indigenous or "Third World" perspective will really enjoy this short text. Definitely worth the cost, and may be available from the library.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars Insightful ramblings from the ascetic, Achebe, August 19, 2000
By A Customer
This review is from: Home and Exile (The W.E.B. Du Bois Institute Series) (Hardcover)
The physical brevity of Achebe's "autobiography" truly belies the intrisic wisdom he so effortlessly spews upon his listeners. Mr. Achebe sets out to deconstruct the manifold, post-colonial ills (endemic to the dispossessed of African diasopora) with the assistance of historical literature, creation fables, and his own personal memories. Indeed, a thought provoking manifesto for any fan of the great Achebe; one which will aid the reader to pursue further literature with a new sense of enlightenment.
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Inside This Book (learn more)
First Sentence:
One of the earliest memories I can summon from the realm of childhood was a home coming that was extraordinary even for such recollections. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
universal civilization
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Joyce Cary, West Africa, Alan Hill, Dylan Thomas, Jomo Kenyatta, The Palm-Wine Drinkard, Amos Tutuola, British Empire, Elspeth Huxley, Lord Delamere, East Africa
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