From Publishers Weekly
Told largely in retrospect, this ambitious debut by Indian émigré filmmaker Vachani is narrated by Sweta, who presides over her family history with equal parts passion and uncertainty. Born in 1958, Sweta lives with her grandparents, while her father, Ranjit Ronu Kalra, serves as an Indian air force pilot. The book takes its title from the
khadi cloth favored by Gandhi, and it becomes a symbol of the unhappy divide between Sweta's grandfather, a fighter for Indian independence, and her grandmother, a fashion plate. The fight for independence, WWII, border battles with Pakistan, and Vietnam permeate the novel, separating families and dividing the populace along religious and ethnic lines. Sweta darts in and out of the story as, most of the time, an inscrutable, sullen and overweight teenager. Around her swirl the stories of her grandparents' ugly marriage, of her father's childhood as a film star and of his first love. Most moving is the figure of Nanaji, Sweta's grandfather, a tender man committed to principles and making the best of the hand he's dealt. The book opens with his death and frontloads the many characters, but Nanaji and Sweta's poignant relationship pulls the reader through manifold tragedy and serendipity.
(May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–Skillfully braiding generations of an Indian family–their personal, cultural, and national struggles–into a fluid first novel, Vachani perfectly reflects the handwoven cotton tapestries praised by Gandhi.
HomeSpuns fluidity extends to time, character, and perspective, with details and information needed to comprehend the whole scattered like the delicious crumbs of Indian pakoras throughout the interwoven plots. The cast here includes a future powerhouse of Bollywood cinema, a metropolitan and educated woman in love, and a beautiful and tractable future mother. The plotlines trace the tragedy of a failed marriage, the Indian Revolution, personal obsessions, the public life of Malcolm X, Indias war with Pakistan, propaganda and the media, and the mid-20th century Indian films of Fearless Nadia and Ashok Kumar. The result is zesty and enticing. Teens will find
HomeSpun an engaging introduction to modern India (a thorough historical appendix is included) as well as a highlight of contemporary Indian fiction.
–Shannon Peterson, Kitsap Regional Library, WA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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