With the same wit and sensitivity that have come to characterize her highly praised and beloved novels Animal Dreams and The Bean Trees, Barbara Kingsolver gives us a rich and emotionally resonant collection of twelve stories. Spreading her memorable characters over landscapes ranging from northern-California to the hills of eastern Kentucky and the Caribbean island of St. Lucia, Kingsolver tells stories of hope, momentary joy, and powerful endurance. In every setting, Kingsolver's distinctive voice -- at times comic, but often heartrending -- rings true as she explores the twin themes of family ties and the life choices one must ultimately make alone. Homeland and Other Stories creates a world of love and possibility that readers will want to take as their own.
With this dazzling array of stories, demonstrating a wide range of characterizations, settings, situations and narrative voices, Kingsolver confirms the promise of her astonishingly accomplished first novel, The Bean Trees. Most of these dozen tales ring with authentic insights, leaving the reader moved, amused or enlightened. Kingsolver's knowledge of human nature, and especially domestic relationships, is breathtaking. She is able to convey the personalities and voices of such diverse characters as a feisty union organizer of Mexican ancestry; a young girl trying to be faithful to the legacy of her Cherokee grandmother; a life-scarred ex-con determined to go straight; an upper-middle-class wife and mother on a clandestine trip to the Petrified Forest with her lover; a middle-aged man whose cherished wife gives him an intimation of her mortality; a child from a poor farming family who befriends an outcast in her Kentucky community. Among the standout stories is "Islands on the Moon," in which a single mother faces her pregnancy with added exasperation because her mother--also single--will be having a baby at the same time. Propelled by fresh, breezy dialogue, funny, tender and full of surprises, the story takes a poignant turn when the mother and daughter heal their estrangement on a portentous day. If the symbolism in a few of these tales is sometimes too obvious, Kingsolver handles every other narrative device with delicacy and subtle skill. First serial to Redbook and Mademoiselle. Copyright 1989 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Kingsolver's second book--her novel, The Bean Trees ( LJ 2/1/88), won high praise--consists of uniformly affecting short stories, enhanced by real wisdom and generous warmth. Her characters, mostly mothers and daughters, uncover those memories and truths, once deeply buried, that emerge in moments of sudden crisis. In "Rose-Johnny," a young southern girl clings tightly to the ostracized woman she befriends. In "Blueprints," an unmarried Sacramento woman endures and transforms a long relationship, once happy, that threatens to turn into cabin fever. Kingsolver is not an innovator, but her voice is sure and her narrative skill accomplished. Highly recommended. - Timothy L. Zindel, Hastings Coll. of the Law, San Francisco Copyright 1989 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Barbara Kingsolver was born in 1955 in Annapolis, Maryland, and grew up in rural Kentucky. She counts among her most important early influences: the Bookmobile, a large family vegetable garden, the surrounding fields and woods, and parents who were tolerant of nature study but intolerant of TV. Beginning around the age of nine, Barbara kept a journal, wrote poems and stories, and entered every essay contest she ever heard about. Her first published work, "Why We Need a New Elementary School," included an account of how the school's ceiling fell and injured her teacher. The essay was printed in the local newspaper prior to a school-bond election; the school bond passed. For her efforts Barbara won a $25 savings bond, on which she expected to live comfortably in adulthood. After high school graduation she left Kentucky to enter DePauw University on a piano scholarship. She transferred from the music school to the college of liberal arts because of her desire to study practically everything, and graduated with a degree in biology. She spent the late 1970's in Greece, France and England seeking her fortune, but had not found it by the time her work visa expired in 1979. She then moved to Tucson, Arizona, out of curiosity to see the American southwest, and eventually pursued graduate studies in evolutionary biology at the University of Arizona. After graduate school she worked as a scientific writer for the University of Arizona before becoming a freelance journalist. Kingsolver's short fiction and poetry began to be published during the mid-1980's, along with the articles she wrote regularly for regional and national periodicals. She wrote her first novel, The Bean Trees, entirely at night, in the abundant free time made available by chronic insomnia during pregnancy. Completed just before the birth of her first child, in March 1987, the novel was published by HarperCollins the following year with a modest first printing. Widespread critical acclaim and word-of-mouth support have kept the book continuously in print since then. The Bean Trees has now been adopted into the core curriculum of high school and college literature classes across the U.S., and has been translated into more than a dozen languages. She has written eleven more books since then, including the novels Animal Dreams , Pigs in Heaven, The Poisonwood Bible, and Prodigal Summer ; a collection of short stories (Homeland ); poetry (Another America ); an oral history (Holding the Line ); two essay collections (High Tide in Tucson, Small Wonder ); a prose-poetry text accompanying the photography of Annie Griffiths Belt (Last Stand ); and most recently, her first full-length narrative non-fiction, Animal, Vegetable, Miracle. She has contributed to dozens of literary anthologies, and her reviews and articles have appeared in most major U.S. newspapers and magazines. Her books have earned major literary awards at home and abroad, and in 2000 she received the National Humanities Medal, our nation's highest honor for service through the arts. In 1997 Barbara established the Bellwether Prize, awarded in even-numbered years to a first novel that exemplifies outstanding literary quality and a commitment to literature as a tool for social change. Barbara is the mother of two daughters, Camille and Lily, and is married to Steven Hopp, a professor of environmental sciences. In 2004, after more than 25 years in Tucson, Arizona, Barbara left the southwest to return to her native terrain. She now lives with her family on a farm in southwestern Virginia where they raise free-range chickens, turkeys, Icelandic sheep, and an enormous vegetable garden.
Rose-Johnny is the shining star in this awesome collection of short stories. It deals with many different small-town prejudices, and the outrage at the 11 year-old level that little Georgeann feels. My favorite story, from a humor standpoint, is Blueprints. Although it is not a funny story per se, the comments and thoughts that Lydia makes about Whitman's friends are hilarious. These friends are so concerned about Mother Nature and the environment, but haven't bothered to visit them once they moved out of the evil city into the foothills. These same friends insist that fertilized eggs are better for you than unfertilized eggs (show me the scientific evidence), and name their children after vegetables. I am sure these guys look at you wrong if you don't buy organic coffee beans from Guatemala. I think Barbara Kingsolver has little tolerance for those nature-type-wanna-be's (here, here).
All these and the rest of the stories are beautifully crafted, with many reflections on nature. Wonderful book, not to be missed.
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"Homeland and Other Stories" showcases Barbara Kingsolver's remarkable ear for heartland speech as well as her talent for painting the every day struggles of people through exquisite but understated detail. Kingsolver never falls into melodrama nor does she show disrespect for her characters. This is a beautiful and powerful collection.
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"Homeland and Other Stories" showcases Barbara Kingsolver's remarkable ear for heartland speech as well as her talent for painting the every day struggles of people through exquisite but understated detail. Kingsolver never falls into melodrama nor does she show disrespect for her characters. This is a beautiful and powerful collection.
Help other customers find the most helpful reviews