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Homebody [Hardcover]

Orson Scott Card (Author)
3.3 out of 5 stars  See all reviews (58 customer reviews)


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Book Description

March 4, 1998
From a beloved and bestselling master of speculative fiction comes this chilling tale of a soulful loner who must overcome demons from his past -- and the demons he unwittingly unleashes -- when he starts renovating a faded Southern mansion. As Homebody eloquently proves, no contemporary writer outshines Orson Scott Card in crafting unlikely heroes or in suffusing the everyday world with an otherworldly glow.

Don Lark's cheery name belies his tragic past. When his alcoholic ex-wife killed their daughter in a car wreck, he retreated from the sort of settled, sociable lifestyle one takes for granted. Only the prospect of putting a roof over other people's heads seems to comfort Lark, and he goes from town to town, looking for dilapidated houses he can buy, restore and resell at a profit. In Greensboro, North Carolina, Lark finds his biggest challenge yet -- a huge, sturdy, gorgeous shell that's suffered almost a century of abuse at the hands of greedy landlords and transient tenants. As he sinks his teeth into this new project, Lark's new neighborhood starts to work its charms on him. He strikes up a romance with the wry real estate agent who sold him the house. His neighbors, two charming, chatty old ladies, ply him endlessly with delicious Southern cooking. Even Sylvie, the squatter Lark was once desperate to evict from the old house, is now growing on him.

But when Lark unearths an old tunnel in the cellar, the house's enchantments start to turn ominous. Sylvie turns cantankerous, even dangerous. There's still a steady supply of food from next door, but it now comes laced with increasingly passionate pleas for Lark to vacate the house at once. In short, everybody seems to want to get rid of him. Whether this is for his own good or theirs, Lark digs in his heels for reasons even he's not sure of. He embarks on a struggle for his life -- and his friends'-- against a house with a past even more tragic than his own. If Lark wins, he gets the kind of home and community he's always dreamed of. If he loses, all is lost....


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Editorial Reviews

Amazon.com Review

This romantic ghost story relies on a familiar horror backbone: a stranger with a tragic past moves into an old house that also has a tragic past, and is forced to reckon with the supernatural forces that dwell there. In Homebody, the stranger is an itinerant architect-builder who makes a lonely living by purchasing fixer-uppers, renovating them, and selling them. The house he buys in Greensboro, North Carolina, (where Orson Scott Card lives, in real life) has three mysteries attached to it: a tunnel in the basement, an attractive female squatter who refuses to leave, and a trio of weird doomsayers who live next door.

Card has a clear, well-honed writing style, full of human warmth--a style that is especially effective in the development of the central character, and in details of tools and techniques for renovating an old house. His approach to murder, danger, and threatening forces is so free of closeness or oppression that one might call it "anti-gothic." In an interview, he said, "I am completely uninterested in exploring evil. Evil (and weak and wicked) people are all evil (or weak, or wicked) in the same boring ways. But good people are infinitely interesting in the ways they manage to be good despite all the awful circumstances of their lives."

Homebody is a pleasant tale about the triumph of love over evil, with a couple of bizarre twists to give it spice. (Hint: don't read the Kirkus Review if you want to keep the plot a surprise.) --Fiona Webster

From Publishers Weekly

Like its haunted-house centerpiece, Card's third dark fantasy novel (after The Lost Boys and Treasure Box) has great potential that shines through its superfluous detail. The Bellamy mansion is a venerable Victorian pile that has seen better days when it catches the eye of Don Lark, a widower who "turns his loneliness and grief into the restoration of beautiful old houses." Don's labors to restore the mansion to its former grandeur introduce him to a succession of women receptive to his emotional needs, including an amorous real estate agent, three dotty elderly neighbors who urge him to demolish the place and Sylvie Delaney, a squatter who has lived in the house secretly for a decade. All have been drawn to the mansion and its legacy of corrupted splendor through the shame of their private lives?and one turns out to be ghost whose past troubles are a touchstone for analogies between Don's home improvements and the need to rebuild dignity and character. Card's imaginative use of the haunted-house theme to explore the haunting power of guilt and remorse is deflated by facile observations on the theological significance of human suffering. All of his characters are sensitive studies of the crippling effects of emotional trauma, but several serve no purpose other than to speed the sometimes sluggish plot along with timely advice and miraculous feats of magic. These shortcomings aside, the novel is a powerful tale of healing and redemption that skillfully balances supernatural horrors with spiritual uplift. Film rights to Fresco Pictures.
Copyright 1998 Reed Business Information, Inc.

Product Details

  • Hardcover: 304 pages
  • Publisher: Harper; 1st edition (March 4, 1998)
  • Language: English
  • ISBN-10: 0060176555
  • ISBN-13: 978-0060176556
  • Product Dimensions: 9.2 x 6.1 x 1.3 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (58 customer reviews)
  • Amazon Best Sellers Rank: #1,332,735 in Books (See Top 100 in Books)

More About the Author

Orson Scott Card is the bestselling author best known for the classic Ender's Game, Ender's Shadow and other novels in the Ender universe. Most recently, he was awarded the 2008 Margaret A. Edwards Award for lifetime achievement in Young Adult literature, from the American Library Association. Card has written sixty-one books, assorted plays, comics, and essays and newspaper columns. His work has won multiple awards, including back-to-back wins of the Hugo and the Nebula Awards-the only author to have done so in consecutive years. His titles have also landed on 'best of' lists and been adopted by cities, universities and libraries for reading programs. The Ender novels have inspired a Marvel Comics series, a forthcoming video game from Chair Entertainment, and pre-production on a film version. A highly anticipated The Authorized Ender Companion, written by Jake Black, is also forthcoming.Card offers writing workshops from time to time and occasionally teaches writing and literature at universities.Orson Scott Card currently lives with his family in Greensboro, NC.

 

Customer Reviews

58 Reviews
5 star:
 (11)
4 star:
 (16)
3 star:
 (17)
2 star:
 (9)
1 star:
 (5)
 
 
 
 
 
Average Customer Review
3.3 out of 5 stars (58 customer reviews)
 
 
 
 
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11 of 12 people found the following review helpful:
4.0 out of 5 stars Supernatural suspense not horror, February 6, 2005
If you like stories with a scary supernatural element, but are uncomfortable with satanic evil material, this is a book you can enjoy. I liked this book; it is kind of scary without making you feel dirty. Not as much of a thinker as many of his books, but maybe more than most horror stories. Not more or less predictable than most horror. Good book, not his best, but worth a read.
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37 of 47 people found the following review helpful:
2.0 out of 5 stars The "Wrong" Orson Scott Card, March 4, 2001
By 
This book was written by the Orson Scott Card who wrote Saints, not the one who wrote the Ender Wiggins series or the one who introduced us to the Maker. If you love the ruthless logic of Bean (in Card's latest winner, Ender's Shadow), or the wit of Lovelock, or the compelling alternate universe inhabited by Alvin, you will surely be disappointed with Homebody.

Homebody was written by an author well outside his lyrical or logical core. The characters are well-considered and true to their natures, but none of them are people you'd want to have a conversation with, much less live with for the length of a book. The characters are deliciously flawed, but Card seems unable to find the hook needed to make us care.

Card's obsession with loss and the grieving process led to a couple of extraordinary works (like Xenocide) and a couple of literary duds (like Lost Boys). This definitely falls into the latter category. In the process, he's trying to write into genres where his style and abilities are ill matched. He's successfully equaled or exceeded the masters like Clark and Heinlein in future-fiction that captures the imagination. He's done a good turn matching Lewis and Zelazny by creating Alvin's magical reality. But, when it comes to a good ghost story or a contemporary supernatural tale, Card should leave it to King or Koontz.

If you want a ghost, pass on Card; if you want Card, one of the country's best living authors, try a different title.

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7 of 7 people found the following review helpful:
4.0 out of 5 stars A Good Ghost Tale!, September 29, 2005
Card spins another good ghost tale (see Treasure Box) about Dan, a man with a troubled past (he blames himself for the death of his daughter) who has given up on relationships and now makes a living buying old rundown houses and restoring them.

Dan comes across the old Bellamy house which was built a century earlier by a man who wanted to give the perfect house to his wife. The couple were big society people and after they died, the house fell into the hands of various disreputable individuals and became a speakeasy and a brothel until ending up as an apartment house for college students.

The house has been deserted for about 10 years and the closest neighbors are two "wierd" old women who live in what was once the Bellamy house's carriage house.

Dan buys the house and finds that it is not as abandoned as he thought. Additionally, the wierd neighbors prefer that he destroy the house rather than fix it up. As the book progresses we see that the house in not just an inanimate object but possibly a living thing.

During the book Dan has to wrestle with his past and becomes the "crying-post" for his troubled real estate agent as well as his houseguest.

I really enjoyed this book and held back from giving it 5 stars only because I thought that Dan missed too many obvious clues about the "secret" of his houseguest and that I would have liked to have learned more about the house in its glory days.
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Inside This Book (learn more)
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First Sentence:
Dr. Calhoun Bellamy made it a point to stay away from his property while the crew was tearing down the old Varley house. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
wrecking bar, south parlor
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Miz Evelyn, Miz Judea, Don Lark, Cindy Claybourne, Miz Judy, Sylvie Delaney, Miss Judy, Duke Power, Helping Hands, Miss Evvie, Miz Evvie, Miss Gladys, Rhode Island, Ryan Bagatti, Calhoun Bellamy, Jay Placer, North Carolina, College Hill, Felicity Yont
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