The Home Recordings

Elvis Presley | Format: Audio CD

Product Details

• Audio CD (March 9, 1999)
• Original Release Date: March 9, 1999
• Number of Discs: 1
• Label: Bmg / Elvis
• ASIN: B00000I71J
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 3.1 out of 5 stars  See all reviews (20 customer reviews)
• Amazon Best Sellers Rank: #168,252 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

9 of 11 people found the following review helpful:

4.0 out of 5 stars IT IS WHAT IT IS, GET IT?, December 9, 2001

By 

D. McClure "Magnum Opus" (Wilmington, DE United States) - See all my reviews
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This review is from: The Home Recordings (Audio CD)

Reading through some of these reviews is enough to put anyone with common sense through hell. These were not recorded in the 70's. They were not recorded in "The Jungle Room". The sound quality is not horrible, listen for yourselves as Amazon.com gives you the ability to hear samples. Is the sound as good as a studio recording? Surprise surprise! No! I like to listen to this cd and just imagine being in the moment with Elvis. There he is with his friends or sometimes alone playing his favorite songs just for the fun of it. For those of us who love Elvis, we want to hear everything he sang so don't speak for us when you snidely say this should have never been released. The cd is called "Home Recordings" so don't be shocked when you get HOME RECORDINGS! For you Elvis fans I must say this - you will be getting what you've always heard about, Elvis sitting at the piano with his friends gathered around singing songs. I know I certainly always wanted to hear that, and I know many other Elvis fans would love to hear it. "What Now My Love" is beautiful, as are many in this cd. How can you review a cd named "Home Recordings" when all you do is criticize the whole concept of home recording?

4 of 4 people found the following review helpful:

5.0 out of 5 stars A Rare Insight, February 21, 2000

By 

Brandon Peacy (Waukegan, Illinois) - See all my reviews

This review is from: The Home Recordings (Audio CD)

This release should be listened to not for its sound quality, but for its historical significance. This is a must-have for anyone who is curious as to how Elvis approached songs; deciding which ones worked for him and which ones didn't. This is an extremely rare insight into the mind of the most successful entertainer of the 20th century, as well as a grand testament to the raw beauty of Elvis' voice.This release is highly recommended.

6 of 7 people found the following review helpful:

3.0 out of 5 stars For Diehards Only - But There Are Plenty of Us, April 28, 2005

By 

Richard B. Luhrs (Jackson Heights, NY United States) - See all my reviews
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This review is from: The Home Recordings (Audio CD)

Obviously, no one is going to start an Elvis collection with a disc of informal, at-home recordings unrelated to any of the King's studio sessions or tour rehearsals. This is a package designed and released for the sake of hardcore fans only, a curio for the curious. As such, it is necessarily far from perfect, but the target audience here has no interest in perfection; they - we - just want some more Elvis.
Some of the points raised in previous reviews, which critique THE HOME RECORDINGS as if it were a proper Elvis studio release, should be addressed. The sound quality here is not awful, nor even poor - indeed, given the source material, it's pretty darn good. Yes, the King is challenged and at times even drowned out by the voices of his accompanists, crying babies, background chatter and so forth; but that's only to be expected if not necessarily appreciated. Few of the performances really work as songs, but those that do - the lovely and haunting "Dark Moon," "It's No Fun Being Lonely," "What Now My Love," "Tumbling Tumbleweeds" and the hilariously mutilated "Tennessee Waltz" among them - are sure to please Elvis fans and casual listeners alike.
From the standpoint of historical interest, these recordings offer at least a glimpse of the sort of music Elvis and friends made by and for themselves, which again is unlikely to impress anyone but the avowed enthusiast. Several of these songs later turned up on Elvis albums and/or in his onstage repertoire in radically different (and better) form, and it's amusing to hear them gone through in this embryonic, off-the-cuff manner. Perhaps the most interesting aspect of THE HOME RECORDINGS, however, is the fact that most of the tapes date from 1966, at which point Elvis had been reduced to a sort of singing Dean Jones through years of cranking out schlock Hollywood comedies and their accompanying schlock Hollywood soundtracks. With that in mind, one hears in these spontaneous performances not so much technical imperfection and excessive looseness as a reassuring statement of the King's continued commitment to his craft even at the very nadir of his career.